• April 2005

    Not the same.
    Thursday, April 28, 2005 , 10:18 PM

    I went to see The Hitchhiker’s Guide to the Galaxy this evening with my friends. As my brother said this evening when we talked on Skype, they were the first books I read that made me laugh out loud. I laughed until I cried at the bit where the whale falls to earth and blows up in a rain of meat. I’m sure that in some way inspired the exploding panda at the beginning of The Willies.

    But it’s not the same now. When I tried to read the first book a few years ago, the sense of humour just didn’t gibe with me at all. Likewise, the movie seemed to be rushing to stick in parts of the book that it wanted to allude to (allusion, there you go — defined that word for my beloved nephew a few days back). But there was something hollow about it for me. I don’t think it was just a UK/US misunderstanding.

    Strangely, though, the bits I skimmed over as a kid, or didn’t even notice — that developed the relationship between Arthur and Trillian — were the most interesting to me now. Back then, I loved all the science fictiony made-up bits, and as a magical realist, I’m still in love with imaginative writing. But what compelled me most about the movie was the relationship between those two, those feelings, those strings of hormones and neuropeptides and Symposium-esque Platonic otherhalfnesses. (I think I’m also in the dreaded grip of Spring Fever.)

    Although…

    There was one scene in which [SPOILER, like you haven’t read the book] Arthur is travelling over the new Earth with Slartibartfast (played by Bill Nighy, whom I love in everything I’ve seen him in), with great symphonic chords underneath, and I felt that sense of wonder I did back then. Walking home tonight, the song “Heaven and Hell”, the theme to the Carl Sagan 1980 PBS series “Cosmos”, played on my MP3 player. (Okay, which is my phone, but nevermind the details.) Its cheesy, Vangelis-y chords reminded me of the time I spent with my best friend Karl, watching that show, wondering at the universe we lived in. The world we pretended about with those ideas was infinite, bound in only by our imaginations.

    Karl had Muscular Dystrophy. Because of this, we spent nearly every day together, drawing cartoons in his parents’ basement, reading books, or pretending about other worlds and other possibilities. Brainy, inventive stuff was the only option on the table. Karl always was the smarter of the two of us.

    Undoubtedly, he died long ago. People with his form of MD rarely see the age of 20. I regret that his family never told me about it, and I’ve been unable to find any record of it on the web. Of course, it wouldn’t make any difference. He’s now part of that vastness that we wondered about — as I am, only I’m still in that illusory “world of opposites” part of it, where through my ego I can imagine myself as somehow separate from it, an individual within it.

    When, in the movie, I heard that banjoey twang of theHitchhiker’s Guide theme, I was immediately rewound to those days, to that sense of how funny it all was then, and how inviting that limitless world of madeupness was. I’m very happy that my life’s work is still based on those principles.

    Further to that, today I received a rejection letter from the publisher who’a been sitting on my book. As rejections go, it was as good as they come: He loves the book, but budgetary constraints mean they’re only doing non-fiction this year. So he recommended me to another, bigger publisher, who are expecting the manuscript. And if nothing happens with them, he’s invited me to go back to him with it. Wow.

    I walked to the movie this evening, after getting this letter, with the sun shining in my eyes. I felt like the lord of my domain. Yes, I’ve been practicing this Zen notion of detachment, of not getting emotionally hooked by things. But this stirred the embers in me up to a flame. I don’t know where the balance is: On the one hand, I believe it’s good to know this detachment, to just be the doing of things, not crave them with the ego, or need them to fulfill anything that rightly I can only supply myself with. But on the other hand, I deeply believe that I’m here to learn how to manifest ideas, how to make the imagined real. This show of support from a professional in the publishing business was a reminder to be a little less humble, to get off my arse and put my work out there so I might know some success for it, so I can become a bigger creator.

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    Ribbet, ribbet… BANG!
    Wednesday, April 27, 2005 , 4:22 PM

    My buddy Heipel just pointed this news item out to me, about frogs in Hamburg that are blowing up.

    Okay, I had it as seagulls, but I can see how the great forces would have decided that frogs were more easily splodable.

    ~

    I had a dream a few mornings ago that it was the last day of school before summer holiday, only I didn’t have to go back in the fall. That was it, I was finished. No more school ever.

    Then I woke up, and found that I really didn’t have to go to school ever again. Life is one big, long summer break. Except, as Patrick pointed out to me, we have bank accounts.

    P.S. I have an extra ticket for Hitchhiker’s Guide to the Galaxy for tomorrow at 5:20, if anyone wants to go.

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    What next… disco?
    Tuesday, April 26, 2005 , 9:54 AM

    As I sent out e-mails yesterday, making plans with my friends, I had a strange sense of deja vu:

    On Thursday we’re going to see the Hitchhiker’s Guide to the Galaxy movie. (By the way, gang, I’ve picked up the tickets. We’re good to go.) Yesterday’s e-mails were about my reserving tickets for the final Star Wars movie. And Patrick was trying to sort out a time for me to catch up on the Doctor Who episodes I’d missed that he’d TiVO-ed.

    What am I, eleven again?

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    Writing in restaurants.
    Sunday, April 24, 2005 , 1:58 PM

    Yesterday I spent several hours writing the article on Belarus. It was a toughie, because the subject is so big and sprawling, and I wasn’t clear what my angle on it was. Yes, I actually experienced writer’s block at work this week over it.

    Of course, there’s no such thing as writer’s block; it’s always a matter of fixating on outcome, or not asking enough questions about the task at hand. With this piece, it was time to just dive in and get the thing written — to tell the story, give some information, and get an idea across.

    So yesterday I begged out of an invitation to what sounded like a lovely picnic and spent my time in The Elephant House, then when that got too smoky, in Favorit, writing away. It’s my perfect Saturday, really, though I’m not used to doing work-work at the weekend. But there’s so little difference between work and play in this regard.

    On the way home, I detoured into The Waverley Bar because I figured Liz was working. Indeed she was, so we chatted for a bit until the pub filled up a bit.

    The challenge with epiphanies is that the newness wears off, and they get incorporated into daily life. Such is the case with my latest round of insights: it’s tough to get the exhilaration I had a few weeks ago. Happily, though, those ways of thinking have become habit. One way this is showing up is that I’m talking a lot more to people in public, cutting through the business of social roles and addressing them as another wandering soul hungry for love that I’m connected to in this life. In any given moment there’s an opportunity for us to make each other happy, or at least be decent to each other, so I’ve been trying to do more of that lately.

    How this manifested last night was that I fell into conversation with two neat guys, Malcolm and History. Yeah, his nickname was History, which I loved. They were very bright, very funny guys. The fact that they bought me two pints of 80/- and a whisky just endeared them to me further.

    And now it’s Sunday. I’ve got a completely free, nothing day, and I’m just relaxing.

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    To Belarusia with love.
    Friday, April 22, 2005 , 10:52 AM

    I’ve been looking for non-leather shoes. Most of what’s available on the net looks like it was woven from coconuts by monkeys.

    ~

    Life advances, and is good. Nothing specific to report.

    The most interesting thing I’ve been working on for The Coach is an article about a trip our marketing director took to Belarus recently. A client of ours set up an organisation that, to date, has brought over $20 million worth of medical supplies, food, and other goods to the country. My co-worker went to help out on one of the organisation’s aid missions.

    I didn’t know anything about Belarus until starting to research this piece, but, man, they have it bad. First Chernobyl coughed evil on their country, contaminating about 20% of the land with radioactive isotopes that will take up to 24,400 years to become inactive. Most of the people live through subsistence farming, which means they’re regularly ingesting highly radioactive material. What do you do when the choice is between that and starving?

    Then the country got a despot for president, who dragged the nation back into the Cold War. He keeps passing measures to extend his rule as leader, while making his opponents “disappear”. Condoleeza Rice called President Lukashenko “the last dictator in Europe” — and this, coming from her! Amnesty International aren’t very fond of him, either.

    But this client of ours is persisting through the maze of red tape and bureaucracy to help these people. He thanks our company, saying that this is only possible because of the income and free time that he created in our program. It’s nice to see how many of these entrepreneurs reach a level of success where they’re not interested in the money anymore. They want to create something more, something lasting. And they turn to philanthropy. Being inventive and powerful people, they produce some impressive and moving results.

    The article will appear in the next issue of Strategic eNews (the newsletter I write for The Strategic Coach).

    The challenge in writing the piece is that I can’t get political. It’s not our style, and it wouldn’t help the mission, because the president is already highly suspicious of anything from the west. Even writing this, I’m afraid of it being linked back somehow to that good work.

    Much of the charity’s work is with orphans, bringing them to Canada for medical treatment and for a respite from — well, from being constantly irradiated. Some isotopes can be eliminated through diet. Others, unfortunately, take firmer hold in the body. The incidence of cancer in the population there is beyond comprehension.

    The orphans’ trips to Canada are a complex matter, as they can be interpreted as interference, an attempt to steal away a generation of Belarusians. Yet at home, they’re classed as non-persons. About 17% of them try to kill themselves on leaving school, because they see no future for themselves. This organisation tries to keep them in school and provide a university education for them when they get older. Perhaps this — a class of people who’ve been treated abominably but have gained a sense of self-esteem and a realisation of their own abilities — is the most frightening prospect of all to the current regime.

    The current generation is only now reaching the age when they can have children of their own. No one knows how severe the effects of the radiation will be on their ability to reproduce. Some speculate that their future as a people is in doubt, unless some of these children have a chance to get well.

    You can find out more about this aid mission here:Canadian Aid for Chernobyl.

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    It’s raining stories.
    Sunday, April 17, 2005 , 7:17 PM

    I wrote seven short stories this afternoon. Really little ones, but I did it just for fun, and it was fun. Here I’d been putting off writing one, but when I approached a different way, it became easy to write a bunch of them.

    Last week I finished everything I was supposed to do early one night, and was chatting to Cosgrove online. I told him I had nothing to do (not that I was bored — I think boredom is noncommittal suicide). So he challenged me to write him a one-page story. But what? For days I was wondering what to write about, but then yesterday it hit me: Write something just for him, not for any other purpose — because planning outcomes before creating the thing is the surest way to blow the creative ether out the window. Okay, I thought, but what sort of story would he like? I didn’t know, so I started flipping through genres in my head, and came up with ideas for every genre I could think of. And today I wrote them, just silly things to keep me in shape between projects, covering, respectively: suspense, horror, romance, nostalgia, science fiction, and fantasy. I sent them to him first, but I also posted them here.

    ~

    Friday night, a bunch of us went to The Stand to see some comedy. I’m really not big on comedy, for the reason I’ve mentioned here a few times, that as an ex-performer, it’s not fun for me to watch people try so hard, and sometimes fail. I feel responsible for them, because that’s how I was trained to be as an actor.

    This night was no different from any other comedy nights I’ve been to: Some funny people, often having to handle arseholes heckling from the audience, and some not-funny people, either being heckled cruelly when we all already know what’s happening, or everyone sitting in silence waiting for the pain to stop.

    Three of the four acts were very good, and the one not-good one was nice. Really nice, so not laughing was tough. And the compere (or MC in North American English) was an utter, utter arsehole of a self-loathing, bitchy gay man. Unfortunately, the crowd, not being accustomed to this breed of person, mistook him for funny. “Oh! He said a dirty word for genitals and sex acts!” (Or a succession of dirty words for genitals and sex acts.) And then there was his bizarre projection onto male audience members, in which he accused them of being gay. And this was funny. Because (*titter*) gay is funny!

    And I wish to fuck people would give that up.

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    Another log on the fire.
    Thursday, April 14, 2005 , 12:17 PM

    Here’s another short story. This one’s called “Finity“. Just a bit of fun. It’s about an insurance salesman at the end of the world:

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    Londrunk.
    Monday, April 11, 2005 , 10:29 AM

    This weekend, I went down to London with Patrick. We had a great weekend, though a list of what we did wouldn’t take up much space. It was a time better measured in relationship distance: I met his friends Owen and Stéphanie, and instantly understood why he likes them both so much. We stayed at Owen’s and had a very ‘European’ evening with Steph, eating marzipan and drinking citron pressé then going to a French café to eat wine, olives, and bread. Admittedly, it was a chain, but it’s a chain that has bottled fin de siécle Paris perfectly. I wouldn’t have been surprised to see Hemingway there in a corner, sharpening a little pencil with a knife into a saucer. With both of these people, I felt an instant rapport and immediately enjoyed the happy friction that is good conversation full of laughs — a kind of mental frottage, if you’ll excuse the expression.

    We also went to Heaven, London’s Big Gay Club, but this happened, like everything else in the weekend, by accident. We made no plans, and everything flowed together, which is not only my recipe for a good weekend (since my weekly plans are usually tight), but for a great vacation. On this occasion, one of Owen’s friends, whom we met while sitting around in a pub called Retro, where Owen knew everyone who walked through the door, breezed us past a queue and some security, into a huge brick chamber under Charing Cross Station, much like The Arches in Glasgow. We were soon being handed glasses of champagne. I’m not a club person, but if I’m going to be there, this seemed a nice way to do it.

    The main feature of the weekend for me was my friendship with Patrick. We’ve travelled some, but usually by car. Going by plane was going to be different, I figured, having to sort out the flights and trains. As I’d anticipated, his company was an utter pleasure. We’ve known each other for almost four years, and we’ve worked a lot on this friendship. As a result, we know how to handle each other really well, how to have the best time when it’s good, and how to take control in situations where the other is out of his element.

    My blissed-out state lasted the whole weekend, as a mad rush of incredibly varied people streamed past me everywhere, and I loved watching them all, being amongst them (though that intensity of human energy would be wearing if I lived in it; Edinburgh is much slower, even as a capital city). Also, there were a few hitches, but Patrick joined me in a gentle, responsive mindset. For instance, we missed our return flight yesterday, so we went away to talk about alternatives, then went back and put our credit cards on the desk. As the owner of the company I write for says, “If you’ve got enough money to solve the problem, you don’t have the problem.” We then set about chatting and people-watching for four hours.

    When we got on the plane, we were surrounded by French students in their early teens, who bounced up and down in their seats like a game of Whack-a-Mole (with no mallet in sight), and talked excitedly to each other in a very gutteral accent. I sat thinking, “I could be annoyed at them, but I bet I could see this another way.” Then it occurred to me: they weren’t being annoying, they were being excited about travelling. It was still disruptive after that, but it wasn’t bothersome. This seems to be the key lately, getting how few things in the world lately are actually about me. We didn’t manage to catch up with Tim, and I didn’t even hear from him at all. I immediately went into an old reactive mode, thinking, “Well, fine then, if he can’t be bothered getting in touch with me…” Then I thought about his show, the number of band-gigs he’s doing, and the fact that he’s the father of two, one of whom is an infant. I had no idea what was up, but after that it was easy to imagine it wasn’t about me. Besides which, do I want to be pissed at an old friend and drift away from him, or do I want to know this neat guy? The answer was easy, and I dropped it.

    So this is how the weekend went, constantly choosing to go with the fun option, not getting snagged on anything. Patrick is a smart, funny person to be around, but the fact that he shared this mindset made the whole time a great getaway.

    P.S. We didn’t drink that much; Friday was the only wild time. But during it, that title popped into my head, and I had to use it.

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    Everythingness.
    Thursday, April 07, 2005 , 7:32 PM

    The experience I had the other night was not a fleeting thing. For a few days now, I’ve had this constant experience of it. It’s blissful.

    I realised how antagonistic my approach to other people I encounter in public is. Instead, the past few days I’ve been dealing with others as — not even quite brothers or sisters, but as literally being me. We’re all part of the same stuff. In this mode of thought, antagonism isn’t just negative, it’s silly. How can you be aggressive toward a part of yourself?

    Yesterday I wrote a letter to the editor who has my book. I sent it off this morning, and for a change didn’t feel nervous about it at all. There’s nothing “out there” to achieve because there is no “out there” out there. I am, and that as far as it goes. There are things I want to achieve in life, but these days I’m after them because they seem fun, not because I believe they’ll fix or change anything. They don’t have to, because there’s nothing wrong, nothing missing. It’s just games to play; no results will make me any more real or alive. All that is already here in this moment.

    I’m sitting in a food court near the train station, having found a nice little natural foods store. All these people around me — the oldsters with their tea, the bored staff on their breaks, the laughing friends, the parents with their children (whom I find cute!), the bewildered-looking street-person gawking at the cabinet full of sweets, even the smokers! — I love them.

    I’m waiting to take the train out to Patrick‘s, ’cause we’re off to London together tomorrow. I’m very happy to be going in this state of mind. I’m going to have a lot of fun. Hopefully I’ll be able to catch up with my friend Tim, who’s in a show there, but at any rate I’ll meet Patrick’s friend Owen, who’s just existed until now as one of those people on the Internet.

    I’ve also caught up with another friend, Gareth, who I’d lost touch with — which is not right, ’cause he’s a bright guy I like. We went to The Filmhouse, where we saw Ma Mere, arguably the most depraved movie I’ve ever seen. It took us some time to decompress afterward: we didn’t hate it, but it explored a lot of uncomfortable boundaries without apology or hesitation. I knew it dealt with an incestuously close mother-son relationship, but I was very wrong to think that was the risky ace up its sleeve. Oh no. It just kept going and going, often for no seeming reason except to go. I had a terrible sleep last night because this movie was in my head, recasting relationships from the distant past in new, conflicted ways. But nothing it imagined was as warped or convoluted as the situations those characters put themselves into.

    Work is good. I’ve lots to work on, including some a fun interview with one of our staff who went to visit one of our entrepreneur clients in Belarus, where he’s set up a medical relief organisation. We’re not just about making people rich. With most of the entrepreneurs, they reach a point where the money isn’t the point, and they ask themselves “What can I do with this that will matter?” And they do some pretty touching, pretty big things.

    Yay! I just received an e-mail approving a sales fax I did the “fancy writing” on from a brief. The last one went through eight revisions, so getting it in one feels nice.

    It’s funny that I read my writing guru Natalie Goldberg going on and on about this Zen awareness stuff for years, but never took an interest in it. Now I see how this is useful for a writer, to witness the world this way, and to respect all of it. I don’t know what more to say about it. Words don’t really touch it.

    I realise how kooky this probably sounds, but I don’t care. This offers me things I don’t want to miss. It gives me permission to go wherever I need to go creatively and honour that, not try to make it fit into a nice and presentable form. But the biggest payoff is that it turns off that constant background noise I’ve had for so many years, that longing, the worry, the incompleteness. The world of dualities is the beginning of suffering. Suffering’s no fun.

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    I can see my house from here.
    Wednesday, April 06, 2005 , 12:54 PM


    As the French would say: Super-cool! Nasa has released a piece of open-source (e.g. free) software that lets you browse the whole Earth in real time.

    It’s called NASA World Wind. This should give us something to play with until Google Maps expands beyond the US.

    ~

    Apologies if it seems like I’m not replying to your e-mails. Somehow my SMTP server has got on a blacklist, so my messages are being bounced back from Yahoo and some other mail hosts. I’m pursuing this with my host; hopefully we can clear this up quickly.

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    Recycled.
    Tuesday, April 05, 2005 , 3:22 PM

    Yay! I took my recycling to the depot today and discovered that there’s a new bin for cardboard, plastic bottles, and drink boxes. Hazzah! My rubbish output has just been halved. Congratulations, Edinburgh, on getting that together.

    I’m sitting in the Central Library, where the blue sky blazes through the glass in the four walls around me. It’s still a bit chilly — in here, too. I’m going to move soon.

    There’s a man two tables in front of me reading newspapers, wearing garden gloves. Does newspaper ink still smudge? I rarely read the things, since I get all my information on the web and through RSS feeds. I try not to read too much of the news. Feeding tubes, celebrities, murders, mergers, and popes get tired fast, and are irrelevant to my daily existence.

    Last night I lay in bed, where sometimes I’m struck with heavy thoughts about the future — my own, my family’s. Admittedly, I was feeling a bit lonely, too, even though I don’t particularly want a relationship. The way I’m thinking lately, the drive to relationship is more of an addiction to the endorphins and other associated chemicals than it is an actual need. The other person is practically a variable. It’s also, I dunno, sometimes it seems a way to avoid being conscious or working on what’s important, hiding out in someone else.

    I lay there, thinking about all this, wondering about what two different people said to me while I was chatting online: “Why are you not with someone? You’re so [this and that]…” I had no answer for them. I thought about my parents, being together these forty-odd years, and how strange that would seem to me.

    Then something odd happened: I stopped feeling like a separate, distinct entity. Loneliness and separation clearly belonged to the same illusion: There wasn’t me and the universe, there was just the universe, with me as part of it. I felt it flowing through me (which I suppose it does, since I’ve none of the cells or atoms in me that I did just a few years ago). I fell asleep with a smile on my face.

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    No more capless pens.
    Friday, April 01, 2005 , 10:03 AM

    I just discovered the best thing: the Mailing Preference Service. It’s the postal equivalent of a “No-call” list. I have to walk a few blocks to the back of the B&Q hardware shop to put my recycling in big dumpsters. Every bit of junk mail means I have to go sooner. And I’m sorry, charities, sending me a biro in the mail does notmake me want to write you a cheque. It pains me that over 90% of the things that I throw out each week are recyclable in Toronto — and this is a small country!

    ~

    I finished reading The Curious Incident of the Dog in the Nighttime (in two sittings, as Liz suggested it would probably take). I enjoyed it, and find it funny how acutely aware it’s made me of my own idiosyncracies — except I can’t excuse them away with a syndrome. As I read the book, I found myself wishing I could, though. For instance, in the gay community in Toronto, people often took the liberty of greeting me and saying goodbye with a kiss on the lips. It was intended as a caring gesture, but for me it was always like having someone cop a feel. It would have been great to just scream, curl up in a ball on the floor, or bark at them like a dog. “Oh, it’s okay. He just does that because he’s got Hamefelter’s Syndrome.”

    ~

    Tonight a few of the Friday Gang and I are having supper at Karen’s, then going to see a jazz band calledHejira. The tracks on the band’s website sound uber-cool, so I’m looking forward to it.

    ~

    Last night I worked until 2AM. I’d juggled my schedule a bit during the day, and was surprised that what I took to be a simple job ended up taking a lot more effort. Patrickcame over in the evening for Writing Night (something new we’re doing), at which I did the remaining layout work for the Dunderheid ‘zine, then when he left I got down to work… And didn’t get up again until it was very late.

    But I loved it. Things have been slow lately with work, and that’s when my mind grows cobwebs. But this, reworking the copy for the new company website, was like a mad hike through the jungle. It wasn’t work, it wasfun.

    <

    p>I’m grateful for the life I have.

  • March 2005

    Commentary on commentators.
    , 8:40 AM

    I think that I will never read another book review. I was just reading one from Slate about a new novel. (I guess that’s redundant.) I grew more interested as I learned the book was a magic realist story. Then the commentators took a swipe at the writer, just a mild one, but I was left thinking, “Who are these people to be talking abouthim?

    Taking a step backwards, I now look at the whole ofSlate, and I wonder what it’s for. It’s a bunch of gas-bags venting about current events and cultural inventions, sounding clever, but adding nothing.

    If there’s an information equivalent to toxic shock, I’m there. Last night I sat and read a hundred pages of a book, and my brain was itching like a junky to get back to the computer.

    Ahead of me, through the library windows, I see a herd of triangular, slate-covered roofs. Some have terracotta chimney-pots coming up out of them, and one has a television aerial.

    Right now, there’s nothing wrong. This state of mind is a lasting bit of the awareness practice reading I did. I was walking in town today, passing by the great gorge between the Regent Road and the Old Town, which contains the train station and other odds and ends, and I looked at the sky. It had — and still has — a colour like newsprint. I checked my feelings, which were flat.Something’s wrong, my brain thought habitually. But just as quickly, it occurred to me that something was only wrong if I was obliged to feel one particular way. The mind is hungry for consistency like that: “Always happy! Always happy! Sameness! Survival!” I took what I was feeling and was satisfied with it. The sky was not “grim”; it was blank, yet to be printed on.

    It’s been cool again lately, and not so spring-like. I don’t resent the season I’m in anymore, or hope for the next one. As an aging, mortal creature with much to lose, I’m not in any hurry for time to pass.


    Nice weekend.
    Monday, March 28, 2005 , 5:02 PM

    Friday: Chat at Liz‘s and drinks at Pivo.

    Saturday: Talked with the family on Skype for ages, then went out to Patrick’s, where we watched the launch of the new Doctor Who, which was gladdeningly charming. It was fun to be here for the start (or re-start) of something so quintessentially British.

    Sunday: Liz had an Easter egg hunt for a bunch of us in her flat, which reduced us to six-year-olds. More conversation ensued, people went off their separate ways, then Liz and I went to see The Machinist, a very stylish film that veered uncomfortably close to Fight Club, without being anywhere as important. Ultimately, it seemed to be an exercise in displaying how Method-ically skinny Christian Bale could make himself. Icky.

    It’s grey, rainy, and kinda cold again.


    Are you not thinking yet?
    Friday, March 25, 2005 , 1:12 PM

    Relax, I’m not referring to dismantling the universe or anything like that… This time.

    My editor asked me to read a book on web usability, because we’re writing copy for the next iteration of the company’s website. (Which, thanks to the team, especially my beloved Margaux, is going to be very pretty.)

    The book is called Don’t Make Me Think!. Ironically, it immediately got me thinking about my own website. I haven’t changed it in several years, mainly ’cause I’m not doing the web design thing anymore, so I don’t need it as a showcase. I also couldn’t think of anything better. But it always did kinda bug me that the navigation was a bit weird and non-intuitive; it required you to click something here, then notice something over there. That’s a level of thinking, exactly the sort of thing this author Steve Krug says should be eliminated to help your readers/users. Add to this the fact that I never used two of the four categories.

    The book is a quick and practical read, and as I went through it I immediately saw what else I could do instead, which is either a testament to him, or to my having gained some distance from the old design.

    Anyway, here it is. I’ve still got some decorating to do, but it’s built and the walls are painted.

    As a seasoned web designer, I know that the first thing everyone says on the launch of a new website is “Why didn’t you–?”, “Couldn’t it–?”, “I don’t like how–“, or “This is broken.” If you’re reading this, know that I love you, but, er… don’t. My intention (in starting yesterday afternoon and working until 4:30 in the morning) was to build a simple, easy-to-modify website, and this works for me.


    Where in the noosphere is Hamish?
    Wednesday, March 23, 2005 , 8:44 PM

    Busy. I’ve been juggling a few things, and finishing off my head-sorting, life-sorting work. Or so I thought: Having worked through the Zen-ish book, I’m left in an open field, looking up at clouds and stars. It’s a big, happy blank. There’s nowhere to go, nothing to do. I’m not separate from anything. So now comes the tricky balance between moving toward things I want in life and not missing each moment of existence.

    Onto more practical, understandable matters: Any e-mail sent to my in-box on Thursday went into the aether, never to be seen again. I was in-between web hosts. Apologies if your message was one of them.


    Saturday, March 19, 2005 , 3:15 PM

    Last night I went out to Patrick’s with Philip and Murray, where we found Patrick, Liz, Geoff, Keith, and Anita making supper. I’d hyperlink their names to all their various blogs, but I can’t be arsed: I’m sitting in Princes Street Gardens.

    I just finished the last session in the preparation course for Powerful Partnerships, the “citizen’s advocacy” group I’ve got involved with. Last night was a blast: I had a really good time with my mates, got home at a reasonable hour, and yet I had a terrible sleep. My main thought this morning was just to survive this final day in the course so I could go home and have a nap.

    It helps to have a theme when approaching a day, but “I’m sleepy” seemed a sure-fire way to have a lousy time, learn nothing, and make no valuable contribution. Plus they gave us biscuits and sandwiches. I also bought a big bottle of water — hydration helps with tiredness. Though every damned liquid product in this country has f*ing sugar in it, as this lime-water proved to, too. Why?!

    So the session was valuable and dropped in the last missing pieces, addressing my concerns about being an advocate. The group also had a fun dynamic, which has raised my confidence throughout about this being a good experience.

    So now it’s all over, and what’s next is for me to start meeting real people, one of whom I’ll actually end up being an advocate for. The preparation is over.

    And this day! There’s no way I want to take a nap now and miss this beautiful warmth, the daffodils bursting from the ground, the warm sun kick-starting my pineal gland into making me feel springtime happy. So now I’m sat in the gardens with pairs and groups of people walking past or sitting on the lawns, every other one of them with an ice cream cone in their hand.

    Unfortunately, I haven’t got much mental energy to do much else than just sit here. But this is enough, isn’t it? All the effort, all the striving, is about enjoying a great quality of life, and this is definitely a good moment, not to be missed.

    A throng of people just went past making a ruckus. They’re rehearsing the passion play that’s to happen here next week. (Like Beltane, only instead of the resurrected Green Man, it’s a guy in a bathrobe. Same myth, different spiritual costume designer.) I found out about the passion play today from a young medical student who showed up to the session late. He’s going to be taking part in it. Meanwhile, as the Practice Christ is dragged past, Rufus Wainwright sings “Instant Pleasure” into my ears through my headphones: “I don’t want somebody to love me/Just give me sex whenever I want it.” Hee.

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    Out of touch.
    Friday, March 18, 2005 , 12:53 AM

    Sorry for not responding properly to e-mails for the past few days. I’ve not had proper access to my mailservers.Aaargh! After spending fifty quid to move to a new web-host, along with talking endlessly to various technical support people, it turns out that the issue was just my router. How did I solve the problem? Unplugging it and plugging it back in.

    Lord.

    For every bit of capability these machines add, they make an equal demand in time and money.

    ~

    I wanted to share my favourite poems that were read the other night. Happily, they all seem to be in the public domain, or at least posted elsewhere on the Internet (in varying degrees of eye-boiling web design):

    “Song of Myself”, Section 6
    Walk Whitman

    “The Last Words of My English Grandmother”
    William Carlos Williams

    “A True Account of Talking to the Sun at Fire Island”
    Frank O’Hara

    “The Housedog’s Grave”
    Robinson Jeffers

    “The Fish”
    Elizabeth Bishop

    “The Steeple-Jack”
    Marianne Moore

    “Proem: To Brooklyn Bridge”
    Hart Crane
    (NB: It’s a bit buried on the page. Best do a search for “Hart Crane”)


    Wednesday, March 16, 2005 , 1:34 PM

    Last night, I went to The Scottish Poetry Library for an event in a series called “Selected Works.” Philip told me about it, and was going to meet me there, except when he was stopped at the corner of St Mary and Holyrood, a prostitute jumped in his car just as the light changed. He didn’t make it on time — not because he accepted her very forward offer, but because he had to drive around the block to put her back where he found her. We met afterward in the Regent Pub, and I told him that I didn’t mind, ’cause that’s the best excuse anyone’s ever given me for being late.

    The poems were selected and most of them read by an American named Mark Doty. I’d not heard of him before, but that means nothing, as I’ve not heard of most poets. I was happy that he wasn’t a Gay Poet, which is more or less how Phil set up the event for me, but instead was just a person. The topic wasn’t hidden, but it didn’t come to the fore because it wasn’t at issue in the conversation.

    Instead, the evening was about savouring the voices of Doty’s favourite poets. I have the list of readings in my jacket pocket, and want to search them all out again, because they were beautiful, aurally delicious. Whitman, Dickenson, Jeffers, Crane, Williams and a few others — their thoughts came from the past through the magic of inscription and rereading, and unfolded again in the air, fresh, new, and moving for us. It helped that Doty is a very good reader. But those words! Prose is like water — nourishing, essential — but poetry, something I don’t usually partake in, poetry is intoxicating liquor. Some of it’s rough booze, but what we heard last night was like a swig of good, open, unpretentious wine. I was drunk as I heard those words, and felt challenged to wake up, wake up, wake up! to everything, the sublime and the frightening, that which affirms and that which destroys.

    Philip’s ex’s uncle (it took me a bit to get it, too) joined us at The Regent. He’d not been carjacked by prostitutes, so he made it to the event. He’s been a fan of Doty’s for years, so this evening was a special event for him. It turns out that he works with Ottakar’s, the bookseller, and has in his head exactly everything I don’t know about Scottish publishing. I need to follow up with him.

    I’ve had no time in the last day and won’t have time today to pick up my “investigation”, which leaves me a bit unsettled. Tonight is another training session with the crisis advocacy group, then Saturday is an all-day session, the final bit of training. I’m not sure where this is all going, or how it will fit in. Meanwhile, RyanAir has just announced a cheap hostel service, and I’m sorely tempted to run away. I haven’t got the spare cash, and my debts are at zero, so I don’t want to mess with that.

    Ah, but here’s something you can help me with, if you’re so inclined: (Since it’s been pointed out that I rarely ask for help, and thus don’t give people in my life a chance to contribute to me.) I’m hearing nothing back from the publisher regarding Idea in Stone. This doesn’t mean anything, and isn’t necessarily bad. My inclination is to leave it, because being forceful with editors goes over as well as declaring “I love you” to a date: they run away. But FFS, it’s coming on a year since I finished the book. I want to do something with it. Whaddya think? Should I…

    • Leave it alone. After all, they said they’d get in touch when they knew anything. And they’ve said good things about the novel. Best not to foul things up when you’ve found someone who ‘gets’ the book.
    • Gently inquire, asking how it’s going.
    • Gently inquire, asking if they’ve made a decision.
    • Write and ask if there’s a timeframe for making the decision.
    • Write and ask if they’ve made a decision, because (EEK!) I would like to try other presses if they’re not going ahead with the project.
    • Something else I haven’t thought of.

    Thanks in advance for any suggestions or insights you might have.


    Monday, March 14, 2005 , 5:41 PM

    Crap. A nice lady just brought her little pink bundle of joy with a green Pizza Hut balloon tied to it into the coffeeshop where I’m working, and sat it in front of me. Actually, the little girl is very well-behaved, so I should shut up. I generally resent children in public. I don’t know where else they’re supposed to go.

    Lord, I’m way deep into this Zen process of “dismantling” myself. So now I’m stuck looking at “What is it about how children are allowed to be that I resent?” The answers to this stuff invariably have a greebly, ugly component to them.

    It’s all The World of Opposites, the continnua on which we find ourselves. Babies represent complete lack of self-control, and I work very hard at self-control. I resent their freedom. I resent their messiness and the disturbance they bring, because I work very hard at being “good” and polite and not bothering others in public. What am I afraid I would become if I were not “in control”?

    I am the baby.

    “Awareness practice” is like an X-ray that disintegrates everything it’s pointed at. Decidedly uncomfortable, but I’ve a feeling this process is going to prove very valuable in the end. The worst is realising just now that I’m not going to “get” this one, to work everything out and then be finished once and for all.

    The good news is that I’m finding the little girl cute, and can’t help smiling.

    P.S. From that coffeeshop, I moved on to the Forest Cafe to use their WiFi to send some files to work. Not only did I have problems connecting to my e-mail servers (for some inexplicable reason, and I can defend my technological reasons to be stymied), apparently I moved onto the next level in the me-with-kids videogame: there was a little boy there who climbed around me, made noise, and kept wanting to “Can I try?” with my equipment. Then there were the neoHippies around me, each of whom had their own annoying thing, like action figures designed to piss me off in specific ways.

    Now I’m back home in my space, my sanctuary, about to cook my supper and get back into my work (not my work-work, but this other work that I’ve been talking about here).

    I just read through a “magazine” I picked up at the health food store where I buy my popcorn. It had about three actual articles in it, and everything else was a veiled or not-veiled-at-all advertisement for bits of pseudoscientific magical jiggery-pokery that promised to make everything alright. Tempting, but I’m not falling for it. My salvation does not lie in a silver amulet the size of a sand-dollar, a cream to affect my magnetic field (I kid you not), or a spinal cord stimulator. (Sorry spinal cord. I know you wanted it.)


    Zender-bender
    , 12:57 PM

    It’s all kinda funny: I’ve been watching the DVD of I [Heart] Huckabees lately, with all the commentary tracks and such. I really enjoyed the movie back when Geoffand I first saw it, because it reminded me of the workshop work I did back in the Nineties. Watching it when I got the DVD was amusing at first, then as I listened to the director talking about its themes, it got a bit unsettling.

    This weekend I started doing the work I’ve been putting off, the investigation into what’s going on in my life lately — or not going on, or what I need to decide, or where I’m going, all that stuff — and things started getting freaky. I chose a book by a woman named Cheri Huber to use as a structure for looking at this stuff, because a book she wrote about relationships continues to be one of the most profound and perplexing wake-up calls I’ve encountered on the topic.

    I started honestly delving into the work in the book, which is based on Zen awareness practice, and I found myself laughing when the exact same themes and terms emerged as in Huckabees. Except Huckabees is supposed to be a comedy! Then again, as the Zen masters say “If you’re not laughing, you’re not getting it.”

    This is really hard work because it tills up all the unconscious, unquestioned bits of living that come from our social conditioning. It demands that you slip around corners fast enough to see your conditioned self coming, it–

    I’ve got to stop here. This is a realm where, as Barthes said about love, everything written says too much, yet not enough.

    I’m “dismantling”. That’s what they call it, and that’s what it feels like. Sure, it’s self-absorbed, but I think this is the level of work that’s available and required in a society where the lower parts of the Maslovian pyramid are all taken care of. I could just go have a pint, and in doing so I could miss the key to my whole existence. Of course, the key isn’t real, it’ll just be something I make up — but that’s a hell of a lot more useful than having nothing.

    I’ve got a lot of work to do, and I’m ready for it. It’s a bit scary that everything has to fall apart first, but there’s a point, as in Joseph Campbell’s “cosmogonic round”, where you can’t really refuse the call, ’cause your previous life doesn’t fit anymore. What’s funny is that things might end up looking exactly the same on the outside after all this. I don’t know yet.

    My buddy Cosgrove mentioned on his blog that he feels left out when I go into my cave like this, but I honestly don’t know how to involve someone else in this work.

    ~

    Stray thoughts I had over the weekend:

    I’ve never seen a dog eat an apple.

    Musketeers are famous for using swords, which is a bit odd, given their name. I guess “Rapierists” didn’t test well.


    H.A.L.T.
    , 10:21 AM

    My friend Paul pointed this out to me this morning:
    Mt. St. Helens erupts

    So at least I’m well tuned in.

    I had a good sleep last night. Funny what a difference that makes. A counsellor shared something brilliant with me several years ago: Our moods are aggravated by four factors, which can be summarised as H.A.L.T. — Hungry, Angry, Lonely, Tired. I’ve still got the same questions to answer, but being rested sure adds to my coping skills.

    And it’s sunny.


    Perfect: the storm!
    , 1:30 AM

    I found out what the storm was in my dream this morning. It was a time-hiccup: This evening I saw Flight of the Phoenix with Liz, in which a plane-full of people huddled together against certain death in plane passing through a swirling, miles-high desert sandstorm.

    What my mind was using it to represent, and why it stuck Toronto in there, I’m not sure.


    Something wicked this way comes.
    Wednesday, March 09, 2005 , 2:59 PM

    This morning I had a dream that there was a giant black cloud full of debris advancing over Toronto. I watched as the CN Tower bent over sideways, lost integrity, and collapsed down on itself. I was in Toronto to see a small theatre group put on a play I’d written, and we wound up hiding in the basement of the venue, waiting to see what was going to happen, how big this storm was. We didn’t know if it was local or global in scale, but we had a pretty good idea we weren’t going to make it out alive.


    Button it.
    , 12:40 AM

    Walking home tonight after dinner with my friends Geoffand Alison, I saw a button on the sidewalk. I walked past it, then had this crushing sensation that everything in the universe depended on my going back and picking it up.

    So I stopped, went back, and got the button. As I continued home with a smile on my face, rubbing the button between my fingers, I mentally began to deconstruct what a button could mean, symbolically imposing itself on my evening like that. Fastening things together. Oh, but loss: bad luck to lose a button, and no good luck gained by finding one…

    Of late, I have been experiencing ontological panic. I don’t know where I’m going. I don’t know what to do. I don’t know who I am. I don’t even know what beingmeans.

    It’s likely a phase, and I’m confident that there’s something good on the other side of it. But I’m not there, and it’s uncomfortable.

    Today I stood in the train station for a while, trying to feel where I was. I got glimpses, flashes.

    Universe, I know you’re listening. Send me the next bit. I think you’re going to have to spell it out a bit more — not in buttons.


    Passion, permission.
    Thursday, March 03, 2005 , 3:15 PM

    “Oh aye, but now Michael Flateley is a big, fat slob. He’s go’ a beer belly on ‘im. ‘E used tae be worth millions.”

    I’m sitting in a little cafe in Corstorphine, waiting for my catch-up meeting with the “crisis advocacy group”. I figured I’d leave really early this time, so of course I’m here with scads of time to spare. Happily, I’ve got work with me to do, and I have a little gaggle of women sitting at the table next to me, chattering about what’s on the telly, their health problems, and other immediate concerns. The singsongy lilt of their voices is charming.

    Last night Geoff and I went to see The Woodsman. It stars Kevin Bacon as a man just released after serving a prison term for child-molestation. Talk about a challenging subject! The film took no Hollywood shortcuts; it brought us right up to the precipice of our discomfort, but it was very responsible to its characters and to the audience for our willingness to go to such a dangerous place. This movie could have been wrong in so many ways, which made its treatment of its subject all the more right. If it doesn’t win awards, it will only be because the general moviegoing audience and movie academy members are afraid to engage with or even acknowledge the subject matter. That would be a shame, because the story isn’t using it to shock or horrify, but to directly explore one of our least-explored societal fears, and manages to reach a resolution — gently and honestly, simultaneously satisfying the demands of story structure and of psychological reason.

    One of my university professors challenged us fledgling young actors to figure out what was good and what was bad, and to be able to articulate why. He demanded that we develop a sense of taste. How this usually manifests now is that, after experiencing something good, bad, or mediocre, I babble about it, trying to figure out exactly what made it so.

    In my mental run-off after the film, I wondered aloud to Geoff why I found the movie so disturbing. I shared a thought that flashed through my mind late in the film: “Paedophilia is not without comparison in social revulsion to homosexuality.”

    “Dude! Get out of my head!” said Geoff. (As a grown man, he barely gets away with saying “Dude!”) He’d thought the same thing.

    Watching this character try to integrate into a society that reviles his inhereing passions was uncomfortably familiar. For the most part my life consists of situations and relationships where my sexuality isn’t an issue, so I’m not claiming this as a current trouble, but rather something that I recognised in the story as the context in which my emotions developed. The movie character’s adult situation was much like mine as a child and a youth, feeling things for people that were unwanted and inappropriate, and not knowing how to be any other way, even though examples of “the other way” are everywhere, all around.

    No wonder we’re obsessed with it as adults. I can’t remember who it was who said, “At one time it was the love that dare not speak its name, and now you can’t get it to shut up.” No wonder so many people go permanently to camp when they finally find permission to be what they already are.

    ~

    I vastly overpaid my credit card recently because I’ve been getting money back in refunds, and from selling off the spare Pocket PCs I’ve accumulated in my leapfrogging between failing bits of equipment. The danger, of course, is of treating this as a great big gift certificate. I’ve bought a bunch of DVDs and books I’m excited about, but I’m not comfortable with having shopping as one of my activities.

    One of the tasks I set for myself this week, more apposite because of this sudden influx of cash, is “When am I driven to shop and why?”

    I came to my answer this morning: I shop when I’m lacking direction, when I’m setting up the stage for creative work (sometimes instead of actually doing that work), or when I want to interact with things because I don’t feel trusting of people. None of this is new, but in articulating it I have an opportunity to alter it. Whether I’m moving to Canada or not, I don’t want to accumulate more stuff. Buying a few movies and feeling sick, like I’d overeaten, is a bit funny, given that I don’t own a car, a house, a closet full of suits, furniture, a television, or most of the things people own. It’s a pretty minimalist existence I maintain, but I keep trying to find a way to throw even more ballast overboard. The biggest challenge, of course, is the technical gear, since it represents the biggest potential to me. Case in point: I’m able to write this in a cafe. I’m also saving 40% of my income, so it’s not like there’s a problem here.

    I dunno, I’ve got this background noise lately, this confusion, a lack of direction. I want to find out what that’s about rather than hiding behind purchases and playing videogames.

    Making things. I feel excited, thinking about the idea of making new things, even if for no obvious reason, even if I just give them away, rather than buying things for no obvious reason. This is good timing, ’cause I’ve got to do the design and layout for the ‘zine.

    I just saw Ros, my contact at this organisation, cycling by. Lord, I’ve been blithering on here for half an hour.


    And now, a word from our corporate pharmaceutical sponsor…
    , 6:18 PM

    Okay, I normally don’t do the meta-filter thing, as I’m supposed to be a writer and a creative being and all that, but this made me laugh:

    “Progenitorivax.”

    ~

    A little while ago, a yellow van drove through my neighbourhood blaring something from a loudspeaker. It went around the block a couple of times, so I went to the window to listen. As a city-dweller, my natural tendency is to ignore broadcast messages and other noises, because they’re usually irrelevant and intrusive. Turns out this one was actually important. Apparently there’s been a break in a water main, so they’re shutting off water in the Albion Road area.

    <

    p>I was kinda hoping it was an alien attack. Instead, it just made me get on with cooking my supper on time.

  • February 2005

    Bollocksing buses!
    Saturday, February 26, 2005 , 12:31 PM

    This morning I was to attend the first training meeting with a volunteer organisation. I got up early, I’d checked the bus routes last night, I caught the Number 1 bus, and…

    @#$%ing Lothian buses! Their maps are completely vague, just coloured lines with place-names, which only helps if you already know the layout of the place you’re going to. You step onto a bus you don’t know, and it’s like hitting the bloody hyperspace button: you never know where you’ll end up. In this case, I ended up about an hour’s walk away from the other end of Corstorphine, where the meeting was taking place. It started at 10; by the time I got there at 10:30, the front door was locked, and ringing the bell would have likely disrupted the group, requiring one of the organisers to answer it.

    I met with a woman from the organisation yesterday, and we had a great chat. I realised while talking to her that I have more to offer than I’d appreciated, because of all the self-development/workshop/thinking work I’ve done. I’ve sorted some things out along the way, and — while I still have light years to go on my own path — it seems like I owe it to, I dunno, something, to give some of it back.

    Not today, apparently.

    I took the bus back to town, and bought some groceries and some price-chopped videogames so I can spend the afternoon killing people without consequence.

    My editor was in town this past week visiting me. We had a great time. I talked so much with her that I hurt my throat one night. Not like a sore throat, but like the little adam’s apple elevator bit getting dislodged. It was so nice to spend that time with her as my friend, especially ’cause she really ‘got’ Edinburgh.

    I seem to be settling in here again, getting involved in things. I’ve no idea where I’m headed, but I trust the universe.

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    Free Bat-car
    Sunday, February 20, 2005 , 10:40 PM


    The oddest thing today: someone left this beautiful old MG parked out front of Caffe Lucano with a window rolled down and the keys on the passenger seat. It all looked strangely deliberate. The only thing missing was a sign saying “Take me so my owner can get the insurance money!”

    This afternoon I went to Favorit, where I ate and wrote all day, joined partway-through by my friend Geoff, who also had some work he wanted to do and likely wouldn’t get to at home.

    I finished the story! Yay me! It’s called “Finity”.

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    The Maple Leaf Forever…
    Friday, February 18, 2005 , 11:02 AM


    This is the only picture I could find in my collection with something resembling a Canadian flag in it. (It’s me and my folks from years and years ago, when I was in a kids’ theatre production called New Canadian Kid at The Charlottetown Festival.)

    Today is the 40th anniversary of the inauguration of the Canadian flag.

    I am deeply proud to be Canadian.

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    There’s more Scottish magic realism tonight than there was last night.
    Thursday, February 17, 2005 , 10:41 PM

    1600 words more — whey hey! (Making the word-count of this new story around 1900.)

    I lit candles all around my living room, put on some dramatically- and culturally-suggestive music, tucked myself into my writing chair at home this evening, and transcribed a story on the page as it played itself out in my head.

    This one’s squarely in the realm of “I don’t care what anyone else thinks. I like it.” It feels like the territory of a book: there’s room to express and show and move. Short stories often feel like jokes to me, whereas book are conversations.

    I guess I’m about a third of the way through.


    I had a good day working at the library today. I’d felt fresh and focused in the morning, and walking into town made me feel even better. Things are blooming, which is pleasant, but somehow wrong in February.

    I’m back working on a rewrite of a difficult project, but tomorrow I believe I’m going to finally slay it. Writing for financial advisors is a stretch for me.

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    Wax sushi in front of a restaurant.
    , 1:07 AM

    Conducting life on the internet is like expecting a menu to make you full.

    Or something.

    I’ve been going through a Pocket PC juggling act, buying them, replacing them, getting them fixed, selling them on eBay, and stuff lately. This has meant me not being portable, which means staying home. Home is not a good place for work. It’s a decent living space, in a cold, granny-flat kind of way. But it is not good for work.

    Hazzah! On Monday I received an Asus MyPal A730W, which has got to be the best Pocket PC I’ve ever used. I’m free again to work anywhere!

    Old habits die hard, though, and a habit I’ve got into lately has been to switch on the computer first thing in the morning, and have it on until the end of the day, when I tear myself away to read for an hour before bed. I don’t know how it is for other creative people, but for me, this is like sticking my hand-blender into my skull every day and whipping my brain into a useless froth.

    What is it that has this fragmenting effect on my attention? Is it the zillion bits of information to keep current on? Is it that hidden-away circus tent full of sinful wonders? Is it the infinitely twisting, wry, collective wit I want to be the equal of?

    I suppose, ultimately, it’s me. The internet is just a thing (a very sparkly, dazzling, mesmeric thing, mind you). All things are mirrors.

    I’ve not been doing my homework. Oh, I’m doing my work-work, ’cause I’m accountable for it: they give me money and depend on me. I’ve got this short story idea I’m really happy about. I’ve started it already, and I’ve outlined the rest. But it’s February, and I’ve been indoors a lot, scrambling my brain, waiting and waiting on things…

    I’m bored.

    But I don’t get bored! There’s too much to look at, to wonder at, to express in this world to ever be bored!

    Unless you sit indoors.

    I’ve also been chatting with strangers — something that I take up when I’m going through a period of heavy internet use. These luminous pixel-people can be beautiful and they can be clever, but ultimately, there’s a siren quality to them. They’re not even reliable sirens: sometimes the song stops and you don’t know why. The people we experience on the ‘net are all effect; you don’t see the cause. It’s a relationship with other beings who flip directions as quickly as a flag. It’s confusing, weird, and ultimately not-real.

    I want more inner life. I want more outer life. The internet lives in some middle-space, one where things seldom build or contribute to real results for me. Ah, but things it promises…

    It’s a great tool. But tools are only as good as they are immediately useful. It’s time to put some of these tools down, ask myself what it is I want to build here, and get down to that work. I will get a lot of time back, and I believe I will shake this dizzy-headed, nauseated feeling.

    It’s almost bedtime. I’m going to sit with some music and just be.

    I’ve also had a touch of a sore throat this week, like an unquenchable thirst. Or maybe I’ve just got a metaphor stuck in my mouth.

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    E-vaporated.
    Wednesday, February 16, 2005 , 10:31 AM

    Apologies if you’ve tried to e-mail me within the last day. The mailservers at my web-host have been ferkakta. This is the second time in as many weeks, and I’m considering a change. You never know with these things, though, whether the new solution will just introduce a different set of problems.

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    VD
    Monday, February 14, 2005 , 1:44 PM


    I send you my candied heart on a stick.

    Be well. You are much-loved.

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    Suffering is optional.
    Friday, February 11, 2005 , 11:26 AM

    I first heard that sentiment years ago when I was attending a workshop. I got it at the time, but it’s really come home for me now, and on a subject that I’ve done a lot of suffering about in the past.

    There’s this thing I call “the prerogative to be upset”. When certain things happen, our society gives us an allowance to be emotional about it. This is compassionate, but what if our reaction is a bad one, if it’s not useful to us, if it keeps us stuck in an old pattern?

    I used to meet with a group of friends in Toronto for monthly dinners that were a social extension of the workshop training we’d all done. We’d bring in whatever commitments, projects, or issues we were working on at that point in our lives, share them with each other, and get whatever coaching the others might be inspired to give. It sounds very touchy-feely and luvvy, but sometimes the coaching was rough. We departed from the normal mollycoddling, and ventured into the realm of “ruthless compassion”. Sometimes indulging in a person’s suffering isn’t nice at all; it just keeps them stuck repeating themselves in life ad infinitum. Ruthless compassion could be paraphrased as “calling someone on their bullshit to spare them future suffering”. Lord, but we could use more of that!

    I have been in a state of joy the past few days. This thing happened in my life, and I find that I’m not trying to put words to my position on it, justifying myself. I don’t know why I feel the way I do; it’s part of who I am. Any reason I come up with for my choice is just a bunch of verbal gook I pile on top of the instinctive, soul-level knowledge about the situation: not okay. With this, though, also comes a tremendous peace: it is okay for the other person, and that’s fine.

    There’s that, but then there’s the suffering component, too: I’ve realised I don’t have to react to this in a prescripted way. No sitting at home, listening to Mme Butterfly, clicking the lamp on and off. No blaring “All By Myself” while eating chocolates. None of that junk. In fact, I’m even daring to laugh about it. I’m going to a big party Saturday night. Part of me says, “Wait! That’s the wrong reaction. You’re allowed to be — supposed to be — upset here!”

    But I don’t want to be. My life is great. Ultimately, I’m the person I want to find, so nothing’s missing. I am my own Valentine. It feels nice.*

    *(It also means that I’m not going to unwittingly support exploitative labour practices by purchasing flowers and chocolate from bad people.)

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    Sharp corner ahead.
    Tuesday, February 08, 2005 , 11:37 PM

    I just got a call from the fella I met at Christmas. He instant-messaged me on Skype, saying he wanted to talk to me about something. It’s never good when someone opens with that.

    He wants to date someone else.

    So that’s that.

    We had a whole conversation, and I was happy that I took everything that my wise friends have said to me over the past several weeks and managed to respond from my heart, and not too much from my ego. I was hurt, though not terribly surprised. And in the end, that was that. I mean, what’s to say? Everything said is too much, and doesn’t change a thing.

    So, back to my life, just as I was living it, but without the mental bookmark, the promise I’d invented and maintained in my head that was, apparently, already forgotten on the other end. Would I rather be another way? Cooler? Detached? No. I like that I’m a romantic.*

    Am I moving back to Canada? It stopped being about him a while back. I don’t know. I have to wait and see what’s happening with my book. I’ll know by September; this is what I’ve told myself.

    I started writing a short story this evening. It’s going to be a good one. I also received nearly all the submissions from the others working with me on the Dunderheid‘zine. We’ve created some good stuff there, and it’ll be great to finally see it put together and have the opportunity to share it with others.

    *Until now, I’ve had a policy of not talking about this romance stuff on here, since it overlaps with someone else’s private life. This is the last I’ll mention this incident, and I should really return to my old policy, because it’s a bit trashy talking about it out here in the open.

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    Teatime and kid fears.
    Thursday, February 03, 2005 , 6:21 PM

    Mashed potatoes and carrots with a peppercorn sauce. Not bad, Hame.

    ~

    Last night, Liz and I went to see a nice Scottish film called Dear Frankie. Liz is a great person to see movies with. She’s got the perfect blend of sophistication and willingness to suspend disbelief (and even to cry at the sad bits!). We ate enough candy — or I did — to send a playground full of children into diabetic shock.

    I didn’t realize from the trailer that the boy in the movie was deaf. Seeing him sign to his mother made me really miss signing. Unfortunately, British Sign Language is significantly different from American Sign Language, so even if I did have an outlet for it, I’d have to start all over again. It’s something I definitely want to do more of, though I couldn’t say why.

    ~

    Last night I stumbled across a website about Bigfoot sightings. Normally I’d think this was a hick-folk timewaster, but this had the audio of a 911 call in which a man talks about seeing this big guy outside his window. Something killed his dog a few nights before. That and the account by Teddy Roosevelt (yeah, that Teddy Roosevelt) of something sasquatchy stalking him and his hunting partner one day in the woods, which then killed his partner the next night, breaking his neck and biting it. (This is reminiscent of one sequence in The Willies, actually.) Reading this stuff late at night activated kid-fears of this thing that had been dormant since I was about nine. Happily, my rational mind didn’t have a problem convincing me that there wasn’t much danger of one having snuck into my Scottish tenement flat.

    Though I do remember seeing some Whitley Streiber movie about aliens years ago that scared the bejeezus out of me with a scene of him paralyzed in his bedroom at home, having to watch while these little pale greeblies came out from the closet, from behind the dresser, from — well, you know, all those places you’re afraid they might be.

    Of course, I have more to fear from Inland Revenue. Anal probe, audit… Anal probe, audit… I’m not sure which is worse.

    P.S. I tried adding a comments feature to the blog just now, but the tag didn’t work for me. Sod it: I don’t feel like playing with code.

    P.P.S. I can’t believe I blogged about Bigfoot. This is a new low for me. I was just about to say that we North Americans seem to be hard-wired for this silliness that Brits would never go for, but then I remembered the panther or Hound of the Baskervilles or Griffin Dunne whatever it is that supposedly prowls the moors.

    I heard something neat once, that apparently people in history have reported visions of things just before they came into common usage — men with balloons or in flying machines, just before the dirigible and the airplane. Men-men, not little green men. So the current–

    Sweet Pete! I’m still talking about this rubbish!

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    X marks SOMEthing.
    Wednesday, February 02, 2005 , 1:22 AM

    As I walked along the east end of Princes Street today, a man passed me, walking in the other direction. He wore a tattered yellow coat, his grey hair was dirty and ruffled, and he had several days’ worth of salt-and-pepper stubble on his face. He spoke to himself, and the one bit I heard was, “Now they’re all going to know that I’m an ex-murderer!”

    That’s a neat trick — the ex-murderer part, not the talking to onesself.

    <

    p>What I love is when people sing to themselves while walking; it makes me happy, and I wish I was unselfconscious enough to do it. Imagine how different an everyday sidewalk scene would look if everyone was singing a different song and listening in to each other’s.

    <

    p>

  • January 2005

    Thematic Unity
    Sunday, January 30, 2005 , 5:39 PM

    I have a wee theory I call “Thematic Unity”. It’s a principle that I rely on, namely that the patterns in my life are interconnected. I don’t have to understand why or how, or be able to explain it, it just works this way. So I’m learning to use it.

    Case in point: a friend told me about an anthology of Scottish speculative fiction being published this August, and they’re accepting submissions of work. It’s to showcase authors from or living in Scotland who write science fiction, horror, fantasy, or (wait for it) magical realism. When I read that last bit, I thought, “Hmm.” I’ve been creatively stalled for a bit because in my attempt to write short stories for submission, I kept trying to second-guess what publications would want. And the publications I knew about produce work that — well, I don’t like. There’s this literary fad that holds anything ugly or gritty as “realistic”. The drearier, the more pointless, the better. So I had no idea what to write for such publications. Norman Mailer said something on a very similar topic: “Writing a bestseller with conscious intent to do so is a state of mind that is not without comparison to the act of marrying for money only to discover the absence of love more onerous than anticipated.”

    I related this to Noah last weekend, and he said something brilliantly simple: “Why don’t you just write for fun, for yourself?” Ding!

    Then this anthology came along. It hits both points: I can write exactly my favourite type of story, and make up something that’s exactly what I want to write about. I went to bed last night intending to start work on it today. I said a little prayer of my own sort: “Okay, Universe, gimme something to work with.” (This is similar to my “Universe, send me a bag of money, as long as no one has to die” — which also works. Happily, I haven’t had to use that one for a long time.)

    I’d bought antihistamines to deal with a recent bout of sneezing, scratching my eyes, and blowing my nose every night and morning when I was trying to sleep, and — they worked! Last night I had an enormous sleep like I’d managed to swim across an entire lake of cool, clean water. I dreamt about visiting creative friends in their studios. In one of the studios, I put on a hat full of sand from a playground sandbox. Sand fell all over the place when I took the hat off, but it was the stuff of play, so I was happy.

    I woke up with an idea: An insurance salesman at the end of the world.

    I got myself cleaned up and walked in the sun through the tenement streets to the cobbled Royal Mile, and into the grey stone crown of St Giles Cathedral. Sheila joined me shortly after, and the service began.

    They do good theatre at St Giles. Huge beams of sun angle down through the stained glass windows, sweeping gradually through the congregation as the service goes on, as if enumerating us. The choir sang great, open chords. I knew the hymns this week, and sang them out loud. I like my singing voice.

    I don’t know if it’s because this is what I’ve learned to associate with these thoughts, or if there’s something fundamental about certain sights and sounds that they have an effect on a human being, but the whole thing was just so… uplifting. The minister’s sermon again this week was poundingly topical, then segued into a nice point about the role of religion in life, namely that it should be in the realm of mystery, not concerned with explaining itself to common sense. It’s a matter of belief. But when belief is too thin, the minister said, as in present-day America, people are too ready to accept everything. When it’s too thick, as in Europe, people aren’t willing to accept anything.

    But this was the really neat bit: The first thing he said in his sermon is that this taking of the word “apocalypse” to mean “the end of the world” is a misunderstanding. The Greek word from which it comes actually means “revelation”. Thank you, Universe. (In his prayer, the minister also thanked the creative people of the world who use comedy to help us laugh and see the familiar in new ways. Not just Thematic Unity, but some stage direction. Okay.)

    Sheila and I went for lunch to The Elephant House, where I set up a blog for her using one of the computers there, then we parted company and I came here to a coffee shop near the new parliament, and spent the last few hours making notes about this story.

    I’ve got it. There are still some missing bits, and I trust that they’ll get filled in because I’m tuned into this channel now. But I’ve got enough to feel excited. It’s not going to be one of those pieces I just get done in order to have something to submit; I’m going to have fun writing it.

    The crowd in the coffee shop has thinned a bit. The two women sharing my table have left (one of them kept bumping the table as she nested in her seat, and the other had a hard Irish accent like a ball-peen hammer on my forehead). I don’t know why, but this place is also doing double-duty as a nursery. Everyone in here is either a student or a parent with a tiny child. One of the babies is Asian-looking, which elicits a mental question I can’t answer by looking at either parent. I guess this group tells me something about the demographic of the surrounding area, though I wouldn’t peg this part of town as residential. It’s the parliament, the BBC and The Scotsman offices, and out beyond, under the sky that’s growing pink as the sun sets, the crags of Arthur’s Seat. I suppose the russet and raw-grey concrete apartment buildings out the window to my right would count, except that I once saw an “Inspector Rebus” story where they used one of those buildings for the home of a dead junkie, so “family” isn’t the first thing to come to mind.


    Still crazy after all these years.
    Thursday, January 27, 2005 , 5:17 PM

    I’m a clever guy, but when it comes to romantic relationships, I’m low-functioning, pretty much retarded.

    I’ve been getting lots of good advice from friends, and really appreciating their wisdom. (Funny, this good material has nearly all been from women.) It was just pointed out to me that a long-distance relationship is a great structure for making you own and deal with your shit — because the other person isn’t even there! (Thank you, Lisa, for that one.)

    I nearly made a terrible mistake this week. Or, rather, I did make it by sending some of those e-mails that one should really never send, but I happened to do it with someone who’s a bit more patient and wise in these things. I’m so glad I get another shot at this, and that I didn’t scare him off with my insanity. It’s quite scary, the stuff you can infer on your own, completely fabricating something that has no basis in reality.

    Dating has made me an angry person — all those guys who’ve gone away without an explanation or a care. I didn’t realize that I’ve been feeling this way and I’d really like to dig that toadstool out of my garden before it poisons someone nice. More correctly, it’s a matter of getting to the desire, the “What is it that I want here?”, and communicating that, rather than foisting all the fears that happen on top of it onto someone else. (Thanks, Wendy.) The anger is just good stuff that’s twisted in on itself. The trick is to get back to that. It’s scary, though. I’m not someone who’s easily frightened, but this stuff scares the bejeezus out of me.

    Another piece of advice (thanks, Julain), was “In dating, whenever you feel like asking for reassurance… don’t — unless you ask it from yourself.” The doubt, as was pointed out, most often has little to do with the other person.

    And the final word comes from Joni Mitchell (via Elspeth— thank you): “Be cool”. This is my mantra from here forward, difficult as it might be to achieve sometimes.


    Aargh.
    Tuesday, January 25, 2005 , 1:44 PM

    Life is hard to do. I’m good at some of it, but rubbish at other bits.


    Re-enchantment
    Wednesday, January 19, 2005 , 11:34 PM

    Tonight I saw a movie, Un Long Dimanche de Fiancailles, with Anita, Liz, and Geoff. Its director also created the movies Amelie and Delicatessen, so I was expecting a dose of wistful magical realism. This movie wasn’t quite that. It was visually beautiful, and certainly imaginative, but was a different sort of movie than that. This is good for the filmmaker, I suppose, because I was a bit concerned that it was just going to be Amelie again but set in a different era. There were a lot of characters, and I found myself thinking of my mom’s classic “Which ones are the good guys again?” I kept mixing up the different soldiers in the missing lover’s company. It didn’t help that the plot deliberately twisted people’s identities around a couple of times. Somehow, though, I wasn’t bothered. Like One Hundred Years of Solitude with its dozens of “Aurelio Buendia”s, I just stopped trying and went with it, hoping it would make sense in the end. And it did. There were a few points when I choked up slightly, but the film stopped just short of moving me fully. I’m not sure if those were missed notes or if the director deliberately steered away from anything that could be criticized for being overly sentimental — a charge I’m sure was levelled at Amelie.

    The art direction in the film was stunning. The recreations of France in the early 1900s were such a visual feast. I love the beauty that decrepit and glorious old architecture have, and Europe has this in abundance. On the bus back from the cinema, I looked out the windows and found myself in that rapture again about the city I live in. Coming back here after Christmas, it was stripped away, and Edinburgh was just another city. It was like seeing a grandparent naked: too real, too vulnerable, and a bit repulsive even if you don’t want to find it so.

    The fact that I’ve fallen in love with a Canadian has a lot to do with the change; I’m aware of this. Tonight, though, the two managed to co-exist somehow: I love this place, I love him, and somehow I’m going to work it out. God knows where the relationship will go, I don’t. That’s fine, and at the moment, I’m loving it all anyway.

    The bus-driver stopped and told us we had to get out because the road was blocked by a fire-engine. Walking past, I saw an empty vehicle with its face smashed off, showing the metallic skull of its chassis and its wiry innards. Firemen stood around, having a post-emergency talk about something. I kept walking, passing under the yellow sodium lamps, past the whitewashed sweet shop that inspired the chocolate-witches in Idea in Stone, across the junction, then down the brick canyon of the Easter Road. Appropriately, the song “Sidewalk” played through my headphones, sung by Story of the Year — a boy yelling soulfully over guitars and drums about leaving “the streets we knew”.

    So maybe the movie wasn’t magical realism, but it reminded me: life sure is.


    Yeeouch!
    Tuesday, January 18, 2005 , 1:35 PM

    I owe é2,620.20 in taxes.

    Goodbye savings. Goodbye tax-preparer, who tells me this two weeks before it’s due, even though I gave him a final run-down of my finances six months ago, and because he didn’t tell me I’d have to pay this year’s taxes in advance, in two payments. I plan to dissolve my business before I have to pay the second. My pay comes from outside the country, so it’s time to go offshore or something.

    True, the rate of taxation for me as a self-employed person is quite low, around 10%. Having to pay it in a lump, though, really hurts.

    I rejigged my finances last autumn, thanks to one of The Strategic Coach‘s clients, a man named David Bach, whose book The Automatic Millionaireoutlines some “financial literacy” basics that allow anyone to save money. It’s been immensely popular, keeping him on theNew York Times bestseller list for most of the year, and nabbing him several appearances on Oprah. The appeal is that this is finally something that normal (e.g. not-rich) people can do, and do it painlessly.

    Using the strategies he outlines in the book, I managed to save 20% of everything I earned last quarter, without even trying. I’m very grateful to Past-Me for doing this, because the money in the bank exactly covers what I now owe.

    What really sucks about this is that it means I have to bump up my savings to about 35 or 40% of my income — now that I’ve had this lesson about saving my tax money in advance drilled into my forehead. Ouch.

    Something else to put on my list of things to do this year: sort out my relationship to money. At the moment, it’s pretty acrimonious: I hate money, and it hates me.


    Mullaga-WOW!
    Friday, January 14, 2005 , 1:07 PM

    I made the best soup last night!

    Hame’s Mullagatawny Soup
    2 onions
    4 carrots
    1 parsnip
    3 apples
    2 teaspoons of curry powder
    1 vegetable stock cube
    olive oil
    salt and pepper to taste
    1 package of Quorn pieces (the chickeny ones)

    I used my hand-blender’s chopper cup thingy to mulch the veg and fruit, dumped everything into my giant aluminum/aluminium pot, and boiled the hell out of it for about ten minutes. Then I used the blender in the hot soup to make it a nice, even consistency, and let it sit overnight.

    I’m going back for another bowl.


    Hamster, now in concentrate.
    Wednesday, January 12, 2005 , 11:50 PM

    I write an e-mail newsletter as one of my duties for work, and one of the topics I was assigned to write about this week was a Strategic Coach concept called “The 21-Day Habit”. (I’m pretty sure that’s trademarked. We trademark everything*.)

    To have some integrity in writing these pieces, I’m adopting the habit of doing the exercises they outline. Like breathing, just because I’ve done it once doesn’t mean I don’t have to do it again.

    The habit I’m changing right now is about concentration. Working with computers for the past seven years or so has helped me develop a logical, problem solving facility that I never had before. This is a good thing. The bad part of working with computers, though, is that they still take enough time to do things that it’s not enough for the machine to “multitask”, you have to do it, too — fixing supper while it downloads some tunes, checking e-mails every ten minutes in-between bouts of work, seeing if there’s any new software released since yesterday, getting an instant message while I’m reading five different web pages, and so on.

    I’ve lost the ability to concentrate for long periods of time. My attention span is like a swallow’s.

    So my 21-Day Habit over the next few weeks is to do one thing at a time, and not stop until it’s finished.

    It’s amazing what an adjustment this is, not flitting away to tend to a half-dozen other things at the same time. But it feels good so far, really quite similar to the feeling of having exercised.

    [*As an aside, we got smacked down by the Globe and Mail in their December 18, 2004 edition on Page R5 by a columnist who choked on the Strategic Coach neologisms in a newsletter he’d received from us. My editor and I laughed, having written the newsletter in question ourselves: Hey, it’s free publicity, and if we don’t come up with new names for our processes and trademark them, people steal our stuff. It’s gross, but they do it.]


    If found, please return to…
    Wednesday, January 05, 2005 , 9:57 PM

    I’m lost.

    Tonight I went to see the movie Garden State. It was the perfect movie to see because of its themes, yet it was the worst movie for me to see… because of its themes.

    I thought it was going to be a quirky-cute romance movie, but it turned out to be a much subtler, much more authentic piece. It had some original laughs, but it made me cry more often — parent-stuff, love-stuff. It f*ed me up a bit, because it went right to the middle of all those things I’m thinking about and drove up what it all feels like, being so unsure, trying to resolve the past and make some sense of an infinite — yet ultimately finite — future. So in that sense, it was like being vivisected for a night’s entertainment. I wanted to cry a lot more than I did, but I went with Patrick, and I didn’t want to make his moviegoing experience be about me.

    Since I’ve talked way too much about my romantic life on here lately (he says, passing out shots of insulin), let me veer away to talk about how it struck me-as-a-writer: I’m really liking these reminders that I’m getting lately, from I [Heart] Huckabees, the painfully awkward Napoleon Dynamite, and now this movie, that I really have all the material I’ll ever need already. When something is honest and heartfelt, it’s irresistable. No flash necessary.

    This Europe thing; I’ve kinda embarrassed myself. About three weeks ago I was telling friends in Toronto that I’d found home, that it was Scotland. And, true, I do love this place, and I’ve loved traipsing around Europe the past couple of years. I’m not finished doing it, either. But there’s something about Europe, kind of like discovering I love Gabriel Garcia Marquez or Ernest Hemingway or Thomas Mann or living inside this picture frame of being a writer. Geez, I even drank absinthe at New Year’s. It’s all authentic, it’s all me — I can’t help loving what I love.

    But I guess I like the standing apart bit.

    Now I’m in Scotland, and I discover I’m really Canadian. I’m set apart again. It’s the romance of the other. Am I that transparent? I might as well wear a black trenchcoat and eyeliner.

    By the same token that I like the old and foreign, I also try to make my work funny. I’m a new writer (by industry standards), so I feel the urge to put in some wow, for fear that the little stuff won’t be enough, like I’ve got to inflate it to be noticed. I guess I do the same thing in life.

    And now I’m in love, so I’m more in love than anyone has ever been. I’m following my heart around like it’s a drunken tango partner who’s about to pass out.

    But it’s all real. When I’m feeling this stuff and writing about it, I mean it. And I guess this movie tonight shows that maybe this is what we’re hungry for, hearing others talk about what really means something to them. Lord knows we consume enough plastic sentiment and manufactured excitment for it to be a contrast.

    My creative urge comes from wanting to fully experience my inside and outside worlds, and I suppose this urge for the other has proven to be a good way to keep shaking things up. It’s embarrassing in a world that thinks consistency equals maturity. Then again, that same world is full of messages saying to jump in, do it, live life to the full — while somehow still paying all of your bills.

    I like what Joseph Campbell says on this:
    Most people think that the thing we are looking for in life is meaning. I donét think thatés it at all. I think that people are looking for an experience which connects them to the ecstasy of what it could feel like to be totally alive. To know the unburdened state of total aliveness is the pinnacle of the human potential.

    My editor and I had a good talk yesterday. One of the things we talked about, and agreed on, is that flaky people bug us. Of course, you know what that means: we’re scared of how flaky we might be if we didn’t keep it in check. Maybe it’s time to willingly lose that battle.

    Nothing worse than a writer deconstructing himself. It’s nigh-on time to produce something, but I’ve been too busy with events in my own life. My tools are also in a mess: I broke one Pocket PC over the holidays, impulsively ordered another, and when it showed up today it quickly developed a fault. So now the first one is probably going to be back from repair before the new one gets picked up and returned. I’m out money, I can’t leave the house (it’s damned hard to work here), and I’m feeling dumb about it. I’m in one of those “bleeding money” phases, and some cauterizing has to happen soon.


    P.S. Pic
    Saturday, January 01, 2005 , 2:05 PM
    An important bit of the story I forgot to mention, which explains why I’m babbling afresh about Noah weeks after I left Toronto: his family lives in Nova Scotia, and when he visited them for the holidays, he took time away from them (they were kind and released him for a day) and visited me on Prince Edward Island. Of course, my family loved him, and the whole thing between us stepped up to another level of reality.

    My experience with dating has usually gone one of two ways: the first is summed up by the title of a book that was all the rage with the young women at The Coach:He’s Just Not That Into You. I’m a creative person who likes to express himself, so I get all tangled up when I have to stifle myself for fear of being scary, or when I gradually realise that I’m doing all the work ’cause the other guy isn’t really interested.

    The other way it normally goes is that I realise I’m just not that into him. This hurts just as much, because I feel responsible for the other guy. I know I’m not, but I feel that way anyway. So it’s dreadful when that doubt creeps in, popping up when he’s not around and I think about him, or worse, when he’s right in front of me.

    The situation I’m in is completely new to me: from the get-go, I feel sure, and this beautiful new person is not only giving me complete freedom to say whatever I need to, he’s expressing his feelings in the most incredible, moving way. It’s so damned simple.

    So, yes, the visit was great. There was lots of excitement about whether the visit would happen because of one blizzard when he was leaving Toronto and a second when he was on his way to PEI. I’d already been having a nice, gentle time lazing around, appreciating my family, but the way they accepted him and us together was a dream. There was no attempt to pretend Noah was just a friend, or to shield my nephew from seeing what was going on. Admittedly, the one bit that made it a bit weird was that we’d only known each other for about two days and he was being introduced in such an official way. Yet it felt right. And getting to see each other one more time before I left the country was good for both of us, because it confirmed everything we’d been thinking and feeling and writing to each other about.

    A little voice in my head just said Maybe you shouldn’t talk about all this. If it doesn’t work out, this poetic talk about destiny and all will look foolish. Screw that: this is way more interesting.

    So now, I’m back in my Edinburgh flat, a 24-hour series of airplanes and airports and one Hogmanay party later (fireworks from the castle for yet another season and reason). I swear, when I first unlocked the door and stepped in with my giant duffel bag, I was startled that the flat had different dimensions than I remembered. This whole place seems completely alien after my trip to Canada, which was stuffed so full of activity. Already though, my friends here and I started hatching plans for things to do this year that I’m excited about.

    Eeew, the wind is blowing rain against my windows. It’s not a snowstorm, but it’s more of this weather stuff.


    Flying back to Edinburgh like a raven or a dove.
    , 5:41 AM

    The earth has changed because of a flood. My world has changed because of a Noah.

    Love seems glib, superior, and arrogant when expressed to others. I couldn’t help myself, though: tonight at Liz’s Hogmanay party; I had to tell my friends about a vacation that turned into something more. I felt a twinge of guilt talking to one friend who’s wondering where his piece of romance pie is, and another who’s been wrestling for years with one of those love-angels who’s tangled and non-committal; everywhere he touches her, something slips out of joint. It’s just my time now; one day it will be their time, too. But it’s an arsehole thing to say when your face is beaming like a Buddha’s and you move by dog-paddling through the air.

    I love my friends here, but can’t help but see the place as something I’m visiting. I feel so sure of Noah, something I haven’t been able to say for a long time. My policy is generally not to write about these things here, for fear that someone else will be hurt or worried by it, but the fact is that I have without a doubt found my paramour, my Platonic other half. All the complications and hurt of my past are erased in the face of the new possibilities he brings. I can’t hide it, and don’t want to. I followed my soul over here to Scotland; I knew this was where I was meant to be. But looking at Noah, I knew that he is where I’m meant to be. That may well mean a return to Canada. Today, my post-war tenement with its leafy, rubbishy, fag-endy staircase was no longer romantic, but something that kept me away from the person I love.

    If there is, in fact, to be an end to my time spent living in Europe, I want to go out with a bang. I never did a “Grand Tour” on finishing grade school, and now it occurs to me that that’s what these five years will be, getting my UK/European passport like getting a degree of sorts.

    <

    p>It’s all crazy speculation at this point. But there are some things in life you just know, and this is one of them. Sometimes in life you have the opportunity to choose your future. This is one of them for me.

    <

    p>

  • December 2004

    The Oilend Waye uv Loife.
    Wednesday, December 22, 2004 , 6:34 AM

    Where the hell am I? Today before work my brother went to a Rotary breakfast. Tonight’s big news on local television is the closing of Island bootleggers.

    We have bootleggers? I thought those went out of vogue shortly after pirates. And the Rotary Club? Do the meetings happen in black and white?

    I love these little touches of the past that are still part of people’s lives here. Okay, so maybe the bootleggers’ isn’t exactly the pinnacle of culture, but it’s certainly different from what I’m accustomed to.


    Proof
    , 1:14 AM

    There are pictures from past RED cabarets here, along with you-know-who:
    http://www.girlcancreate.com/RED-gallery/.

    The two-man show Noah performed at RED is called “Our Times”. You can read more about it here:
    http://www.zagadka.ca/. I always feel guilty not giving credit, so I’ll mention that the other puppeteer is named Mark Keetch, and he’s with “Zagadka Zoological Society”.

    I’m spending a lot of time at my parents’ kitchen table writing e-mails and dreaming about possibilities…


    Noah’s art.
    Monday, December 20, 2004 , 6:39 AM

    Dad’s watching football. I’m sitting at the kitchen table, looking out the window at a heavy grey afternoon. The bird feeders are unoccupied now. There’s a tiny little patch of feathers stuck to the kitchen window; this prompted Mom and Dad to ask me to make the black bristol board hawk silhouettes that are now on the kitchen and dining room windows. It’s nice to be handy.

    Mom’s at church. She gets really busy this time of year, not because she’s particularly religious, but because she loves to sing, so she joins every choir she can, in addition to the barbershop group she usually participates in.

    My brother, sister-in-law, and nephew are on their way here. Once they arrive, it’s the end of quiet and time to focus, so I want to get this written.

    My writing guru Natalie Goldberg says that the best way to cut through to the living voice in your writing is to ask “What do I really want to write about?” I’ve got a lot of details I’d love to chronicle here — haggis supper with the boys, time with my beloved friends Lisa and Margaux, the particulars of what it’s like to be around The Strategic Coach workshops. But what do I really want to write about?

    Noah Kenneally.

    I made a terrible mistake on this trip: I fell in love. It wasn’t completely my fault: last summer, my editor and her brother’s fiancee Lisa both told me a number of times that I had to meet this fella, that we’d get along so well. I’ve had people say this a few times before, good friends, who I thought knew me well. But when I saw their choices for me, I had to question if they really knew me at all. So while this Noah guy was coming with good references — “He’s the nicest guy I know”, “He’s incredibly creative”, “He’s cute” — I took a “wait and see” attitude, figuring it was just as likely we’d never get a chance to meet.

    (The birds are back. American finches in their brown winter livery.)

    Wednesday night was Red: A Night of Live Performance. Lisa Pijuan, the aforementioned fiancee, regularly hosts this cabaret. Given the incredible puppet show I’d seen her in this summer, I had high hopes for this event.

    It started with a bassoonist. Now, when I think of a bassoonist, I picture a skinny rich kid blurping out classical, staccato pitches in a symphony. Picture instead the Simpsons character who thought he was Michael Jackson: a large, black man who held this giant wooden instrument at an oblique and eased the happiest, smoothest, jazziest sounds out of it. Margaux had heard him before, and he fully lived up to her praise. We bought his CD after the show. It’s called “Black Santa”, which makes me giggle.

    Fast forward through a dance number with three women and folding chairs — not because they weren’t good, but because I want you to see the next act.

    The puppeteer fumbled his way onstage to join a big box. He called to the audience, asking us to sit on the floor in front of the stage. Surprisingly, everyone jumped up from their tables and did as he asked, forming a little grade school assembly.

    The cardboard set was cut into the shape of an old theatre, and featured a shiny green curtain. You couldn’t tell how old the puppeteer was: he was five foot something just a bit short of average, and his movement and face were a little boy’s. But he also wore a goatee and a little black beanie-toque which suggested a culturally savvy urbanite Torontonian.

    With the tug of an unseen cord, he raised the curtain and through the little cardboard proscenium we could see a little world: mountains, sky, then, as he added them, a village, and all the people of the village (who were cardboard cut-out drawings of chicken-people in old-world clothing). He told us an old Yiddish story about the people of Chelm.

    I was still thinking about the puppeteer through the next ‘act’, a dark film produced in a one-day shoot-and-cut film contest.

    He helped Lisa set up her act, which was a beautiful story based on memories of her Spanish family. I won’t go into specifics, because the breathtakingly tender — yet everyday — details of the story are hers to tell.

    A pair of women followed, reading from scripts, acting out two sides of a kidnapping story. Then Saidah Baba Talibah — daughter of singer Salome Bey — sang. My mouth hung open as she let sounds as textured and curling as cigarette smoke from her mouth, but much more healthy, soulful, and life-affirming. Just her and a crappy keyboard, making art as good as anything, right there on the air for us.

    During the intermission, there was a puppet show in another room, with Noah and another man. To the tune of “Madeleine”, they acted out a day in the life of a man and woman, he in Toronto, her in Paris. As their days went on, the two puppeteers flipped panels on two small stages, folding a backdrop down, accordioning a room into being, then flipping again to change the scene all over. “Madeleine” speeds up with each verse, so the daily routines soon became an adept blur, yet somehow the puppeteers still managed to convey everything the little green man and little pink woman felt as they carried out their lives far apart but pined for each other.

    Yeah, ironic. The universe has a great sense of humour.

    Fast-forward again through improvised art, music, and dance, a brilliant comedy piece about family planning presented by Frida Kahlo’s doppelganger, machine-gun spoken word rap, and several lonesome songs (which all of us at my table laughed through, thinking their dread seriousness was a send-up; it turned out we were wrong).

    Then the evening ended suddenly. I’d guzzled beer, and was ready to keep going, even though it was a school night. But that was it. In just minutes we were all out in the cold, heading our different ways. Noah’s set was bundled into a pram. We’d finally been introduced, Cath saw to that, and we both smiled because we both knew how much of a set-up it was. But there wasn’t time to hang out.

    The next night, though, was Cath’s brother Dave’s birthday. Dave also works at The Coach, and became a good friend as we worked together on the Production team. (He’s a poet of a programmer.) Cath made a constant stream of staggeringly tasty Japanese food as guests arrived. Good friends from The Coach came, along with others Dave and Cath know. Everyone I’ve met through Cath has been unusually good-looking and talented.

    We all ate and joked late into the night. Noah had arrived after a class, but we both spent most of the evening in conversation with others. The crowd thinned until there were just a few of us left, and Noah and I had a chance to talk in the kitchen.

    If there’s an inverse of nausea, that’s what my stomach felt like.

    Fast-forward, ’cause I hear a car in the driveway.

    We split from the others on the sidewalk and headed off on our own. It was mightily cold; the ideas we shared were steam that quickly diffused. There was too much to get, and not enough time. He knew about everything I know.

    We tiptoed through the house he shares with several others and went to his room. Every wall was covered in art he’d made — colourful prints, cut-out characters, sayings. The raw materials for creation covered every available surface.

    You can fill this space with your imagination. But make it sweet and tender and unforgettable.

    The morning came quickly. I looked at Noah’s calendar while he was in the bathroom: here was someone who’s not only creative but productive, too.

    We walked through his neighbourhood to catch the streetcar. He knew one that looped around and took us right to King and Dufferin, where the office is. We went to a coffee shop nearby and sat on their deep old couch by the fire, talking until it was time for me to head in for the team meeting. I’d been funny with the birthday party group the night before, but now my mouth felt like a drawer that’d been put in upside-down, and my words fell out like socks. We held hands, and I didn’t care what anyone thought.

    The team meeting was a great reminder — as if I needed one — of what a powerful, dynamic, successful, and caring organisation we’ve made. If nothing else, the money they splash out on us speaks volumes about where they place their values.

    We finished early and I raced home. I had to get ready for the company party, which meant ironing a shirt and (*blush*) taking a pair of underwear in the shower with me to wash them then ironing them dry. (You know you’re grown up when you want underwear for Christmas.) I snuck a quick nap in there, too, to keep from falling over.

    The party was at The Liberty Grand, a fancy building (by Canadian standards) on the Exhibition grounds. Everyone was done up in sharp suits or evening gowns and fancy hair. I don’t know a lot of the team members now, but I’ve got some great friendships amongst the people I do know, and the new people had all heard of me. (It’s quite strange, this localised fame I seem to have at the company.)

    Cath and Lisa giggled together about their handiwork, and word of Noah and I had spread with remarkable speed. Lisa gave me her Christmas gift: she called Noah, telling him that she’d arranged a taxi to pick him up, take him over to Perry’s (since they’re the same size), where he would pick out something dressy to wear.

    I hugged lots of people, ate, and watched the surreal cruise-ship like entertainment someone or another booked for us to watch (several dance numbers, a woman doing a ribbon gymnastics routine, and another woman singing the theme to Titanic which the dancers interpreted). I suspect that won’t happen at next year’s party.

    I went out to the lobby, and there he was, coming through the door. He was all rosy and cold, having biked over.

    We danced with the others, and I showed him off (proud to be part of a company where I knew he’d be welcomed as a special guest; what mattered was his importance to me, not his gender). We looked dumbly at each other and smiled, again and again.

    Dave, Lisa, Margaux, Cath, Nilan, Noah, and I went on to another party, then it got late and I said my goodbye-for-nows. Noah and I got into a cab and headed over to Donlands Avenue. Happily, it wasn’t terribly late, so Noah and I had some time together.

    Cosgrove knocked in the morning, saying hi through the door on his way to the bathroom. On his way back, he opened the door. “Oh!” he said, then apologised and closed the door again. We had a laugh about it later, in the car.

    Mark dropped Noah off near the Exhibition grounds. I got out of the car to say goodbye. I can picture Noah’s face so clearly in the morning light, those eyes so big and blue, and that smile that is a world unto itself. I hugged him, kissed him, and told him I loved him. He said the same. We’d said it before already. There was no hyperbole in it, no dramatic inflation. It was simple recognition. I know basically nothing about this guy, and yet it feels like we’ve done all our living until now in parallel, just happening not to meet.

    On the plane I looked out at the clouds, thinking about how easy it would be to live in Canada again. No more learning new words for everything, awkwardly sticking them into my sentences, no more having my pay whittled down by exchange rates to a beginner’s wage, no more being acutely aware all the time of my otherness.

    But then I showed my mother pictures of my trip to Paris, and I think about how much I love Europe, how much I know that’s what I want to explore. I want to travel and explore, now that I’ve got a taste for it. I love Edinburgh, and I have some good friends there. What if my book comes out there?

    Yeah, I think, but what if suddenly I was allowed to just write stories about my own experience, without feeling the unworthiness of not knowing enough about the place, the language, or the culture I’m writing about?

    But what about…? But…

    I have no idea what to do.

    Cosgrove, ever my best friend, gave me the best piece of advice: “Don’t try to make it work.” He’s right: no manipulating an outcome. I’m excited, I’m moved, I’m confused, and I know he’s absolutely right. I just have to trust that, like everything else in my life up until now, there’s a pattern under this, and that it’ll work out.

    Dad’s made a seafood chowder (which is always great), and Mom’s home from singing. I’m hungry, too. So I’ll sign off here, where I’m nestled in my parents’ home, able to catch up on my sleep, and enjoy their company. Gotta admit, though, my focus is a bit split.

    God, life is grand.


    Monday at the office
    Tuesday, December 14, 2004 , 11:42 PM

    The workshop is on a break. Some very Starbucksy jazz is playing in the room, and the entrepreneurs are chatting amongst themselves.

    Getting up this morning was a challenge. I slept in half an hour later, but still managed to get here at the same time. The TTC operates under different space-time laws than the rest of the universe.

    I spent the latter part of Saturday afternoon hanging around the Eaton’s Centre with the boys. The place was packed with Christmas shoppers, but it wasn’t quite as mad yet as it will be.

    In the evening, I went to my old friend JC’s place for a Hannukah party. A number of people walked through his front door who I’d forgot existed — people I like. I had a few good conversations. The best, though, was spending time with Jordan. He drove me up to JC’s, and we sat in the car talking, catching up. Then he drove me home after, and we talked some more. I can’t describe how much I love and admire him. He’s still got his cute giggle of a laugh, and is as playful as ever. What’s cool, though, is watching him grow in ability and confidence in his work, art directing television commercials.

    I got home at 3AM, and didn’t manage to fall asleep until 5. I slept in Sunday morning, kinda. I still woke up at the usual time, but made myself go back to sleep repeatedly. In the end, I had the total number of hours of a full night’s sleep, but when I got up, I felt like someone had tried to suffocate me with a pillow.

    Mark, Eric, and I went out to get some Christmas shopping done for them, going out to this bizarre bunch of box stores, colourful, blocky buildings like some kind of capitalist Red Square. The shops were full of every electronic thing going, all those technofetish objects — mobiles, computers, audio equipment — but all my geek appetites are fully sated, so I was safe.

    The boys dropped me at a subway station, and I rode downtown, where I walked in the cold rain for three quarters of an hour trying to find Baldwin Street. My mental map of Toronto is eroded like a sand painting in a breeze. In the end, I took a cab what turned out to be one block, just so I could stop wandering around.

    My destination was Bocca, a new restaurant opened by a friend of my editor Cath. Last night was the opening night, so we were invited to eat for free. (This keeps happening for me here!) The food was great, as was the company: Cath, her new beau Nilan, her brother Dave and his fiancee Lisa, another friend named Garvia (a beautiful and very funny woman who works at the CBC), and later Perry and his fling Cherry. (Yeah, we had a laugh about that.)

    The conversation was quick, and we laughed a lot. I seem to be living in a space where funny conversation occurs, and I love it. Cath whispered to me at one point that she thought I was really on, that I was being very funny. I dunno what it is with me being funny here. I do enjoy it, though. I think that’s my highest ideal in group conversation: making everyone laugh together. When others join in, it’s even better.

    Cath’s friend Lindy and his band joined us later. The main event for the evening was seeing him play at The Rivoli. Cath sent me his CD a while back and I really enjoyed it. (I can’t get the URL to his website at the moment ’cause I’m not connected, but do a search for “Lindy Vopnfjord”; I’m pretty sure he’s the only one.) I stood up and introduced myself, but it didn’t really register. Then he joined in our conversation for a second, and I skated over on a comic wave and made some comment about the upcoming avian flu that’s supposed to kill 100 million of us.

    Yeah, he didn’t get it, either. I was feeling confident, so I was okay. But I must admit that I was hoping to make some connection with this guy who’s become such a good friend to Cath, and, okay, to be chummy with the guy who’d be onstage later.

    About a half hour after, he leaned over — someone must have said my name — and he gave me a hug. He’s a very tall, blonde, Finnish guy, so this adding to the surprise. “Sorry, I didn’t hear your name before. It’s great to meet you. Cath speaks so highly of you.” So that was sweet.

    Cath, Nilan, and I walked to The Rivoli and caught most of Lindy’s show. It wasn’t long, but it was very good. He had a fun presence onstage, bouncing around, pulling faces, smiling, but also delivering his songs with a lot of force. The first song we caught was a tender little ballad, and I found myself crying. It was much like seeing my friend Tim in his show: something about seeing someone doing what they love and being good at it, but also something about the simple sweetness of someone expressing a touching sentiment through that talent — it gets me. Other songs were manic, and he finished with a silly mock folk song about poo. It takes a certain something to pull that off. Lindy’s a cross between a rock star and a nice kid you knew in kindergarten.

    I’m sitting here writing as the clients fill out a form designed to focus them for the next quarter. Kara, my former project manager, is the “Workshop Success Director” today. She cranked the jazz down a few points, ’cause it was getting a bit “Live at the Apollo” in here.

    There’s a client in the workshop I know Patrick would fancy, and it makes me smile in a way I have to hide.

    Tonight I’m going over to Lisa’s place. She insisted that I stay at hers at least one night.

    I’m struck again and again by how fortunate I am, how blessed I am to have this work that I love, and to be surrounded by great people who listen to me like I’m this certain person — who happens to be exactly the man I’d dream of being.

    Right. Must focus on the clients.

    ~

    Now it’s Tuesday morning and I’m back in the office. I’ve not been able to send or receive e-mail; I haven’t had access to the ‘net, so I figured I’d just tack this entry onto the other one.

    Last night after work, I went to Lisa’s place. Both of us were knackered, her from driving out to Saint Catherine’s to her theatre gig, and me from getting up for work and doing social things at night. So she made us a very nice supper, with basic food to offset the restaurant food she imagined I must be full of (though, truth be told, I’ve actually been having very good restaurant food, and the caterers at work are very good now — not like our previous one who hadn’t quite mastered the Western palate, and liked to make dishes like spaghetti with tomato mint sauce, and poisoned some of the staff and clients on a few occasions — oopsie!). We had a spinach salad with cooked onion, mushroom, and peppers, then a rice, chick pea, curry, and black olive dish that was really tasty.

    We talked endlessly to each other, catching up (in a way you can’t in a group), and sounding out each others’ advice on our various issues. On the surface she’s this playful pixie, but inside she’s an old monk. She’s done a lot of work on herself, and as a result has her feet planted firmly on the ground. It’s not that things don’t come up: she’s an emotional person, and very sensitive. But now she owns it, and knows very well how to be her. I have endless patience for someone who has ups and downs but also takes responsibility for them all. Then it’s possible to be as crazy as you want, but make it okay for others, and have compassion for yourself, too. I like that.

    After setting the world to rights, we plopped ourselves on her couch and didn’t move until bedtime. Well, except for when Lisa got up to make popcorn (further endearing her to me). We watched the Gemini Awards, a showcase of what’s going on in Canadian television. I can’t articulate what it is, but there’s a specific ethos to the things produced here, and that show was a great example of it.

    After the Geminis, we watched “The National,” the CBC’s nightly news show. Again, it was such a different take than, say, US news, and different even from the BBC’s news.

    Workshop’s starting. Must go.


    Slumming in *$s
    Saturday, December 11, 2004 , 11:09 PM

    I’m sitting in the Starbucks on Church Street in Toronto. This is a conflict for two reasons: first because it’s That Big Coffee Chain, and second because I’m surrounded by gay people *really* doing the “gay” thing. But I’m here for nostalgia’s sake. I wrote big chunks of my first and second books here.

    On the wall are several plastic mannequin chests, alternating between male and female, painted in black, white, silver, and rainbow stripes. This is gay art. Gay art deserves to fail and disappear.

    Last night after work, I had a nap so profound it was like sinking into the black depths of Lake Ontario. I desperately needed it, and it was delicious. I was awakened by Mark, then Eric, jumping on the bed like dobermans to tell me it was time to get up.

    The boys and I (meaning Cosgrove, Eric, and Heipel) went for supper in the gay ghetto, then went for drinks. Again, it was nice to visit Woody’s for nostalgic reasons, but I had no interest whatsoever in doing the scene thing. Tiredness and busy-ness have supplanted my libido, and someone from the past has resurfaced in my Edinburgh life; even the possibility of someone specific displaces thoughts of anyone else. This fella is bad news, or has been, but there’s something there. I’m willing to step into the “maybe”, knowing that I’m old and wise enough to handle whatever occurs.

    Ha! My best mate just walked in. Of course! This community is huge, but very small.


    Anyone want to marry me?
    Friday, December 10, 2004 , 11:55 PM

    The Supreme Court of Canada has ruled that same-sex marriages are protected by the constitution. Civilisation is here. Okay, the issue of finding someone to marry remains unchanged, but what an important step! Canada is looking very good these days, particularly while standing next to its deranged brother, the embarrassment in the human family. This is being reflected in the strength of the Canadian dollar, at a high not reached for decades. Unfortunately, this is actually hurtingbusinesses, like Toronto’s film production industry.

    ~

    I’m up early again. Yesterday, I compensated by eating every sweet thing available in the workshop room — muffins, butter tarts, fruit juice, and even some bubbly black sugar-water. In the afternoon, I literally got dizzy.

    Happily, I’m getting a lot out of being in the workshops. It’s one thing to write about these Strategic Coach ideas on a theoretical level, but it’s something completely other to speak with people whose business and personal lives are transformed by the work we do. This was a good plan, my coming here to recharge my work batteries every six months.

    ~

    Last night I zombied my way home on the TTC, ate some leftover pizza, then went with Mark to the Hargrave, a pub on the Danforth, to meet our friend Bert. It was strange to be in the Canadian cognate of a British pub, but seeing Bert was a joy. He’s the editor of Toronto’s eye magazine, and one of the most challenging minds I’ve encountered. His public persona is as something of a thorn in the side of sexual conservatism. He likes to shock, though his purpose and social function in doing so is to remind people to think fresh thoughts all the time, not to rest on received or unquestioned attitudes. Underneath that persona, though, is someone who’s actually sweet and caring. But that cat is tied very firmly into a bag of superior reason. He lets it out around me though, and I’m grateful.

    Then there’s Mark. How do you describe someone you’ve known for a decade, someone who shares the other half of your brain? He and I sat across from Bert in the booth at the pub, both a bit quicker than your average schlub, but running to keep up with Bert’s allusions to this book we’d not read, or that line of thinking. (He’d just sent out a memo that day to the staffers at eye, correcting them for using the logical premise “begging the question” incorrectly. It doesn’t, he pointed out, mean making you ask a question, but rather posing a question that contains a predetermined answer. cf: the all-girl punk song Cosgrove laughed out loud at just before bed called “Michael Jackson”, which contained the words “Show me on the doll where the bad man touched you”. I would say that this is an example of “begging the question” — as well as leading the witness.)

    Still, Cosgrove could take any thought balloon that landed on the table, get it completely, then inhale its contents and say something new in a funny voice. I love him (but not that way).

    Eric, his partner, is quieter, but he has his moments of brilliance, too. Witness his comic classic put-down “You scratch through the surface, and — Oh look! More surface.” (My corollary, only possible because of his original, is “All bottle, no message”.)

    Right. Workshop time.

    P.S. Yay! My invoices have been filled (turns out one fell between the cracks). Life is easier with money, and even moreso whilst travelling.


    Skint
    , 4:48 AM

    I’m in the cafe again. It’s 7:52AM, and I was up at 6. I’m enjoying being here, but I’m glad I’ll have a good stretch of time at my folks’ after this, where I can have a lie-in every day if I like.

    Okay, quick recap:

    Lisa had a little Xmas party Tuesday. The guests were mostly from her acting and catering worlds, people I’ve known for years and usually only see at her parties. These folk are so funny and quick. They also make me feel like a comic genius, too.

    I’m not so big on going out clubbing. I don’t show up very well there. But situations in which everyone’s joking back and forth, but also feels the freedom to jump right into their deepest philosophical thoughts or dilemmas in life — I love it. And this was that. Lisa seems to draw people like that to her, as, I suppose, do I. It’s just one of the many things I appreciate about her.

    I called Cosgrove from her place at midnight because I realised I didn’t have a house-key for his and Eric’s place. Of course, he was asleep. I’m being an accidental arse, just because it’s awkward trying to balance all these important relationships (though this trip is coming together much more spontaneously and naturally than the last). It’s also happening because I’m utterly, utterly broke. I say this without having checked my bank account today. I’m waiting for an invoice from the Coach to go through, a fairly hefty one, but the timing’s a bit off, so the whole time I’ve been here I’ve been running on empty. The credit card has helped, but I hate using it. I do appreciate, though, how lucky I am that this is a temporary situation for me.

    Strangely, I’ve also been getting stuff for free. Yes, others have been picking up the tab (which I always feel bad about), but it’s happened in other ways, too. Yesterday I worked with my editor Cath at her place, and we had lunch with her cool friend Perry at a restaurant called Fresh. They have great food and fresh juices, and I figured I’d put the bill on plastic. But the bok choy in Cath’s dish was full of mud. It wasn’t just unwashed, it was muddy. When she pointed this out to the waitress, they comped our whole meal. Sweet! Shame Cath had to eat mud, but hey, whatever. I must remember that: bring a bag of dirt to restaurants. I think that’ll work out much better than my cockroach solution, which can go all wrong so easily.

    I also accidentally “fare-scoffed” on the TTC today (the Toronto Transit Commission). The ticket-seller in the booth kept talking to me about the previous customer in a thick accent, and he had one constantly-blinking eye. It was distracting enough that I walked through the turnstile with all of my tickets in hand, including the one I should have put in the box.

    Last night, I met Mark and Eric at one of the remote spaceport ends of the TTC, and we drove to our friend Robert’s restaurant in Milton. We sat in a cozy back room and had an amazing meal. He’s such a gracious, wonderful man. I won’t have a chance to talk to him one-on-one, which is a different dynamic, but it was still nice to reconnect with him.

    Right. Time to go to the workshop room.


    From the Coach Cafe
    Wednesday, December 08, 2004 , 6:20 AM

    Soft jazz is playing overhead. I’m sipping an herbal tea. Around me are prints of old French adverts from the turn of the last century, along with ferns doing calisthenics, small round tables, and soft lighting.

    No, I’m not in Starbucks. I’m in the cafe at The Strategic Coach, the company in Toronto for whom I write freelance.

    …Okay, now I’m in the workshop room. The Coach conducts workshops for successful entrepreneurs. It’s fun to be here, because I get this outsized gushing burst of love from the team. There’s so much mutual respect here, and a real sense of fun behind what we’re doing. It works, what we do, and we’re very successful for it, and that feels good to be a part of. I’ve also benefitted a lot from it, personally. So it’s all good. I’m aware that I’ve floated up into a stratum of thin air where I experience the company at its most theoretical level, and that in practice there are probably some gaps where bureaucracy slips in. But I have the good fortune of being able to exist blissfully unaware of them.

    Workshop’s starting. Must go.

    The window to my left looks out on a parking lot, which is full of…

    Snow.

    Damnable snow.

    ~

    (Break in the workshop.)

    Things are pretty non-stop when I visit here. I’m working full-time, but I’ve also got a lot of people to visit. I’ve taken it easy this trip and not booked time with people; I’m just taking it as it comes. It’s more spontaneous, and I don’t feel so stressed out as last time. The flipside, though, is that there are a lot of people I’ll miss this time. I’ve given myself permission to do that, though, ’cause I’m going to be back and forth here every six months now.

    What have I been up to so far? Here’s a quick recap:

    Saturday:
    Spent twelve hours taking a seven-hour flight. Airlines are the nonpareil of corporate timewasting. I used to love flying, but now it’s a necessary evil, all the sitting around, all the lineups and discomforts. I like travel, though, so this is the price.

    I broke a personal rule and spoke to the passenger next to me on the plane. She was trying to take a pill, and, having ordered the vegetarian meal, I’d already been served and had a spare cup of water (in one of those ‘designed to burb its contents on you’ foil-topped plastic cups). I had a big bottle of water, so I offered my cup to her. That started a conversation, and by the time we’d both taken our suitcases from the carousel, we were buddies.

    Cosgrove, Eric, and Heipel fetched me from the airport, and I went back to chez Cosgrove-Yung, where we talked for a bit and I soon crashed.

    Sunday:
    We went to the Pacific Mall, a shopping centre on the fringes of Toronto that’s been torn from Hong Kong and dropped there. You can find technological gadgets there that just plain don’t exist in the West. I did some shopping there for my family, as most of us have slid down the slope into the pool of geekness.

    The buds and I shopped hard. I dropped a bunch of cash, but I got things there for a fraction of their UK price. We had lunch at a dim sum restaurant called The Graceful Vegetarian (as opposed to The Raging, Venegeful Vegetarian). And later we drank bubble tea. Okay, I didn’t. I had a coconut milkshake, ’cause I don’t want to suck black tapioca beads through a straw.

    Sunday night I went with Mark and Eric to my ex’s place. Of course, being an art director for commercials, or rather being a person with impeccable taste and style who’s chosen that career as a form of self-expression, Jordan’shome is a beautiful, welcoming space. Actually, the only thing wrong with it is that leaves you feeling like your home is inferior. (Especially in my case, as I’ve no talent for DIY or space design, so my granny flat is pretty much exactly as I found it: dumpy.)

    It was kind of a Hannukah party, but Jord said it was really for me, which was sweet. There was a big crowd there, with lots of faces I’d not seen in years, since we’d been together.

    I had to leave fairly early with the boys, as we all had to get up early. I was committed to being fresh and present for Monday, and I was grateful yesterday when I got up in the dark and took the subway to the office. But I still have such powerful feelings for Jordan. He’s so cute, and so talented and capable. We’ve resolved the question of our being together, but I will always, always love and admire him.

    Monday:
    Dan, the co-owner (with his wife) of The Strategic Coach, arrived in his limousine, and we immediately fell into deep conversation. A lot of his ideas are a real challenge, coming from such a different place and sounding so contradictory to my own. But their foundation is visionary and humanistic. But he challenges some of our usual concepts, like “equality” — a word he hates. “People aren’t equal,” he said in the workshop yesterday. “They’re all different.” At The Coach, we have this notion of “Unique Ability” (fairly self-explanatory), and that’s what we’re always getting the entrepreneurs to focus on, both in themselves and others. Dan’s commitment to freeing people to live unmanipulated lives based on their Unique Ability is really inspiring. I also enjoy having real conversations with him, rather than just carefully relating to “my boss”, and I know he appreciates this difference. We have a nice working relationship, and something of a friendship, which I value.

    Of course, I also got to see my friends here in the company, people I love and admire. I’m very fortunate to be surrounded by lots of people with these qualities. It was great to see Margaux, who’d visited me in Edinburgh, Ross, Julia, and Gaynor, whom I’d travelled through Paris with, and of course my editor Cath, who’s become such a valued friend as well as an essential part of my career here. My gift, I’ve learned, is in expressing — ideas, moments, things. Cath, though, gives me the whatI describe for the company. We’re a great team together.

    After the workshop, I went shopping. I feel nauseous about how much I’ve used my credit card lately (since I’ve been waiting on an invoice being filled; I’m here travelling but I’m skint — it’s a bit awkward). But I finished my Xmas shopping, and I got some trousers, ’cause my clothes were all shabby — fine when I work at home, not so fine when I’m sitting across from a millionaire entrepreneur trying to talk to them as an equal. I’m grateful that I’ve grown from being a kinda funny-looking, awkward child into someone who people seem to respond well to. I like plain clothes that present me well; I don’t care about labels. Unfortunately, this led me to that store, where I got some very nice trousers on sale, and I know they’re going to last me for years. The mental picture of Indonesian children locked in a dark warehouse, sewing their fingers into the table makes me feel just a little guilty.

    I should be focused on the workshop. Must go.


    The long hols.
    Friday, December 03, 2004 , 1:02 PM

    This is my fridge as it looked yesterday. Now there’snothing in it. It’s that time again: I’m off to Canada for the rest of the month, back just in time for Hogmanay.

    Apologies for keeping my thoughts in my head lately instead of sharing them here. If you want a glimpse of what it’s like to be inside my head, go see I [Heart] Huckabees. A lot of critics are hating it, but my new friend Geoff and I went to see it the other night, and laughed throughout the whole movie. It was the same kind of “laughter of recognition” that all those pathetic women let out at the Bridget Jones movie, except intead of angst over boys or being fat, the concern here is with ontology, hermeneutics, existentialism, or any of those other ideas we drive ourselves nuts with in our quest to “get it”.

    ~

    When I self-published doubleZero back in 1999, I found myself thrust into the indie publishing community in Toronto, a vibrant little world of photocopied and stapled ‘zines, hand-made chapbooks, and comics. Most people hadn’t considered trying to appeal to mainstream publishers, or had already gone that route and were frustrated by the focus on bureaucracy rather than creativity. A lot of the work was scruffy and self-indulgent, but there were some real gems in there, too, full of clever insights into everyday life as a postmodern that the mainstream media tend to miss.

    The highlight for me was attending Canzine and speaking on a panel there. I loved how everything was about what it was about, rather than presenting one thing (e.g. art) and being about another (e.g. money).

    In that self-same spirit, I’ve got together with some writers and photographers here in Edinburgh, and we’re working on a ‘zine called Dunderheid! The first issue will be out early next year. We’re taking it really gently, using it as a good excuse to create work, rather than stressing ourselves with deadlines.

    It really is time, though, to keep putting work out on the market, like Robert Heinlein says in his Five Rules for Writers. And, hey, you can’t argue with the man who’s said to have made a bet in a bar with L. Ron Hubbard that resulted in the creation of Scientology.

    <

    p>

    <

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  • November 2004

    Busy Hamster
    Tuesday, November 23, 2004 , 7:16 PM

    I took a breather between social outings on Sunday to go to a pub and write another short story — this time the correct length for the competition I had in mind. I won’t post it here, ’cause one of the conditions of the contest is that the piece be unpublished.

    Okay, it is posted to my website, but I figure it doesn’t count if I don’t publish the address. Of course, if you’re really clever, you could probably find it if only you could figure out my naming convention for the site (namely that story filenames begin with “stry_” followed by the story name, and this story is named “The Half-Dead House”, and that I wouldn’t include the word “The”, a hyphen, or spaces in a filename).

    I did also post my longer first story, though, which you’re welcome to read. It’s called “Spirits”.

    Also, shortly after my mum sent me her sequel to the “Mixers” stories, my friend Paul pitched in his version of events. Hey, I thought I was supposed to be enteringwriting contests, not holding them!


    Done like dinner.
    Saturday, November 20, 2004 , 10:35 PM

    My throat barely hurt at all this morning, and I felt full of energy, so after my requisite two-hour chat with my folks this fine Saturday morning, I went out with my writing gear to find a place to work. That was a bit of a challenge, because the high street is teeming with Christmas shoppers. I found a place, though, sat down with my notes, and made up the missing pieces of the story I wanted to write.

    It was as easy as letting dogs out into the yard. Unfortunately, though, there’s a maximum word count of 750 words for the contest I wanted to submit this to. The story I ended up writing was 2328 words. Oops. So I let three times as many dogs out as I should have. I can’t make this story shorter without injuring it, so I’ll just have to write something else. I’ve already got something in mind.

    This is why I don’t understand how people can say it took them ten years to write a book. An average novel is 100,000 words. So a person just needs 50 days like the one I just had, and there’s your book done.

    I took myself out for supper and did my edits while I ate… Or rather, OVERate. And now I’m sitting in bed surrounded by notes and scraps of paper and books, with all kinds of extra time on my hands. Ahh, this is my favourite kind of Saturday.

    Last night, I had a nice, easy evening talking to a new friend named Geoff, then Patrick joined us and we moved to The Waverley, where we watched Liz be busy and efficient, and Philip showed up, too. I left early, ’cause my throat was getting sore from the smoke and having to talk loudly, but still, being *almost* better felt SO good. Today is even more of a treat.

    Last night I had a perfect moment, sitting with a shot of (medicinal) whisky, leaning with my chin on my hand, my mates chatting around me, in this old pub that’s covered in a thousand yellowed posters from decades of Fringe festivals, along with lanterns, two small crocodiles, a dozen metal contraptions of various utility, a few musical instruments, and a small postcard of the Queen and her consort looking surprisingly casual on the till.

    I stole the moment for my story, and I nicked a detail from my friend Niall’s life, and cast Liz in it, too (just a walk on; she does speak, though — thank God she’s not Equity). It’s not like me to do that, to use threads of reality quite like that. Usually my work is, well, Tennessee Williams put it best:

    “My work is emotionally autobiographical. It has no relationship to the actual events of my life, but it reflects the emotional currents of my life.”

    I always find it a bit insulting when people say, “So where did you get that from?” as if I couldn’t have justmade it up, which is kinda my job. With these short stories, though, there isn’t the time to grow these details from scratch, so I found myself just nicking things from the window-boxes of others’ lives instead. Novels are so much easier to write.

    I will post the story here, but not tonight. I’m working on my Pocket PC, ’cause if I turn on the PC (which I’d really have to do to add a new page to my site and update the navigation), it’ll suck away the rest of my evening.

    It was great to have all my gear working and be able to work away from the house. Being healthy again was fun, too.

    Okay, time to tackle some of this other stuff, and to do some outlining for the other story that I have to write. Seven hundred and fifty words isn’t much space to make something happen in. “He left the house, he had a meal, he went home” is about the scope of it. In two thousand words, you can also visit some friends, go to the zoo, and think about what’s happened, too.


    *gulp*
    Tuesday, November 16, 2004 , 9:47 PM

    I’m sipping tea. Not real tea, of course. I hate the stuff. This is green tea with lemon or somesuch. I’ve already done the old trick of putting my head over a pot of steaming water, only I added a few drops of thyme oil to the water. That’s what Verna says to do; she’s the favourite alternative health practicioner for the people atwork. I’ve also been gargling with salt water.

    As you might have guessed, I’m sick.

    My uvula is a swollen, sore earthworm that gets pulled down my throat every time I swallow.

    Sickness is boring. I have short stories to write! I’ve got about four different ideas banging around my head like tricycles in an attic, but my body aches, and I don’t have the energy or concentration for a writing session. I have been able to do some outlining, though.

    (*sips tea*)

    I just called my mother. I saw she was online on this new program called Skype that we’ve been using to do VOIP or internet telephony. Talking is free now, so suddenly we’re having more conversations. I love the connection this gives me to my family. Technology can be a good thing. (It can also be a distraction that nibbles at one’s soul like sugar cookies, but that’s another matter.)

    Mom said I get sick because “all you eat is parsley sandwiches”. That made me laugh out loud — inflicting pain on her, because her old iMac doesn’t handle sound very nicely.

    I’ll “awa’ to ma kip early the nicht”. It was so nice to hear my mammy’s consoling voice: there’s nothing like being called “Snookums” by her. (And only her, mind!)

    ~

    I took out my “industrial” this afternoon. It’s a piercing I had, a bar going across the top of my left ear. I had it done last summer when I was in Toronto. I kept thinking about being in the workshops at work next month, and visiting with my relatives the Sadlers before I go back. Having a needle shoved through your ear is a pretty strong statement. Every time I thought about it, asking myself why I had it, the answer was “No reason.” My body’s still rejecting it in icky ways, with lumpy scars and strange wetness, and the statement it makes is an empty one. That’s not the outward show I want to put on. So I took it out.

    The different piercings I’ve had in that ear each followed some painful incident in my life. I guess it’s like sailors getting an earring when they cross the Cape of Good Hope (or so I’ve heard): a symbol of endurance. Rather than make such a commemoration, I think I’d rather walk forward into the future pain-free.

    ~

    I just got an e-mail from a friend with the subject line “Nina”. This has happened to me a couple of times lately, people writing to me with nothing but someone else’s name in the subject line. I immediately assume that person is dead.

    Nina wasn’t dead.

    If you write e-mails, don’t do this.


    P.P.S.
    Tuesday, November 09, 2004 , 11:14 AM

    One of my best mates from Toronto, Steve Heipel, has just been published in Quills Canadian Poetry Magazine.

    His poem is called “Raspberries in Kelly’s Garden”, and appears on page 308.

    Heip’s been whingeing forever about how he’d never be published, but to his credit, he still took action like someone who might be. So now he’s proven himself gloriously wrong, and has to shut up and accept that just maybe he’s talented.

    (Not that publication is the final arbiter of who’s talented or not, but having other people think you are and be willing to put money behind your work does saysomething.)


    Salut!
    , 10:46 AM

    “Hello. How are you? I am fine. I’m sorry I haven’t written in a long time.”

    That’s a quote from pretty much every letter I wrote as a child to my Great Aunt Jen, who lived by herself in a flat in Glasgow, enjoyed the odd tipple, and liked to watch snooker on the telly.

    I’ve been enjoying some nice quiet time, in-between fireworks with friends (Liz captured that event, saving me the effort), and catching up with some other mates. MyPocket PC has been in at the repair centre, which is a major knock to my lifestyle. It means I have to work from home, stuck in front of the PC while the broadband delivers every kind of distraction under the sun. I did manage to turn the computer off, though, and enjoy some quiet evenings with lots of time for reflection, making notes, working on some things I’ve been thinking about… and cooking. Lots of cooking. It’s not something I associate with myself, but I actually quite enjoy it. The simplicity of chopping vegetables is very calming, meditative.

    I even baked a cake. A year ago, my brother sent me a birthday cake in the mail as a joke: a cake mix, candles, and a little tub of icing. The icing is gone — I dipped into it a while back on impulse, and had to throw it out when I left town for a few weeks (though I doubt there was anything real in it to go bad). But I still had the cake mix in my cupboard. I never have eggs in the flat, so I couldn’t add the last ingredient the cake needed. So finally this weekend I bought eggs and…

    My oven is crap. It’s a little tin box with a tiny blue flame at the back (which I have to light manually, sticking my head in like Sylvia Plath). It doesn’t heat things properly, as anyone I’ve tried to bake for can attest to. So instead of half an hour, I left the cake in for an hour. Even then, one of the two loaves was still like chocolate pudding inside, but the outsides were splitting open like little models of the Grand Canyon, so I took them out and put them on the counter overnight. And yesterday, I ate cake! With vanilla ice cream and maple syrup — as if it wasn’t sweet enough.

    <

    p>Yesterday my Pocket PC came back. I’m free! I can go outside again, out into the world. I can work from the library or a cafe. I can be amongst living, talking human beings! Except I’ve got so much food in the flat. Hm.

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  • October 2004

    Samhuinn
    Sunday, October 31, 2004 , 11:24 PM
    Tonight I attended the Samhuinn parade with Liz and Chris. Chris’s brother Malcolm was playing some sort of a — well, I’m not sure what he was. Liz and I decided he was The Judging Penguin, something that has a furry white head and plays a horn made out of a giant Christmas wrap tube. (Liz took pictures.)

    We bumped into Ewan and his girlfriend Angel. Angel was new, at least to me. She’s American (how awful that anything positive following that word has to be prefixed with “BUT” these days) but she was really cool. Her reference-enriched sense of humour fit so nicely with his. The five of us laughed and made up stories about what the various bits of dancing and fighting in the end pageant of the parade were supposed to be.

    One thing’s for sure: The Green Man was killed. Summer is dead. I love having participated in Beltane, then Samhuinn. There’s fire and papier mache genitals, there was a cool giant puppet thing we dubbed the mantiskeleton, there was edginess and danger, ritual and community. I love that this happens here.

    I’m not big on fancy dress — I like being me — but a woman came around during the ceremony and daubed the five of us with greasepaint, making us part of the proceedings, and that felt good and right.

    Here’s to transitions. I wonder what will come next.


    Something good in the mix.
    , 6:13 PM

    I tore myself away from the computer for a while — a very good start to making life work better. I took a pad of paper, a bunch of coloured markers, The One True Writing Pen (which Liz helped me buy when I happened to bump into her last weekend, since I’d lost my good pen in Kinlochbervie), and went over to the chair where I work when I’m at home.

    I asked myself what was going on lately, and a surprising number of answers came back. The jumble my outer world has been turns out to be a reflection of what’s inside me. I’ve got some work to do on that space, ’cause it looks like nobody’s been in there for quite a while. How can the world give me what I want when I’ve no idea what that is?

    I came back to the computer just now, and I found an e-mail from my mum. God, I love her. In our (endless)phone call yesterday, she mentioned that she’d read the “Mixer” stories Mark and I wrote, and found them kind of sad. She wished she could write another one to offset them.

    So she did!

    It meant so much to me for two reasons. One, because she’s more creative than she gives herself credit for, and was brave enough to just go play in that imaginative realm that I treasure so much, even though she doesn’t think of herself as a “writer”. The other reason is contained in the subject matter of the story itself, which speaks worlds about how lucky I am to have her as a mother.

    I also love what a creative conversation this story has been from the onset, with me writing a bit, then my buddy Cosgrove, then my mum.

    So, yeah, things have been challenging for me this week, but this was a good reminder that, even if I’ve got some work to do, I’m still a rich guy in some important ways, and should appreciate that.


    The off-kilterverse
    , 2:58 PM

    This week I was stood up four times — twice by the same person. On Friday night I was out with my best mate and he took off, just said he was going to the bar and left. It was the umpteenth time that’s happened.

    I’ve developed cancer of the social life. What kind of vibe am I putting out that’s giving people the impression that these things are okay to do? It’s like I’m producing a radioactivity that kills off the little motes of attraction, loyalty, and thoughtfulness in people. Meanwhile, though, random folks on the ‘net have been saying the nicest things, and I got more good news about my book (which, for once, I’ll keep to myself).

    I’m going on a “people fast”. Samhuinn is tonight, the Celtic autumn festival, and I’ve got a meeting on Tuesday with the people I’m producing a ‘zine with. Other than that, I’m checking out for a few weeks to figure out what this is about.


    Homo kills pomo, news at 11.
    Thursday, October 28, 2004 , 1:30 PM

    Last night, I went to see Rufus Wainwright in concert.

    Wow.

    His sister, Martha, opened the show. She had obviously inherited all the ability that Rufus had from growing up in a musical family. But her content was… eerie. Rufus writes about yearning, and I think that’s part of why I love his music. Romantic love doesn’t work for me, so the yearning thing is very appealing. But Martha writes about pain. And pain is ugly. It doesn’t help when your opening song is called “Bloody Asshole Mother Fucker”. I kid you not. She’s one of those people who was born in an emergency room and never left. I had to wonder how Rufus feels, bringing this person along with him. Maybe he gets her, and doesn’t see it. He’s got his own issues, but somehow they’re much more palatable.

    I watched her strum away at her guitar, looking from a distance like Maggie Gyllenhaal dressed up in an 80s costume, her legs akimbo as she stomped and wailed. She has a good voice, with an Emmylou Harris quality, but the stuff she was singing… It was like hearing someone’s recovery journal put to music.

    Then Rufus came on and made everything cool. He’s weird and fruity and his sound ranges from soaring anthems to heart-squeezing ballads to vaudevillian numbers. He wore tartan trews for the occasion, and made a few awkward jokes about Edinburgh. Happily, he restrained himself, jumping straight into the music, as if he’d been tightly coached (like a presidential candidate in a debate) to stay on-program.

    And a long program it was, too! It ran for quite a while, and we even got two encores. I thought his voice was strong before, but I didn’t realise until hearing him live just how strong it was. Hours later, he was still in full voice, with a sound that reaches right into your head to tickle your thoughts, and into your chest to get your heart beating faster.

    During one of the encore numbers, Beautiful Child, I figured out what his music feels like to me: It feels likemy times, like someone’s putting music and words to the days I’m living — not with any apology, and with none of this shite “It’s all been done before” postmodern cynicism, but like it matters right now, more than anything. It’s Bohemian, it’s raw, it’s authentic and heartfelt.

    Words are great, words are everything to me, but if the soul has a language, it’s music. And Rufus Wainwright is a damned fine musician.


    Content update
    Sunday, October 24, 2004 , 4:41 PM
    Last night, I poured myself a glass of the absinthe I brought back from Paris. I felt like a heroin addict, pouring water over a cube of sugar into the glass. Really, though, it’s just booze. The active ingredient in absinthe, thujone, is barely present in most modern-day brands. Still, I gotta say, the stuff is liquid happiness. I took the cloudy green drink over to my desk, sat down, and did some writing work.

    I know, it’s all very cliche.

    I didn’t actually write anything, but between last night and this afternoon, I tidied up a lot of loose ends around my personal writing. I created some submission packages so I can start sending out Idea in Stone to some more publishers or agents. I’m torn, though: I actually really want to work with the people who already have my ‘script. Instead of contacting anyone new, I should really just write them. Thing is, I don’t want to be a pest. I’m grateful that they’ve been so positive about the story, but the waiting is killing me.

    I redid my letterhead with the new logo I’ve created for myself, and you’ll notice that, other than in the actual URL and the masthead, I’ve changed references to me to “Alistair Hamish MacDonald”. There’s another Hamish MacDonald in Scotland who’s a writer (go figure), so I’ve got to stake out a different territory. (I’ve also snagged the URL for my full name, though at present it just redirects you here.)


    Kinlochbervie Pics
    Saturday, October 23, 2004 , 10:16 AM

    Patrick has posted an enormous gallery of photographs that he and Liz took on our trip to Kinlochbervie. You can find them here.


    Piccie-posty-thingy
    Wednesday, October 20, 2004 , 4:12 PM

    HAZZAH! I finally have a replacement for iPhoto, as Google have come out with their own image management program, Picasa, which also interfaces very sweetly with Blogger via a program called Hello. I’ve finally looked up the programs Google’s developed, and they’re sweet. (I just want to know how on earth Google snagged the domain name “hello.com”. I suspect bags of money were involved.)

    iPhoto was always very good, and made the business of putting together photo albums painless. I’ve got a pile of pictures I haven’t posted specifically because it’s been such a schlepp to do it. No longer!

    I’m in a good mood today. I’m being really productive at work, which feels great. I’m clear-headed, it’s easy to focus, and the words are coming easily. Ahh.


    Kinlochbervie
    Tuesday, October 19, 2004 , 9:19 PM

    This weekend I went with Liz, Patrick, and Karen to a place on the top-left corner of Scotland called Kinlochbervie. Liz and Patrick took hundreds of pictures, so if you want to see a little bit of what we saw, go over to their blogs!

    I’m also happy to link you to their blogs so that you can get a wee taste of their minds. Liz, Patrick, and Karen are very quick-witted people. We were all so ready to jump in and add facts to whatever any of us was talking about; it would have been annoying, except that we’re all so interested. “Oh really?” we’d say, wanting to hear more, instead of feeling pulled up short.

    The countryside varied from low and rolling to steep and mountainous, but all of it had a look like titanic stone dogs who’d been sleeping so long they’d grown vegetation. The ferns and heather were brown, rusty, and purple. The trees were yellow and green. The rocks were grey or black. And the beaches were white against turquoise water like sea-glass.

    We tromped through brush, over dunes, and across jagged rocks to see what we were after. All the driving left me feeling like I’d spent whole days on a slow-moving roller-coaster (the feeling hasn’t left me), and as I looked out at the sea stretching away, seeming strangely higher than I was, I felt…

    Unsure.

    I wasn’t sure what I should be doing with all this beauty. I could only witness it. Happily, my friends were full of ideas for what to do next, so I followed along, feeling a bit guilty I wasn’t contributing more direction to the weekend.

    My PDA broke, and I lost my favourite writing pen. Something about the gravity at the centre of my universe is a bit unstable. It’s uncomfortable now, but I’ve a feeling something good will come of it.

    On our last night, Patrick directed us to Oldshoremore beach (though a sober Liz Only-Coca-Cola-runs-through-these-veins Babb did the actual driving). You might remember the dinner I had with my “muses”, my female poet friends. That night, Wendy gave us each a circle with a swirl of text on it describing a “magic moment” for us. I’d been carrying mine around, blessed by the promise of it, cursed by this piece of paper that kept reminding me that I’d still not done it. Patrick knew about this, and took us all to the beach so I could fulfill this charge.

    We got out of the car and fumbled through the darkness. Of course, the only path to the beach was through an old graveyard. I’m generally not afraid of anything (except for dangers to my family), but I have to admit that my “kid fears” did come out from under the bed in my mind. We made it to the beach without incident, though…

    And we marvelled.

    The sky overhead was not a “net of jewels” or a “pin-pricked blanket”. It wasn’t an arrangement of constellations that formed Orion, Cassiopaeia, the Pleides. It was nothing the human mind could wholly encompass. It was an endless spread of lights, varying in size and constancy. The Milky Way ran from horizon to horizon over our heads. I saw no less than ten shooting stars, and made wishes on each of them (one was a repetition, for emphasis).

    We lay down on Patrick’s car blanket, and we passed a bottle of whisky back and forth. I held some in my mouth as long as I could, until it started to burn, then gulped it back and breathed immediately over the vapours. For the first time in my life, I liked it. I lay back and, for a moment, experienced stillness, bliss, quiet. It was what the late monologuist Spalding Gray called a “perfect moment”. Or a “magic moment”, as Wendy had promised.

    We each walked up and down the beach on our own, then with each of the others, and wound up in a human houndstooth pattern, each of us with our head on another’s stomach. We talked and laughed and lay silently for some unmeasurable amount of time, until the clouds came in and it was time to go back to the hotel.


    Home again
    Wednesday, October 13, 2004 , 10:15 PM

    I’ve got a pint on the table beside me. I’ve found a nice, quiet, not-so-smoky corner in my local pub.

    It’s time.

    I got back from Paris a week ago, and I haven’t had a chance to write anything about it. I’ve had work to do, and quickly got overwhelmed by all the social calls I had to make. I’ve been out every night this week. As someone who’s complained in the past of having no life here, I appreciate that this is a good state to be in. But as someone who also believes he should constantly produce, create, build… It’s a conflict. I have to adopt again an old habit that worked for me in Toronto: writing nights. Book it in, the thinking goes, then I can protect it, do it fully while I’m there, and live my life without guilt the rest of the time.

    Okay, I’ve pencilled in Tuesday and Thursday next week as Writing Nights.

    This weekend, I’m going with Liz, Karen, and Patrick to Kilochbervie — another feather in my “see Scotland” cap. I’ve hardly seen any of the country, I know, but having driven to some places now, I realise how very much smaller it is than Canada. A five-hour drive in Ontario would have just got me from Toronto to Algonquin Park. This Friday, it’ll get me right across Scotland.

    Right. I’m still not talking about Paris.

    It’s intimidating, though. Three words — A Moveable Feast — make me feel like I shouldn’t even try. And this is the sense one has in Paris: it’s all been done, and probably better. It’s hard not to be painfully aware of how much one, in being there, is living out a script, stepping into those stories that have gone before.

    Here’s the trick, though: it’s not cliche, it’s not fabrication. All those things really are Paris. Yes, it was like that in the past — the cafes, the little streets, the grand buildings, the endless art and culture — but it still is that. The place is stuffed with things that predate this age, that have managed not to be subsumed by it. I love that about Edinburgh, and I love it about Paris. Edinburgh is like a man I’ve fallen in love with; Paris is his sister I barely know, and I’m starting to wonder if they might be twins.

    I can’t recreate the trip here. It’ll take more time than you or I have, and it’s an experience that belongs to the four of us who travelled together. All I can do is give you some snapshots — verbal ones, since I’m a terrible photographer.

    You never know how people are going to be as travelling companions. Great friends can become albatrosses, and near-strangers can become instant companions. I travelled to Paris this time with three friends from work, Ross, Gaynor, and Julia.

    To start with (from my perspective), there was me, whom you know or don’t to whatever degree. I flew from Glasgow on an insanely cheap flight thanks to Ryan Air — a penny each way, plus a bucket of taxes.

    I landed in Paris Beauvais (which is a bit like taking a ship to “Earth Moon” that deposits you on the moon). I started walking, which I love to do in a strange city. The taxis looked different from one to the next, were all occupied, and the Metro didn’t seem to connect with the closest-to-home station, Jussieu. So I walked… For three hours. I walked under the setting sun to the Arc de Triomphe, in the dark along the Champs-Elysees, past the giant Egyptian obelisk, across the Siene, criss-crossed around St Germain-de-Près, and then finally found the flat. Luckily, I had the buzzer for the gate, a door blocking the driveway-sized entrance, and walked into a beautiful courtyard of white walls and shuttered windows with waterfalls of plants and flowers streaming from them. On the ground level, an Italian restaurant’s windows poured laughter and music from what looked like an engagement party…

    Aargh. I can’t do it. I’m sorry. I started describing my friends, and I realised that it’s not my place to talk about them here — even when it’s good, since we turned out to be great travelling companions. We saw a thousand things, and I can’t do them justice here, nor is there really a reason to: I had that trip, I made little notes (“Market, nasty pommes-frites, the little old woman, dusty bottles of wine, catacombs…”), but ultimately, it was our time together. You had to be there.

    I couldn’t come back here, though, and start writing in the blog again, until I’d said something about Paris. Sorry, that was it.

    Tonight I saw a movie with Liz and Fiona, The Motorcycle Diaries, about the early years of Ernesto “Che” Guevara. Afterward, I split off from Fiona then Liz, and walked here in the light rain, wondering if I needed to do Really Important Work, if I should get involved in something grave to give my writing some sort of deep social justification. My brother and my dad are both social workers, and I was brought up with a strong sense of social justice. I struggle, though, with a moral relativism: ultimately, individuals don’t matter. They all die, so it doesn’t make a difference. In a couple million years, the sun will expand, and none of this will have made any difference. At the same time, though, I hold the paradoxical belief that every individual the most important event-thing ever, and everything in our world revolves around the fate of each single person.

    Other things I’ve been ingesting lately:

    Books, from Paris, bought at Shakespeare & Co., a kind of writer’s Mecca, a shop on two floors, one of them doubling as a residence, its crooked walls stuffed with books for sale. Hemingway used to borrow books from the woman, Sylvia Beech, who ran the store’s first incarnation. Even now, when I sat in the tiny cubby on the second floor — a tiny nook with an old chair, a single bulb, and a blue typewriter — I felt like I could create anything.

    Unfortunately, the first book I bought there was clever in all its parts, but a disappointment overall: The Dreamers, by Gilbert Adair, which I realised only when I started reading it, was an adaptation based on an earlier novel of his and a screenplay he wrote for the movie of the same name. It poses as something daring, risque, and does a nice job of capturing the romance of Paris in 1968, when riots took place on the street, but it ultimately chickens out and shies away from connecting the last two dots in a love triangle.

    In the airport on my way to Paris, I’d bought another book which I finished last night, called Paras over the Barras. Every time I’ve gone to The Barras, a dodgy sort of black market in Glasgow, I’ve thought of it as the kind of place that must have been exactly the same in WWII — except instead of DVDs and software, they would have sold stockings and sugar. This book was set in that era, which I’ve always been fond of, and followed a fictitious family who live near the Barrowlands, or “The Barras”. It’s full of pun-humour, is as broad as a Christmas panto, and, despite the fact that the typesetting is terrible(someone at some point had no idea about closing quotation marks, or putting paragraph breaks between lines of dialogue), I still found it charming, like a story your grandfather tells you that, while dated, is still kinda good.

    The other night I saw Sky Captain and the World of Tomorrow, which was pure fun — mainly because it didn’t suck (a quality that’s rare to find in a blockbuster movie these days). It was the mental equivalent of a massage.

    The other book I bought from Shakespeare & Co. is called The Big Questions. It’s about using philosophy to build an approach to life. I’ve only read the introduction so far (this week has been busy, as I said), but I’m excited by the promise of it. Yes, I know it sounds like the literary equivalent of those little polystyrene chips you get with Chinese food, but it reads like the Number 7 Lobster Dish.

    I’ve also read and listened to way more than I should have about the upcoming American election. It fills me with a pointless rage that feels borrowed. Deep down, I know that this is not my fight. Lord knows the world doesn’t need another of his creatures blogging about this event, so I’ll stop now.

    Speaking of Himself, I read something last night in bed about the origins of Christianity. It’s the most concise and complete work I’ve read on the subject. In some places it seems a bit of a stretch, but overall, it pretty much makes the worship of a badly-photocopied version of the sun-god hero myth look kinda foolish. Still, though, even after leaving behind this tradition I grew up in, there’ssomething there to human spirituality I can’t let go of, that I’ve had too much experience of to disregard. I guess I need it, and it’s coming back as a theme a lot lately. As I keep living longer and longer, individual events are meaning less than the aggregate picture they present.

    I could go and be a Che, to fight against something — say, the forces of oppression and injustice (God knows they’re out there, and at a peak of activity). But I’d be looking for a fight, looking for something to fill in an outraged blank. The training I did years ago held as one of its tenets “What you resist persists”. Instead of fighting against a thing (which ultimately ends up being about that thing, and paradoxically keeps it in existence), it’s better to work towards the preferred other, to “Be the change you want to see,” as Ghandi said. Maybe that’s why I burn out when it comes to the American election: there’s nothing there that belongs to the future I want to live.

    I’m tired. I’m babbling. I’ve been very tired since I came back from Paris. I feel like something is gestating inside me. I don’t know what.


    Speaking Welsh
    Saturday, October 02, 2004 , 9:00 AM

    Someone knocked at my door. I spun in bed and sat up, in the process swiping the corner of my pillow across the surface of my left eye. I answered the door in my T-shirt and boxers, wiping my streaming eye.

    “Hello. I’m from the television licensing board.”

    Oh.

    Well, at last I could show them that I don’t have a telly, so they’ll stop pestering me with threatening letters. “If you have a television and aren’t reporting it…” I know, I know. But I don’t.

    Even though it was evident that I didn’t have a set in my house, I still felt compelled to make my case, and mentioned what I do for a living, and that having a television at home would be too much of a distraction.

    “Oh,” said the man from the board, “a friend of mine is a writer. Have you heard of Irvine Welsh?”

    “Yeah,” I said in an ‘of course’ voice, and told him that I’d just read a short story of his on The Barcelona Reviewwebsite the other day. So he went on to tell me stories about things that had happened to them, and charted Welsh’s career progression for me (studied law, wound up cutting grass, went to work for the Council, and was working his way up when Trainspotting hit.)

    I wondered how it felt for the man, an average Joe (or Jimmy, I guess you might say here), missing a tooth, wearing a licensing board jacket, toting a clipboard, watching his friend rocket ahead in the world. (Assuming, for a moment, the achievement model, rather than the being-here-and-now-is-all-there-is model.)

    We finished our talk, and I saw him to the door. I turned on the immersion heater and cleared some bills off a side table, where the Hello! magazine was. I smiled, the similarity of the situation not lost on me. But I prefer the board-man’s version of it: as he left he said, “So you never know when it’ll happen for you.”

    ~

    I’m off to in a minute. I’m finally going to make it to the farmer’s market, which happens every Saturday on the Castle Terrace, but I always miss it. Liz was the first of our gang to find it, and is slowly introducing everyone else of us to it.

    I spent the evening of my birthday with Liz, actually. It wasn’t specifically a birthday plan, but we went to see the movie Hero together. She was great company, exceedingly tall and clever (unrelated, but both worth noting), and we both enjoyed the movie, which was a cross between a box of bright pastels and a great martial arts flick. Whenever I see one of these films, I think back to my days doing karate and aikido, and I long for the kind of discipline that demands. I look at my work habits lately, which, while productive, could do with some tightening-up. My brain is adipose, flabby, and prone to wandering.

    <

    p>Must go bathe, grab my things, and leave for the market. Then, this afternoon, I’m off to Paris!

    <

    p>

  • September 2004

    Bipolarity
    Wednesday, September 29, 2004 , 1:32 PM

    This past weekend I went camping with Patrick and Karen. Right after work, we drove north and east through a dark night, listening to music and chatting, following the twisty roads, blinking at the oncoming high-beams. Patrick’s tent was a cinch to put up, its bug-legs snapping into place easily. We made supper over blue tins of gas, then had an early night. I didn’t really sleep, conscious of my cold, not wanting to sniff or blow my nose or breathe on Karen (let alone “spoon” her inappropriately), who was stuck in the middle.

    On Saturday we walked through Braemar, the little town a short walk from the campground. It looked like a very old town that had its last surge of development in the 1950s but kept itself nice and tidy since then. We explored the surrounding land, including the beige-plaster-looking wee castle, which seemed more like a theme park feature than a fortress, then walked up through a lovely pine forest on a hill and back to the campsite.

    Karen and Patrick left to do some serious hillwalking, but I stayed behind. I was away from the city, and wanted to take the opportunity to disconnect, to unwind then gather myself together. I listened to music, including some little snippets of Tonight’s the Night I’d downloaded fromTim’s website. I looked through the Hello! magazine I bought when we did our shopping the night before. There he was with Ruthie and Lily, right on the cover:

    A friend recently mistook my talking about Tim on here as me fancying him, holding a torch. It’s not that. And I’m not jealous, either. He’s a buddy, someone who went through those early poor Bohemian days with me in Toronto. And here he was. I sent him a text message, congratulating him about the article, saying that he’d really made it. Moments later, from wherever he was, he wrote back to thank me (ain’t it neat living in the future?).

    Maybe it was the impending birthday, but I felt this need to take stock: “How well are you doing at this life-thing, Hame?” Of course, there’s always more to do. I felt myself slipping, feeling like I was supposed to be published by the time I was 35 (though I don’t know where I got that from). I don’t know how to do relationships, I’m not rich… Maybe things don’t ultimately work out, like I’d always said they do.

    But here was my friend on the cover of a magazine, holding the woman he loves and has worked to create a successful relationship with, being fully recognised for all the talent he has. So there it was: you might just get it all if you persist. And if you don’t, you definitely won’t.

    So which is it? I thought, which future do you want to go after?

    The fun one, I answered myself. I immediately felt excited. I know I’ve got the wherewithal — okay, I’ll dare to use the word “talent” — to follow through when my star rises, and the clarity not to be thrown away by it. I don’t mean “fame and fortune” (I’m too uncomfortable with consumer culture to bite down on that hook). It’s more about knowing that I’ve found my right place in the world. And I’m pretty close.

    With a loud zip, Patrick came into the tent. He and Karen were back from their walk. We had our supper together, talked, then played variations on Scrabble (“Scribble”, “Squabble”) into the evening with wooden, lettered pieces Karen brought with her in a bag. I generally hate board games, and thought “Ugh!”, but ended up having a lot of fun; she’s super-bright, so she gave Patrick and I quite a run. Patrick’s a pretty sharp specimen of humanity himself, but, happily, he sucked at the game.

    The next day, we explored the Linn of Dee, an amazing waterfall cut through the black rock the way hot water erodes an ice cube. The walls of the little canyon looked like driftwood, and the water swirled and churned in the wild shapes cut out of the rock. You could tell just by looking that the deep, brownish water from the far-away hills would suck the heat out of you and dash you to pieces in an instant.

    We went on to another linn in the middle of a forest and walked through the pines there. I found myself at the top of a crest, looking out at the giant hills all around us. Scotland has several different faces, but one distinct character, and I’m in love with it.

    We headed back, stopping in Dunkeld for a nice lunch in a bright hotel restaurant, then walking around the ruined shell of a church by a river. The Forth Bridge was under construction, so I barely made it back in time to go walking with the ‘zinesters — a group of creative friends I’ve been meeting with about the possibility of self-publishing something together, featuring writing and photography. The working title is Dunderheid, but that may be replaced with the equally-playful Mince.

    We went on a field trip around Cammo, an estate near the house of one of our group’s photographers, Phil. He’s taken lovely pictures of the place before, which you can see on his website.

    The estate features a ruined house, a stable that’s largely intact, and a tower that stands like a land-locked lighthouse in the middle of a field, next to a raised grove of trees that’s strangely prominent. It’s easy to imagine Celtic fairy-things from one of Sheila’s stories dancing there by lantern-light in midsummer. (Sheila and Sergio are other writer-members of our group, along with Carol, an artist who wasn’t there for our walk.)

    I got back home, exhausted from not really sleeping the two nights previous. The winds had been high, turning the tent into a drum. The second night, I swear I could hear ducks moving around the tent all night, too. We’d seen them during the day, but at night — spooky ducks!

    I checked my e-mail, and got two from friends in Toronto telling me “Mikey is dead”. Mike was a young friend — younger, it turned out later, than we’d first believed. He was a little Italian rascal with a cute, narrow, olive-skinned face that always featured a smirk. That expression encapsulated his personality well, and a big personality it was, too. On a number of occasions I wondered aloud about who he’d turn out to be when he grew into himself. But he was found in his bed at university, where he was studying to become a vet, and that’s the end of that story.

    I took it hard, partly, I think, because I was so exhausted from not sleeping. I suppose it also reawakened my feelings about losing Alan last year. The questioning I was doing back in the tent came back, and the bottom fell out of my emotional boat: How thick-skinned does a guy have to get? At what point do you stop feeling anything through that skin?

    I’ve had a few good sleeps since. What a difference a night makes! I’ve talked to friends I still have, people who really matter. I’ve talked to my family, whom I love with a passion (even if I was a petulant and cranky little five-year-old with them when I was tired). I’m I the library, typing away, listening to one of my best buds singing “You’re In My Heart”.

    I can’t help coming back here, to this idea that it’s all for something, that life is meaningful and good. I live here in this incredible place, I do work I love and get paid for it, I’ve been blessed with gifts and a host of great people to spend my life with. I’m off to Paris this coming weekend. It’s all quite beautiful, even the painful parts. As for what hasn’t worked out yet, as my beloved editor Cath said to me yesterday, “That’s what the rest of your life is for!”

    It is a happy birthday.


    Thursday, September 23, 2004 , 10:34 PM

    The soup I made last night? Tastes like vomit. I put too much white wine in it. It’s even orange from all the carrots; it looks just like the stuff I see splattered all over the city on a Sunday morning.

    I’m going camping tomorrow after work! This may turn out to be a Very Bad Idea. Given the mates I’m going with, though, if it all goes pear-shaped, it’ll just be funny.


    I’m Back!
    Wednesday, September 22, 2004 , 11:33 PM

    I’M BACK!

    I feel like the man in those “Men’s Sex Clinic” ads on the Toronto subway, who’s standing I ocean waves with the legs of his black suit rolled up and his fists held high in the air. The unspoken subtext of the photo is “I can get it up again!”

    I have regained my literary boner.

    There are times when the mind needs to lie fallow, to rest for a while and regenerate creative energy… Or something. I know this; I’ve been through the process before. That doesn’t mean it’s not worrying, though, when there are long periods of silence, when I try to put words on the page and they slip off like Oreos from a plate.

    This evening I shut the main computer off when I finished my day’s work, creating silence in my flat and taking away the main source of distraction. Then I made myself supper. I started with a salad, just lettuce, tomatoes so bursting with flavour it was almost rude, lots of olive oil, salt, and some lemon juice. I cooked some rice and made a sweet-and-sour stir-fry, while also preparing a white wine, carrot, onion, and lentil soup to eat the rest of the week. I made sure to reserve enough white wine for a bit glassful to have with my supper.

    I ate in the quiet and thought about the short story idea I’d been playing with last night. Could I get my legs under this one? It required a bit of research, and it might be hokey. Or pointless. Or–

    I got the first line. It popped into my head, and I created a file and entered it there. I knew that the thing was as good as done in that moment. The creative ice age has passed, and with it the wooly mammoths of doubt.

    I finished my supper, washed my dishes, and dove in. The research nearly knocked me off-balance: maybe I should take a step back, or do something else that wouldn’t need any of this, I thought. I immediately dismissed the idea. I’d started, and I knew that if I could just pull enough cleverness up from the ground I could get the story finished. Partway through, I considered putting it aside and finishing another night. I immediately threw out that idea, too: by now I was having too much fun.

    And now it’s finished. The wine glass is empty, I have a Bible (of all things) in front of me, along with a page with surprisingly little outline, my pencil-case, and some books that inspire me, as much from their presence now since I rarely end up opening them.

    I knew this would feel good.


    Friday, September 17, 2004 , 9:10 AM

    Apologies to my friends with Hotmail accounts. I’m not ignoring you; there’s something’s been up with Hotmail for the last fortnight or so that’s causing messages to bounce back to me.


    Thursday, September 16, 2004 , 3:46 PM

    In case you were missing me, here’s a picture my friendPhil took of me when we were at Rosslyn Chapel (though it’s unfortunately cropped and shrunken from his original):

    I also bought tickets yesterday to go to Paris. They werefree. Yeah, crazy. RyanAir charged a token 1p each way, and then the airport taxes brought the price to 26 pounds. I have no idea how they do that, but I’m not complaining!


    Actuality
    Tuesday, September 14, 2004 , 8:17 AM

    The wedding I attended ended up being a blend of both my ‘versions’, with something more besides.

    I reached Colchester after making several train connections, then found my way directly to my hotel in the geekiest possible way, using a GPS module and my iPAQ. It’s a bit embarrassing, following around this little glowing thing as it gives me directions, but the technology is there, so I use it. I stepped out of the train station, having never been in this city before, and was able to walk confidently to someplace across town. That works, and I like it.

    My hotel was a cute little building with white walls and exposed wooden beams, much like the architecture I saw in Stratford-on-Avon. My room was a little cupola of a thing, but very comfy. (I remember travelling for work somewhere and getting a suite. As Quentin Crisp said of living in a bachelor apartment, “What am I supposed to do with all those rooms I’m not in?”) I asked the woman at the reception desk how I might get to Mistley for the wedding. She’s from there, she told me, but she didn’t know of any way to get there on a Sunday. Oh. Thanks.

    I went out for a walk, wondering what to do. Getting in a cab and asking the driver to take me someplace two towns away was a bit frightening. Plus, I’d taken out a fistful of cash back in Scotland; I keep forgetting that the English sometimes refuse Scottish notes. (“They’re easier to counterfeit” is generally the reason given, but apparently this is a load of bollocks.) My friends here tell me to insist that they’re legal tender, but I didn’t relish the thought of having this debate in a taxi in the middle of the Essex countryside. I found a branch of my bank which had a pay-in machine — a real rarity in the UK — so I deposited my money and took some back out in English notes. Sorted! Then as I was buying some snacks to take back to the hotel, I passed a visitor information centre. They’d be open at 11 in the morning. Sorted! So I went back to the hotel and watched TV.

    The movie Bulworth was on. I’d been meaning to see it for a while, because Aaron Sorkin’s writing, particularly when he’s focused on political subjects, is second to none. Sure enough, this story was full of dialogue that I actually found an instructional guide to the compromised workings of the American political system. Okay, sure it can be argued that when characters slip into this stuff they leave the realm of believable dialogue, but I’m okay with that. It’s okay for art to be better than life; I don’t think we need to chain ourselves to the rock of verisimilitude at the cost of the power, the beauty, and the imagination that art can bring us. Watching this movie, which is several years old now, it felt as if Sorkin were writing about the current American election. Plus ca change

    In the morning, I got up, showered, ordered an iron from the front desk, singed the collar of my shirt, dressed, and walked into town. The visitor information centre told me of a bus that would take me right to Mistley, so I walked over to the bus station, the bus pulled up, I stepped on it, and the driver took me to Mistley. The weekend went that smoothly. There were several opportunities to panic, but I assumed it would all work out, and it did.

    I was early, so I walked around the churchyard, through the town with its malt mill (which seems to be the central industry there), then went to the waterfront, bought an ice cream, and watched the swans. They’re big creatures, and in life their three-toed feet with the rubbery black webbing are strange to see. A man in a blue boilersuit was there with them on shore, his face covered in white stubble. He raked large stones from the waterway, and the pretty swans were to him nothing but pests. He kept chasing them off with his rake, splashing the murky brown water on their white bodies.

    The time came, and I went back to the church. Tim’s brother Donovan was an usher, and took me to my seat, then talked to me in rapid-fire bursts about computer graphics work, which he knew I’d done. People think Tim is energetic, but Donovan is an earlier model for some of Tim’s characteristics, and I think the guy has orange juice flowing through his veins! I hadn’t seen him since my early Toronto days, when I shared “The House of Love” with all those other people. Don came to visit us for a month one time. It was fun to see him again, and it sent me back ten years to that time.

    I was joined in the pew by Hillary, Tim’s agent, and Sarah from Hello magazine. I’d spotted someone earlier out in the cemetery who had a white camera with a lens like a deep space telescope, and now that I was talking to this woman from the magazine, I had to giggle that my buddy’s wedding had paparazzi. This was Tim, the guy who taught me how to do laundry so my whites stayed white (though I’m back to the bachelor habit of throwing everything in together), who I used to curse for clunking up the stairs in his engineer boots at night, who I used to cook with in our boxers at the Shaw Street house, whose girlfriends I knew.

    Now here he was at the church, with his straggly rocker’s hair and the crinkly white tie with the grey waistcoat and black jacket. He’s a star on the West End, and he was marrying Ruthie Henshall, who’s an even bigger name. Now she was coming up the aisle, her pale face beautiful behind a gauzy veil, framed by her dark, almost black hair. You can sometimes see brown in it, like you can with the surface of a mahogany piano. Her dress was a salmony colour with white, lacy fabric over it. And she was several months pregnant. It was all taken in stride, just a fact, since they already have a daughter who’s over a year old.

    The ceremony itself was formal in a reassuring way: you want this day to stand above others, like speaking in iambic pentameter instead of free verse. The vicar had a solidity to him, a surety of what he spoke about, yet maintained an affectionate and warm personality. I never felt excluded or put-off by what he said. The vows were traditional, with a few teary moments from both the bride and the groom… and the rest of us, too. I kept bouncing back to those days ten years ago, when we were all poor and either swooning or utterly heartsick, and now here was my buddy having it all work out fine in the end. I wished Jordan was with me, my partner from back then, and I wished Lisa was with me, even though she and Tim were once supposed to be married, back when it was LisaAndTimAndJordanAndHamish. Lisa’s moved on, seen the world with her theatre company, created projects for herself, set up her own home, and entertained other loves. I wondered if it would have brought closure or just upset her.

    Outside, we waited with fistfuls of dried flower petals. And waited. And waited. The Hello people had been asked not to take pictures during the ceremony (though the relatives danced around with cameras and videocameras), so we waited while they got their fair share of pictures, then the couple walked through the crowd with much cheering and applause and got into an old-fashioned black Rolls and drove off.

    I got a ride with Tim’s agent, a large blonde-haired woman in a purple velour dress. In another time, I would have been beside myself, riding with one of the most powerful talent agents in the country. But I didn’t need anything from her, so we had a great, candid talk about the industry while driving, lost, through the countryside.

    The reception was held in a big, white tent on a lush lawn beside a little river. It was picturesque to the point of looking like a location. I met Donovan’s wife, a fun powerhouse of a woman. I spoke some more with the nice Hello woman, who confessed the temptation to write a novel — most everyone does to me at some point, but I like that she was honest with herself about preferring to be out with people doing her job this way, rather than being locked away in a room somewhere, writing pages. Tim’s agent introduced me to Ruthie’s agent (I love that; the bride and groom’s agents), who was dressed like a character out of The Yellow Submarine. “He discovered Charlotte Church,” she told me, “and got her to where she is. Then she fired him to replace him with her mother.” Apparently that’s not going so well for her now. Your mother — how could it?

    It came time for supper, so we went inside and took our places in the tent. I sat at what seemed conspicuously like The Gay Table. And yet, there was nothing wrong in that, because it beat the hell out of being at one of the (many) Baby and Toddler Tables. The food was great, a smorgasbord which had lots of options other than the large beasts being sliced with knives. The speeches were funny and authentic, with nothing cringeworthy. Tim’s best mate John Tessier stole the show by being such a big wuss. He kept breaking into tears. Everyone loves that in a straight guy.

    And then we were on to the drinking and the dancing. It wound up surprisingly early, with most of the stragglers being the actors from Tim’s show. The band leader finally said, “Okay, who wants to sing?” The first person up was actually Donovan, who sang a song to his wife — and the guy can sing. It makes sense, being Tim’s brother, that he’d come with the same vocal equipment, but it was still pretty impressive to watch. Then the cast members got up and got everything really swinging, belting it out to fill the tent. Years ago, I’d been to a birthday party of Tim’s at a karaoke bar, and there was something a bit off in the way his cast members then were singing. They were young, and something about it felt like a competition, which soured the tone for me. Kara-oke means “empty voice”, and that night the voices were empty, devoid of sharing. On Sunday, though, people sang with joy and huge spirit in order to give everyone a good time.

    Then it was over. The van was outside, arranged by Michelle, the couple’s invisible right hand, who’d orchestrated so much of the day I suspect. I got in, figuring I’d get back to Colchester somehow. Tim had asked me to stay another day before he and Ruthie left, and I’d agreed, ’cause I wanted nothing more than to hang out with them. But in the end, I didn’t know how to do it, getting back in town to check out, rearranging my train tickets, and missing work. So I got in the van, bleary from drink, and somehow got back to my hotel with it only costing me six quid. I gave the driver a tenner, shocked that I’d made it through the whole weekend barely having touched my wallet.

    And then I rode home, catching trains with the grey-suited, smoking Britons who were commuting back and forth across London through the Underground’s ugly tunnels and valleys of brown brick and bound-up cables like fallen trees. I sleepily watched as the English countryside turned Scottish again, then bought a poke of chips as I walked home from the station. I didn’t, ultimately, manage to work at all because my brain was burnt-out.

    I’m a bit late for work again today, but I wanted to get this out of my head and on the page — even though I’ve no idea why anyone else would want to read it. I did manage to write a short story on the train, which was a bit of a breakthrough. I kept scribbling ideas down all day yesterday, so it seems that I’ve managed to un-jam my gears again. Thank God. Or thank the process, that orderly way that everything happens in time. Same thing, I guess.


    Holy!
    Saturday, September 11, 2004 , 7:50 PM

    I’m on the train from Newcastle to London King’s Cross. Flat white industrial buildings fly past the windows, with brown brick housing developments beyond. The sky overhead is a low, cottony grey duvet.

    I’m headed to my friend Tim’s wedding.

    On the last train, I’d been reading The DaVinci Code. The book contains lots of fascinating factoids; unfortunately, they’re wrapped in clunky, expository dialogue and mechanical plot twists. Still, it’s been a fun read. I reached the last chapter, when… “Error. The book format was not recognized. ID: 24.” Serves me right for getting my copy from an e-books newsgroup.

    To pass the rest of the first leg of the trip, I opened up a video I’d encoded for my iPAQ, an amateur comedy show by a trio who call themselves The Lonely Island. There’s something about these young guys I find hilarious. It’s right up my alley, and was a great reminder that every situation contains humour if you’re willing to look at it. Everything’s a matter of framing, isn’t it?

    For instance, this wedding. I have to admit that I’ve been dreading it and looking forward to it at the same time, because I’ve had two conflicting mental images of how it’s going to go:

    ~

    Version One
    Tim and Ruthie are both West End musical theatre stars. (This actually isn’t part of my imagination: they are.) I show up at their wedding, and it’s full of stunning people. The ceremony is a show unto itself, as the performers take turns performing songs to honour the couple. They turn out to be as talented as they are good-looking. The entire congregation breaks into song, and I join in the musical number. It ends with Tim and Ruthie held aloft as the ceiling of the church bursts with heavenly light.

    Afterward, the reception is a funky “place-to-be” party in a giant tent in a field under the stars, and Tim introduces me to these bright young things he knows. Being in theatre, of course every last one of Tim’s male friends is gay (even if he isn’t, the rule somehow still stands). I have my pick, from calendar-hunky leading man studs to quirky best-friend-character types (and choose the latter, of course, because they’re much more interesting). At this point the fantasy devolves into something hot and trashy, or wedding-y romantic.

    Oh yeah, and somewhere in here, Tim introduces me to the writer of the show he’s in, saying, “This is my friend Hamish, the one whose manuscript I gave you.” The writer (whose work I haven’t read, but it doesn’t matter ’cause he doesn’t ask) gushes over it. He offers me a heaping platter of cocaine. I give a friendly laugh and decline. He vows to devote himself to furthering my career. A lucrative publishing deal follows, changing my life.

    Version Two
    I arrive in a taxi at the wedding in my black suit. It’s the one I bought for Alan’s funeral, but I’ve worn a bright, happy tie that makes it appropriate for a wedding. Thank God I’ve got a proper suit, I think as I enter the church, having taken a taxi fifty miles out of the town I’m staying in to reach the tiny wee country town where the wedding is taking place. The other men there are wearing tailored grey morning suits with cravats and gloves (my gloomy, crow-like outfit is off-the-rack). The women are wearing huge, puffy dresses the colour of French mints, and their heads are obscured by matching hats the size of sombreros covered in gauzy fabrics. There are flowers everywhere, and the church is arranged to an extreme of formality. The other guests all recognize each other, muttering approving hello-sounds that sound like “Hongh-hongh” in a very exclusive, posh English accent. I’m afraid to speak and betray myself. When guided to my seat, the usher asks if I’m he!
    re with anyone. “No, by myself.” Oh, how sad, says the look on his face.

    The ceremony is very Christian. The reception is a polite affair with lots of patterned china and silverware. I’ve been sat next to a skinny spinster aunt with no arms on one side and on the other is a handsome, athletic occipital lobe surgeon who’s just received an eight-figure advance for his series of medical crime books. He’s there with his wife, a woman who has luminous blonde hair, moves with the grace of a cat, and flies to Belarus every fortnight to tend to sick children. We’re served plates of moulded, jellied meat, and all the talk over the food is of relatives and babies and future plans together. From time to time I’m politely asked a question about my life, but my answers make everyone fall silent.

    I am a complete alien, a directionless pervert.

    ~

    On the trip down this afternoon, though, it occurred to me that I should throw out these mental images and adopt a different attitude. It doesn’t matter how much it’s costing me to go down to this tiny place, and it doesn’t matter how socially easy or advantageous the event is for me.It’s not about me. My dear friends have invited me to be part of an important rite of passage in their lives. They’re taking their relationship out into the community of people they hold dear, asking us to help make their decision more real by recognising it and helping them carry out the plans they’ve made together. It’s an honour to be invited into that circle.

    Suddenly this holy union stuff is a lot more palatable.

    And you never know, I still might get laid.


    Reformat Your Brain
    Monday, September 06, 2004 , 9:07 AM

    I have purged.

    Yesterday, I finally did it: I backed up all the files on my computer, then reformatted my hard drive and reinstalled the operating system. The machine had been slowing to a crawl, and now it’s all peppy and responsive, as if it were brand new.

    It was a bit of a radical thing to do, but it felt good to clean house like that. It was strangely refreshing, and I feel much clearer-headed today, even though doing this had no relevance to any of the heavy thoughts I’d been having.

    I lost a couple of things in the process. Everything can be replaced, except, unfortunately, my web browser bookmarks. I exported them, but I guess I neglected to back them up. If you keep a blog or have a website and you read this, please let me know the address so I can re-bookmark it (or I can get the URL in the first place). Thanks!

    I’m back to work today! It’s a Canadian holiday, but I’m going to work anyway. Cash is helpful, and I’m excited about getting back into it. I know I can produce work there, which should be a confidence-booster.

    ~

    Last night, I went to Calton Hill and watched the fireworks commemorating the end of this year’s Edinburgh Festival. Several of my friends were there, so there was a nice gang of us sat on blankets on the hillside near the classical stone buildings and structures, looking out at the old city below.

    More than one of my friends commented that this was a particularly British thing to do. I asked what made this so — sitting outdoors, eating snacks, drinking wine, being amongst a huge crowd of others to see an event, or sitting under a low cloud-cover like a fort made out of bedsheets. “All of the above,” Patrick told me.

    The city was lit with its usual yellow streetlamps and white windows, but the show started (Wendy had a radio, so we heard the broadcast of the orchestra playing in Princes Street Gardens), and the castle erupted in sparks of white, green, and red, with the odd orange, blue, or white ball of light shooting up toward the blanket of clouds and… disappearing. Our crowd on the hill had been “Oooh”ing appropriately, but when the fireworks were swallowed by our indomitable Scottish weather, we all laughed. Explosions we were sure would normally be huge round bursts showed up like nothing more than that brief point of light you see when a lightbulb burns out with a “plink!”

    Everyone on the hill seemed to enjoy the half of the show we could see. At the very end, the grand finale, we didn’t see the finishing bursts directly, but they made the entire sky above the city light up with an astonishing brilliance. Karen kept saying how much she felt for the pyrotechnician, but if I’d managed to create that final effect, like cloud lightning over my entire town, I would be pretty proud.

    [P.S. Liz took pictures!]

    ~

    On Saturday, I had another nice break: I went to Rosslyn Chapel with my friends Sheila and Phil. It’s in a sweet little town called Roslin (home of the Roslin Institute, where Dolly was created, and of my landlord) — though it’s probably not so nice at night, with the local neds about. The chapel itself is a stunning piece of work. Being inside the church, with all its pillars and arches covered in florets and stars and tiny, intricately-wrought Christian and pagan figures, is like being inside the skeleton of a whale. I didn’t feel it was a particularly ‘powerful’ place, though. The iconography of the figures doesn’t match up with the images in my own spirit: an upside-down angel with a rope around him might represent Lucifer, but that figure has long since ceased to have any meaning for me. It’s like being in a room full of ancient law books — interesting only if you feel compelled by the subject.

    And I’m still reading that damned DaVinci Code book. It clips along, but it’s full of lessons for me to learn from — things not to do. I know I did some of them in the second book, but less of that in the third.

    Right. Time to work.


    Stuckness
    Friday, September 03, 2004 , 3:47 PM

    I read a review this past weekend of the latest biography of Stephen Spender. I’ve not actually read anything of his, but I’m aware of him, and his association with Christopher Isherwood and WH Auden. The three of them were to Berlin what Hemingway, Stein, and that lot were to Paris. I hate them, because they had the opportunity to be something that — well, you just can’t be that now. It’s “done”, but it’s exactly what I’d love to be.

    Anyway, apparently Spender had a habit of telling stories about the people he knew, spilling their secrets out in public. Of course, readers loved this, but the people whose private lives he revealed weren’t so happy. It made me think of my friend Kirsten’s writing, except she tells her own secrets.

    I’m sitting in a café in the Scottish National Portrait Gallery. I just ate a square that was so full of sugar I feel high. I also bought an orange juice which is that awful concentrate stuff that tastes like rust.

    I’m completely stuck. Yesterday I was supposed to work on cover designs for The Willies, then today I was supposed to work on the Hallowe’en article to send to a Canadian newspaper to piggyback on one of Kirsten’s and a short story for this ‘zine I’ve got involved in.

    I’ve long contended that there’s no such thing as Writer’s Block. All that is is putting your focus in the wrong place, usually on product rather than process. Thing is, that’s exactly where I am right now. Nothing I can think of to say seems interesting or clever enough. I know I can’t be beaten for description, but that description has to fall within a context, and lately I’ve not been able to provide myself with any contexts. I think of writing something and my legs go all weak.

    Weird. There’s a portrait on the wall to my right that’s frighteningly alive and penetrating, even though the surface of the man’s face is covered in blobs of paint like some sort of elephantiasis, or like a sandstone sculpture that’s lost its surface.

    To my left is the portrait of a man about my age made up of broad, vague brustrokes. His face is blank, and he wears and open white collar with some kind of loose turquoise tie under a formal black jacket. The harsh red behind him and the stern look on his face make me feel that he’s very confident, and very successful. Next to him, I feel like a loser who hasn’t accomplished anything.

    I just looked at the card next to it: “Prowse has been responsible for making the Gorbals-based theatre world-famous for excellence and for the originality of its productions.”

    Ugh.

    The busboy is cute and a fraction of my age. He’s sitting at a table with three other members of the café staff. They’re all reading newspapers.

    I’m generally not a gloomy person, and not given to giving up. I just hate that I haven’t produced anything creative in a while. Whenever I have a day like today when I’ve assigned myself things to do, I get to it and feel like I haven’t anything to say, and I don’t feel like pushing it. It feels like creative dry heaves.

    I’m waiting for something big, something so important that its worth can’t be refuted or denied. Of course, this is silly. Every little detail is worth capturing and expressing. But I’ve got critic-voices in my head.

    I’ve just had a little champagne bubble of an idea. Gotta go chase it to the surface.

    …Damn. It’s already been done, the thing I was thinking of writing. But that’s all it’ll take, I know, one little entryway into that other place where the ideas come from. I’ve lost my map, but I have to find my way back there.

    I think it’s time for an enforced diet of reading and reading and thinking and thinking. “Stocking the pond”, as Julia Cameron calls it in The Artist’s Way. There’s an interim place between there and the finished work, and that’s where the writing comes from, it seems: I go off and get these ideas, take them to this middle place, then work on them and deliver them in a finished form. In Celtic mythology they talk of “thin places”, where the two worlds sit close together. I need to find one of those in my life right now.

    Of course, this might have something to do with this week’s work. I finished the edits on The Williesyesterday, and was left with this feeling of confusion, like perhaps I shouldn’t invest all kinds of money in publishing it, because it’s not the sort of thing that I’m writing now — that is, it’s not like my last book, which is closer to what I feel is my “style”.

    I’ve produced a bunch of work and not yet seen it find a home in the world. It’s making it difficult to generate more, new work. It’s an issue of confidence, I suppose.

    That’s enough introspection for now. I’m off to seeHellboy tonight, which should be the mental equivalent of Novocaine — just what I need. And popcorn, my favourite food.

    Maybe I need to live more, to have more experiences from which to generate ideas.

    I don’t know. I’m shutting up now.


    Want
    Wednesday, September 01, 2004 , 7:54 AM

    I did it: I finally bought Rufus Wainwright‘s Want:Onethis weekend. The price had dropped considerably since it first came out (it seems crazy to pay twenty pounds for a CD here when they’re twenty dollars at most in Canada), there were some songs that I saw on his website that I’d never heard or seen as downloads, and it was just time to buy it, because I’d already enjoyed it enough, and have bought all his other albums to support him.

    He’s brilliant: The album is so lush, I can’t get enough of the world it presents.

    He’s stupid: The audio links on the secret website that pops up when you put in the disk are either vague because he can’t talk about the person he wrote the song about, they’re full of him not being able to remember the names of the people he collaborated with on the album, or they’re just inane comments. How can someone write such glittering, incisive lyrics and such rich melodies, yet be so inarticulate and shallow?

    But I don’t care! He’s a musician. That’s the way he expresses himself, so that’s how I should experience him. Asking someone to deconstruct their work, particularly while it’s still so fresh, is a strange thing to do. In the silent moments when he’s constructing these songs, I just know there’s a touch of genius at play, and it’s a joy and an inspiration to hear. I love the level of risk in his work, the fearless way he stumbles through life and offers up his mistakes, thoughts, and feelings in his music.

    I’m looking forward to going to his concert in October with my friend Paul, and feel sufficiently prepared to handle him being silly and gay onstage. God, it’s easy to chase after the greatness of others, rather than grasp hold of the fact that what rings so deep and true, what really resonates harmonically, is a recognition of one’s own potential in it.

    ~

    I’m off work this week, and actually feeling more pressured than ever, because there are so many back-burner projects I want to get finished in the time that I have, things I just haven’t been making much progress on. It’s so sweet to float through the city, though, without a schedule, dropping into a cafe here to work, having lunch with someone or another, then drifting on to do more work or buy a book, then do some editing work in the pub.

    The next book in the queue is Magnus Magnusson’sScotland. I figured it was time to brush up on my knowledge of the place, and this is supposed to be very readable, with a good narrative through-line, rather than just a series of dry names and dates. But first I’ve got to finish the awful DaVinci Code — which I had to read just to see what the fuss is about. What I’ve read so far is shitty, amateurish writing, with ham-handed exposition and homework that’s sticking out from the corners of every scene. Somehow, though, it’s still a compelling read, because it has good forward movement.

    <

    p>This Saturday I’m going to see Rosslyn Chapel with my friend Sheila. I should finish the book before then, because I hear its climax takes place there.

    <

    p>

  • August 2004

    No Mancunian Candidates
    Sunday, August 29, 2004 , 8:46 PM

    I’m on the train on my way back from Manchester. It was a nice enough weekend away with friends, and a reminder of what good company Philip can be, but I can safely say now that I’m really not into gay events. The ethos of that scene — the silly hair-dos, the drinking and smoking, and the high camp behaviour — is at odd with who I feel I am.

    The people in Manchester are ugly, too.

    Patrick again demonstrated his incredible pulling power: literally within moments of our arriving in a club, some rough pony of a man would amble over and dance next to him. If Patrick wanted, the man was his for the taking. Now, Patrick is a nice-looking guy, very cute in a boyish way, but he’s absolutely nothing like the elfin, two-tone haired, bejewelled, and muscled clone-ideal that everyone on the scene was trying to emulate. But like some kind of Dr Leakey of sex, he could just pick out whichever of the Piltdown men he wanted, and he was off.

    And me? Back when I first got home from Canada this summer, I was going out of my mind: all that visiting with friends and family left no room for anything of a romantic nature to happen. But I got back to Edinburgh and enough continued to not happen that my seemingly quarterly heat passed. I didn’t feel compelled to connect with anyone this weekend. That disinterest was compounded by the lack of talent there (according to my purely subjective criteria… Blah blah blah — end of disclaimer against potential charges of excessive egotism/superficiality.)

    Philip, Patrick, and I were joined by Omar, someone they’d chatted with on Gaydar (the love-it/hate-it core of gay UK internet life). Our friend Jamie from Glasgow was supposed to join us, but received a promotion that required him to go on a training course this weekend, so Omar offered to go in his place. He and Philip are joking and talking across from Patrick and I, who are both plugged in and listening to music. Happily, Omar and I had a chance to get acquainted yesterday while Patrick and Philip were off napping and shopping, respectively. Omar’s from Italy, working over in Glasgow now, and his English, while strong, is heavily accented. I find when I’m in a crowd and it’s noisy or there’s some other obstacle to communication like this, I tend to tune out. So some time to talk one-to-one while walking through Manchester’s strange old-new mix was welcome. He’s a nice guy, and was a good addition to our mini-gang of travellers.

    Last night, though, I wasn’t really into the scene, and we’d already spent the afternoon doing laps of the cordoned-off gay quarter, so Omar’s intensity about being out on the scene, lookinglookinglooking jarred with my frame of mind (I struggle with my own desperation, let alone being in someone else’s). Meawhile, Patrick’s powers had got him stuck in a drama between some random bloke who’d chosen to dance with Patrick and a group of his friends who didn’t want him to (something about a boyfriend). I picked up my jacket — which was a mess from some silly bint knocking it into the swamp of filth on the floor — and Philip and I went outside for air. We sat on the low concrete wall on Canal Street, the opaque green water below us, with cans and bottles bobbing past. The various segments of gay society — old, young, male, female, fit, fat, muscled, handicapped — walked back and forth like a kind of show (complete with drama — a crying boy with Liza Minelli hair yelling at his boyfriend, slapping him across the face, then chasing after him when he left). I also got to say hello to a little white and brown terrier who made me wonder if a dog might complete my existence. Patrick and Omar joined us outside after a while, abandoning their trysts in the club. We said goodnight to Omar, and walked back to the student residence where we were staying. The three of us sat up joking in my room until we finished the last of our beer (bought for the train-ride), then went to bed in our plank-like beds with the duvets that were exactly the size of the bed (which actually doesn’t work). But, hey, you can’t beat é15 a night.

    The sheep in the brilliant green fields outside look strangely pink. I’m not sure if it’s the sunset, or because they’re wet.

    It makes me happy, being back in Scotland.

    I have this whole week off!


    Stepping Backwards
    Thursday, August 26, 2004 , 9:29 PM

    Washing my rain-wet face just now, I could smell an odour from the drain. It’s been raining so much in Edinburgh lately, I think the water is coming back on us, refusing to go away once we’ve soiled it. The city council has told us that it’s okay that the water is a bit yellowy. Of course they have.

    Before that, I stepped into my tenement building, which smelled like Mary King’s Close, the ancient alleyway dwelling I toured with Margaux last night — which is much-refurbished, and nicely too. I also learned that the city fathers did not wall in the plague-sufferers there, but actually gave them money, bread, and “Edinburgh pints” of beer, which are equivalent to three Imperial pints.

    Before that, I walked home through the rain, under scaffolding and trees that didn’t shelter me from the damp, but rather collected it to drop it on my head, as if from a trick bucket perched on a door. The streetlights reflected off the pavement stones, making it difficult to tell what was a broken-off tree branch and what was a worm. I avoided them all, just in case.

    Before that, I sat in the spiegeltent with Sheila, watching a poetry slam at the Book Festival. I didn’t want to go because I’m a bit drawn out from all the live performance I’ve seen in Fringe events I’ve attended lately, because Sheila woke me up with a text message this morning (I’m not good at sleeping, so it’s killer when someone tears that blanket from my head), because I didn’t want to pay for yet another night out, and because this is the one night I might have had to myself. In short, I was in a crappy mood.

    The poets, though, were lively and funny, spewing out funny, clever words that snapped me out of my mood and back into place. Someone used a line tonight (which I see now is from Luke’s gospel): “To whom much is given, much will be expected.” I thought about this blog with shame, about the grocery-list-type writing I’ve been doing here recently. There’s a thing called “showing up on the page”, and I know when I’ve been doing it or not. I’ve been making an effort to do it for work, but not here. And I want this to be a fairer representation of me than that.

    To be fair to myself, I’ve been preoccupied with my self-publishing projects and my two recent visitors. Tomasz and Margaux were both wonderful company, in different ways. And company is such a lovely thing. It may be the best thing one can have in this life. I know myself, though, and I get my energy back by being on my own — so I’ve been going for extended periods lately without having access to my natural state. I’ve also not been doing my own work, which stresses me. Oh, and spending bagsof money.

    And it’s not over yet: this weekend I’m going to Mardi Gras or Pride or whatever they’re calling it in Manchester. Why am I going there again? I don’t like the city, and I want to see Scotland, not England. I’ve also got a mental image of being stuffed in a club with drugged-up, screaming, over-coiffed gay people. The last thing I want to do is step into that picture.

    But this evening I gave up my mumpiness and had a great time. I just need a good sleep. Besides which, I’m going to Mancs with good mates, so there’s a very good chance I’ll have a lot of fun. Even better, I have the promise of the coming week entirely off work. I’ll be able to rest, have me-time, and catch up on all my projects.

    Phew! So here I am, on the page, caught up and dried off.


    Tender mercies
    Tuesday, August 24, 2004 , 11:24 AM

    Ow, my head.

    Last night, Patrick came over for supper, arriving just before Margaux came
    home from exploring Edinburgh. These two great friends from different
    regions on the map of my life came together, and we all got on like a house
    on fire.

    This happened over two bottles of wine and three pints of beer, so I’m
    feeling a little tender.

    …But happy!


    Monday, August 23, 2004 , 9:42 AM

    I received a very encouraging letter from a publisher on Friday who’d read the manuscript of Idea in Stone, and was re-reading it. It wasn’t a ‘yes’ (he’s still deciding whether or not to publish it), but it still made me feel pretty damned good, and went a long way toward flushing out last week’s bitter feelings.

    I hung with the gang on Friday, going to see the Improverts (who, in making up sketches on the fly, were better than things I’d paid considerably more for in the Fringe).

    My friend Margaux from Toronto showed up on Friday on the way home from a trip she won to the Olympics, and is here with me until Thursday. Many good conversations are coming out of her visit; her brain is a formidable thing. She’s fun, too.

    I also attended some readings and a workshop in the Edinburgh Book Fringe. It’s nice to be in the thick of it like that, and I hope that a community continues around this thing throughout the year.

    Must get to work now…


    Bitterness
    Thursday, August 19, 2004 , 11:14 PM

    I’ve been busy.

    My friend Tomasz visited me last weekend, which was sweet. He’s such good company.

    I’ve also been preoccupied with this whole self-publishing thing. It’s taking up a lot of my mental space, but it’s mostly welcome to. It’s an exciting project. Of course, because I’d committed myself to such a big undertaking, something happened that I recognise by now: the opportunity for “refusing the call”, as Joseph Campbell would term it.

    Basically, it goes like this: you receive a call to some adventure or another, but with that you’re also always presented with a dissenting call, a voice that says “Nah, just stay here. This is safe and comfortable”, or “That’s too dangerous.” Sometimes that voice comes from inside, but other times it comes from the world around you. In this case, it was my friend Kirsten, saying, “I don’t think you should self-publish. I think you should find a publisher. Did you really reach everyone? Show me your submission package. Maybe you could do something to make it more effective.” She was perfectly well-intentioned, and there was a lot of validity to what she had to say. I put her messages aside, because even if I go my own route and self-publish the second book, her ideas for promotion are excellent ones.

    My life, though, was using her as the invitation to refuse the call. But I know I should do this. I don’t want to write a single other supplicating letter to a publisher when I can do this myself. What’s the difference between their presses and mine? Nothing. Some money, and some artificially-generated sense that they have all the marbles in this game. Why, oh why, should a business have a say in who is and isn’t a “real” artist?

    Unfortunately, revisiting this idea of “Why hasn’t someone bought this book in the past four years?” just played into all the doubt and bitterness I’d been feeling about not being published.

    I think I’m a positive person. Yeah, I carp on about things that I think are tasteless, stupid, or disappointing, but only because I’m forever trying to figure out what I think is important to do, be, and create. So it’s felt really gross having this bile in my mouth about the literary world — the place where my stories have to go when I’m finished with them.

    I want to do this thing in a spirit of possibility and sharing, not because I’m saying “fuck you” to the establishment. It’s proving hard to shake that feeling, though. Thing is, I honestly don’t really know the establishment.

    I did take a mosey through the grounds of The Edinburgh International Book Festival the other day. I’ve generally stayed away in distaste, because it’s really designed to play into that celebrity/fan dynamic, which nauseates me as someone who believes that everyone is equal and worthwhile, and because the situation makes me feel denigrated as an also-writer, sitting at someone else’s feet. JK Rowling gets her own tent built — hey, great for her, honestly. But I don’t want to go sit in her shrine. Why would I? What would I get from that?

    I wanted to see what the press that has my manuscript is displaying there — only to find that they don’t have a bookshelf there this year. I found a book, though, by theScottish Publishers’ Association that will prove helpful, because it tells who the publishers are in Scotland, along with the literary agents, print production houses, distributors, and so on. It’s exactly the information I needed. I’m going to their event on Tuesday about “How to Get Published” or somesuch with my writer-friend Sergio. Hopefully it’ll have some ideas in it that I haven’t already read about. If nothing else, there’ll be a literary agent there on the panel, and I am under instruction (from myself) to grow some bollocks and speak to this woman about Idea in Stone (or me in general).

    Speaking of Sergio, I met with him, my friend Sheila, and two of Sergio’s coworkers from the Camera Obscura. We’re talking about creating some sort of publication between us. Yeah, more self-publishing! Carol and Phil are both photographers, each with a very different style from the other. (You can see some of Phil’s work online.) Carol and Phil brought portfolios of some of their work, and Sergio sent us a story by e-mail yesterday. My God, these people are all talented! It’s lovely to be surrounded by that, and makes me feel good about creating something with them. (Of course, all being creatives, we could really use a good administrator-type person with lots of follow-through.)

    Then tonight I went to the launch party of The Edinburgh Book Fringe. Yeah, a fringe around the Edinburgh International Book Festival. It was a beautiful thing. My friend Elspeth was there and recited one of her beautiful, beautiful poems (I swear I heard someone gasp when she finished!), then another poet read, a woman from North Uist (where my ancestors likely lived before emigrating to Canada) sang to us in Gaelic, then a group of Scottish women sang some South African songs. I bought tickets to a number of events over the next few days, and there’s a panel discussion about some arts funding thingy tomorrow morning (oops — must get to bed soon). Elspeth introduced me to a neat woman named Alison, who’s written a book and, like me, has had a number of presses like it and not publish it. From talking to her, I bet I’d like it. Then I talked to Elspeth, her partner Ian, and a man named Richard, who did a very funny piece at a Big Word event I was at. We talked about the arts scene here, and Richard’s perception that Canada has an inspiringly strong independent publishing scene.

    Catch this from the Edinburgh Book Fringe brochure — WOW!

    This is the first year for the Edinburgh Book Fringe. It is designed to complement the Edinburgh International Book Festival, in that it features only writers not already appearing in the EIBF and only writers resident in Scotland. It is thus a showcase for the many writers in Scotland who remain virtually invisible to their countrymen and women as well as to those who visit Edinburgh from all over the world at Festival time. As current president of Scottish PEN, I was only too aware of how much talent remains unknown among hundreds of diverse writers in Scotland. The aim of the Book Fringe is specifically to provide an opportunity for experienced writers in any genre or language to be heard, as well as some of those in writersé workshops or university courses in Scotland. We were overwhelmed with nearly 70 entries, from which we had to choose only 15. This demonstrates the need of which we were conscious. We hope to continue and perhaps to expand in appropriate, ethical and sustainable ways in the future…
    — Tessa Ransford, Chair: Edinburgh Book Fringe Society

    Something is stirring in this city of mine, an independent spirit… And I like it.


    Tuesday, August 10, 2004 , 5:29 PM

    I just printed off an old journal entry I wrote in Disney World that I think is a good example of my writing, then printed off a short story — both of them as little books. At last, I’ve finally found imposition software! “Imposition” is a publishing/printing term for the rearrangement of pages so that they’ll show up in the right order when folded together into a book.

    There’s a little program called ClickBook that intercepts a print job on its way to the laser printer and asks you what to do with it. Book? Booklet? CD liner? Tri-fold brochure? This thing has a lot of different options, yet it’s straightforward to use. Even better, it’s just $49.99. The closest equivalent I’ve found is an “XTension” for QuarkXPress, and it costs $1,300.

    This is all I want! Today, I’m published! What a great, freeing, democratising thing it is to be able to publish one’s own work at home.

    I’ve asked myself what it is that I want, and the answer is “To share my work with people.” People, you’ll note, not publishing companies. Yes, being published would be nice, because it’s a professional stake in the sand, opens up opportunities, and means that someone else will foot the bill. But what’s struck me is that getting published is not salvation. I read an article a few years ago that said the average Canadian makes $13,000 annually from royalities. So I’d still need a job. I have a job, one that I like a lot.

    But what about the publicity? Well, the average publishing house will focus on a book for three to six months, and then it’s up to the author to keep the book in existence for other people. So why not just do the whole thing from the beginning? Then it can be exactly the product I’d imagined.

    I contacted a bookbinder in Glasgow, and his price is quite reasonable. I can also do a short run of just 200 books. I can sell 200 books.

    As I’ve been investigating all this, I’m reminded of all the people out there who are generating their own work, doing exactly what the muse in their coffee cup or refrigerator tells them they should be doing every morning. I like that, and I think it has a lot of soul. I want to do that.

    Crap, I know people who are already doing this, and doing well at it. Take, for instance, two nice guys I know from Toronto, Cory Doctorow and Jim Munroe. Just trynot to run into their names on the web.


    Cory’s on the cover of NOW magazine in Toronto this week, and his glasses are bigger than mine.

    Cory has been working for years on different ways to deal with digital information, and on the rights issues that go along with this kind of transmission. He’s written a lot on e-books, too, and has shown that offering them online for free has no negative effect on the purchase of ‘real’ books, and may in fact help them sell. My plans to self-publish my second book will definitely include a free electronic release.

    I just stumbled across part of a blog entry that gave me pause:
    “You are going to have to decide if you’re going to take yourself seriously, and by that I mean you’re going to aggressively seek what your work is worth to you, not what some random group of passersby decide to pitch into your hat.”
    http://www.hypercube.org/auntie/

    But then, isn’t it better to entertain the people who are throwing a little extra into your hat (especially if you’ve got a decent job already) than keeping your work hidden, holding out for some mythical publisher to “discover” you?

    At work, we talk a lot about entrepreneurs who create an “industry by-pass”: sick of over-regulation by top-heavy corporations, they find a way to do things themselves, focusing on creating value for real people with their work rather than playing the industry game. I can only find twopotential publishers for my third novel in Scotland, and one of them has already asked to see my manuscript. All the others publish quaint Scottishy armchair books or have been devoured and turned into subsidiaries of multinational corporations. Even their slushpile is abroad!

    You know why I want to do this? I think it would be fun. It’s fun to have a book out there in the world, to do readings, and to have people you don’t even know tell you that you entertained them. It’s a boatload more fun than writing letters to publishing companies.

    ~

    I went with my friend Wendy to see a stand-up comic last night. The evening was bracketed with riveting, soul-stretching conversation with Wendy. The middle part, the bit with the comic? Not so fun.

    I’d stopped into The Waverley Pub on my way to The Pleasance and chatted with Liz, who was as quick-witted and engaging as ever. I also wound up talking to two young guys who are up here from England to take in some shows in the Fringe.

    (As an aside, last night I was reminded that I already know a lot of cool people in this city. It was also fun to finally do the “talking to strangers in the pub” thing.)

    Liz had seen this comic and thought he was very good. So something must have been off last night. He kept dropping the ball, and — worse — criticising himself for it. A comic needs to make the room a safe space for the audience, to be a confident guide. Most definitely, he should not make the audience worried for him. And we were. What’s strangest is that when he was funny, he was really quite good. Whenever he’d get a big wave of laughter, though, he’d let the energy drop, go over to the barstool beside him, sip from the drink he had there, light up a cigarette, then come back and rub his hands over his face, confused about where he was in the set, like there was some knot in his brain about something he wasn’t telling us about — which is strange, because he seemed to be telling us about every little detail of his life.

    What’s most uncomfortable for me watching performers is that, as a recovered one, I often see the need that drives the urge to perform. Sometimes that can be transformed into moments of astounding brilliance. Other times, though, it just plain hurts to watch.


    Addendum
    Monday, August 09, 2004 , 12:12 AM

    I had a chat online tonight with my friend Graham in Glasgow. He listened patiently and attentively as I whinged about feeling like a man without a sense of identity or a sense of place, then I listened to some relationship issues he’s been having, about those early, scary days of dating. They were far too easy to empathise with.

    After our talk, I picked up my kit-bag and went to The Regent, the pub up the road from my house. (I should go to The Albion, since it’s my local, but The Regent has a gay-friendly atmosphere, whereas The Albion was started by a former manager of the Hibernians Football Club. Maybe I’m not giving my neighbours the benefit of the doubt, but there are certain crowds in which I feel they probably wouldn’t be comfortable if they knew about allof me.)

    I got a pint from the bar and sat next to someone in a big, deep, green leather couch. I read the gentle words in Brenda Ueland’s If You Want to Write while sipping on my cloudy yellow pint of Hoegaarden. My angst fell away without my even noticing, until I walked home with a smile, the yellow sodium lamps doing for the darkened street what my yellow sunglasses had done earlier in the day. The fishmonger’s shop was dark, and all the ice was gone from the slanted display case inside the window, long since drained away through the little hole in the corner of the window-frame. The other shop-fronts were covered over with metal armour. A pub was dark except for its emergency lights, its chairs and stools turned up. A stocky man in a kilt with thick calves in high white socks saw his girlfriend to her tenement door then headed on to the Turkish kebab shop down the street. A couple fought with each other, slurring their words while tipping back and forth in opposite direct!
    ions, hanging onto objects to keep from falling over. Shiny black taxis ferried people up and down the Easter Road as I turned the corner to head up my street.

    There’s a point of giving-over to coming back here. It’s easy to find energy and drive in discontentment, in being a misfit. It’s an excuse for being inactive, or for taking rash, destructive action. That’s fine for a bit. This weekend was about burning up the part of me that wants to sit and complain at how much it chafes to move back and forth between two cultures. But would I have it any other way? Would I give up the knowledge of this stony city, home to Enlightenment thinkers and footballers and shopkeeps and poets and musicians and students and tourists? Not on your life. So my beginning drifts toward the local accent have been washed away like a sand castle in the tide by immersion in broader Canadian speech. It’s uncomfortable; yes. Do I still want the chance to listen to the song in these voices? More than anything.

    Being back in Canada made me aware of what I’ve brought with me here. I can’t escape the fact of who I am and where I’m from. But this is good. This is something to work with.

    Now I’m going to bed… at the local time.


    Sunday, August 08, 2004 , 6:40 PM

    How I Spent My Summer Vacation
    by Hamish MacDonald

    At last, I’ve posted the pictures from my trip. They’re in the Pictures section of the site. I didn’t put any comments with them, because, frankly, I couldn’t be arsed. Most of the shots are of people. If you know who they are, or are one of them, that’ll be interesting for you. If not, well, you’ll see some landscapes, an alley you might recognise from some movies like Hedwig and the Angry Inch, and you’ll see me in my swim trunks. Woo.

    I’m having trouble articulating what’s going on with me since I got back from Canada. I’m feeling culture-shocked, displaced, and generally empty.

    I experienced so much Canadian culture when I was home, work generated by people I know. Theatre, music, comedy — so much incredible, original work that reflected “the Canadian national identity”. I’ve participated in discussion about the Scottish national identity while I’ve been here, but hadn’t thought about the Canadian one. Now I’m back here, feeling like part of one thing, but living in another. I’m rootless and confused. It’s like I’m starting all over, as if I’ve woken up in someone else’s life. And this guy doesn’t do much.

    I’m having one of those periods in which I feel like a snail — small, insignificant, and slimy. I want to be more evolved than I am. I want to be involved with communities here in Scotland, and I want to be published. But I just spent a day walking through the town, saying only a single word: “Sorry”, to a tourist who bumped into me (because we Canadians do that). I went to a pub up the road last night and had two pints, sitting there by myself, ’cause I wanted to be around people. The terrible thing is that when I get like this, I don’t even call the great people I do know. I feel like I should be being productive or something on the weekend, like that’s the time I’ve got in which to create these works that are supposed to somehow save me.

    I ended up in Holyrood Park this afternoon. I was supposed to be planning out — I dunno, the rest of my life or something. Instead, I lay on the grass, watching people play frisbee, obese little children scamper back and forth, white clouds smear across the intensely blue sky, and the green mounds and black cliffs of Arthur’s Seat. It felt good to do nothing, restorative, almost spiritual.

    I’m also utterly confused about writing. I’m completely without ideas. Well, I have a little file with hundreds of them, but I can’t get started because my writing-legs are all rubbery. I don’t have any confidence, probably because I’m…

    At work, we have this concept called “The Gap”. It’s the permanent distance between the actual and the ideal. It’s what you fall into when you keep focusing on where youshould be, or where you want to be, instead of on where you are and what progress you’ve made. When you keep doing this, you “gap out”, as we say around the office. I’m totally gapped-out about my writing career.

    Of course, I’ve just handed myself the remedy my boss developed for these situations: focus on “progress, not perfection”. I work as a writer, and I’ve written three novels. That’s pretty cool.

    I’ve been severely jet-lagged this week, too, staying up until 5AM. That probably accounts for my mood. My thinking and my feelings since getting back have felt like a calf that’s trying to stand up for the first time.

    <

    p>Today, a puff-ball drifted by me and I caught it in my hand. I thought “This is what writing is: it doesn’t change the fact of this thing, but my noticing it makes it exist for me. Otherwise, this would have just fallen to the ground unnoticed. Writing is about doing that for other people.”

  • July 2004

    Phew
    Saturday, July 24, 2004 , 8:00 PM

    This has been a long two weeks. Er, I mean fortnight. I don’t know what I mean.

    For my first week here, I was alternately chatting with my editor, just enjoying her company in person, or working through intense editing sessions with her, trying to establish and nail down between us some very subtlestylistic guidelines for writing Strategic Coacharticles. I don’t mean Strunk and White style, clauses and apostrophes and such, but shadings of tone and voice that make our work compelling and palatable for entrepreneurs.

    This week was easier in theory, just sitting in the company’s workshops. In practice, though, I had to apply a high level of attention to every moment Dan Sullivan (he president and co-creator of the company) was coaching, and to every bit of feedback and insight the clients offered up. When I write for the company, I need to write in Dan’s voice. Our clients and people like them who are our prospects, have a certain set of concerns and ambitions that he taps into in an electric way, creating solutions for all their issues that they consider so valuable that many have returned to our workshops each quarter for over ten years. My writing will be more effective the more I can emulate Dan’s voice and understand our clients’ worries and frustrations, hopes and advantages.

    So it was a lot of heavy listening.

    My head, though, is now full of great raw material to use in my writing for the time ahead. Instead of writing in cold business-speak, saying things like “Maximise your productivity to leverage your potential”, I can reach into the experiences our clients shared to see how they can use their businesses to create lives they love, full of activities that light them up, generating the kind of income that lets them buy incredible experiences and surround themselves with talented individuals who can free them up to spend more time in their most important personal relationships.

    This is good. It’s not only my job, it’s the next plateau of ability that I want to achieve in my writing ability. Description is my favourite aspect of writing, so doing this — writing about real people’s lives instead of business theory — is a lot more fun.

    And I need a break.

    While doing all this editing and input work, I’ve also been visiting with dear friends here in Toronto. One day this week, I had a breakfast meeting, work, a lunch meeting, more work, then a supper engagement. There are so many people I love that I couldn’t neglect to see, and there was barely enough time going full-tilt like this to even meet with the inner circle of friends.

    It should be getting easier: the company has made me the offer that if I fly here once a year they’ll fly me here once, too. That’ll be a big help, keeping me constantly charged with inspiration and material for doing the work. I also got a pay-rise, which is motivating, too! Best of all, though, are the relationships I have with the people at work. From Dan and Babs, the owners, whom I admire as creators, innovators, and friends, through to the team members who talk to each other with the wit and intelligence of “West Wing” characters, having positive, effective meetings in the halls like automatic machine gun fire. They’re also eerily good-looking, too.

    I’m sitting in Starbucks on Church Street, where years ago I wrote chunks of my first and second novels. I just had a delicious supper with my lovely, cute, wonderful ex and my kinda ex-in-laws, and am now waiting until my friends get out of a movie so I can meet up with them for a drink. I’m completely knackered, and still in work-clothes (including trousers I bought here for work which are a bit-too-tight!) but conscious that it’s my last night here. I imagine I’m going to collapse for a day or so at Mom and Dad’s. My visit to them couldn’t have been planned for a better time.

    People at work kept asking me “So when are you coming back?” I’ll probably come back at Christmas, but right now I don’t want to think about it, because I feel like my Edinburgh life — so barely established compared to what I’ve got here — is atrophying with every moment I’m away. And Edinburgh, I know in my heart, is home.

    My camera is full of pictures, though unfortunately I neglected to take snaps of some of the people I visited with. I’ll post those when I get back to Edinburgh. In the meantime, I’m going off to Prince Edward Island, home of low, rolling leafy fields of potatoes bursting from rows of rusty red soil that stretch off to the deep blue ocean, home of white beaches that tumble from grassy dunes to the choppy white waves. It’s memories of those fearful days in the high school halls, the nights spend in my basement bedroom dreaming of the future person I hoped to be (and suppose I am now), and the summer theatre gigs I landed. Most importantly, it’s family. I can’t wait to see them, to happily let go and fall into their arms for a week.

    I probably won’t be able to send this until I get to my parents’ place tomorrow. I’ve not had much luck finding chances or ways to connect to the ‘net here. Normally that would be irksome, like trying to operate without thumbs for two weeks, but I’ve been too busy for it to matter much.

    My eyelids feel like they’re lined with model glue. Soon I’ll rest. Soon…


    Saturday, July 10, 2004 , 3:13 PM

    I’m in Toronto! I’m typing away at my buddy Cosgrove’s iBook, ’cause even though they have a wireless connection, for some reason I can’t do anything e-mail-y on it. I just wanted to write a post to say I’ve arrived safe and sound.

    Last night we went to see a movie, then went to Woody’s, one of our old haunts. We stood in one spot and held court as people we knew came and left throughout the evening. I saw one guy I’d dated briefly. He seems to be doing quite well for himself, which makes me happy. Sounds like there’s still a bit of drama (like a lot of people, he seems to function best with some strife always going on in the background), but he seemed happy. He’s just left a relationship and started a new one. Hearing that made that little voice in my head say “Damn”, ’cause he’s still a stunner. We used to always cross paths exactly when we were both both feeling single and amorous. There’s a terrible tendency when travelling to do what I call “black booking”: looking up all those old flings and flames.

    What’s funny is that a number of people last night commented on my accent. In Scotland, they all think I sound Canadian, and I do — until I’m in Canada, where “Toronto” becomes “Trawna”, “twenty” is “twenny”, “Stewart” is “Stooward”, and the R in “green” isn’t a hard-hit with the tongue, but a wider, more Muppet-y sound. I’d also had a few drinks, which makes my voice slide in that direction. (I suppose it’d be easy to get people to buy into the theory that the Scots accent developed out of drunkenness.)

    It’s a beautiful, hot day here. High of 26 — perfect, really. Any more, and I’d not know what to do with myself. I’m not used to the heat anymore.

    Time to go out and play!

    If you (whoever’s reading) need to reach me while I’m here, you can get me on 416-829-4820. That number will be active until about the 23rd of July.

    Take care!


    Monday, July 05, 2004 , 7:31 PM

    Patrick just left. We just had our weekly have-supper-and-plan-out-our-lives session at mine, then went for a walk around a park near my house that I didn’t know existed (which is home to a tiny lake with ducks, geese, moor hens, and a single shopping trolley).

    Just before we left the house, I picked up my e-mail. Amongst the letters from friends was a response from an editor to a submission I’d sent him for Idea in Stone. This editor had been quite excited about my second book, and seriously considered publishing it. This one, though, he didn’t like at all. But when he told me what he thought it was trying to be (“a pseudo-documentary like A Mighty Wind“), the only thing I could think was “Did you even read past the first chapter?” It’s not what the book is about in any way, shape, or form. It would be fine to misunderstand a story from the first chapter (or three, as included in the partial manuscript I sent), except that a submission package also includes a synopsis, which tells you the rest of the story.

    There’s nothing to be gained by replying to him, much as I want to clear up his utter misunderstanding of the story. He didn’t like what he read, and that’s that. I’m okay with him not liking the book — taste is individual. I’m not okay with him sending a critical response without having fully read what I sent.

    Fair enough. Time to move on. There’s another press that did like the partial manuscript and asked to see the rest. And if it’s not them, it’s someone else who’ll publish it.

    Thing is, I’ve grown enough since the last time I did submissions that I see it all as business now, business that’s directed either by market research or purely individual, subjective taste. This is the reality I have to work with. I also feel strangely like an equal with everyone else who happens to be working in the field.


    Sunday, July 04, 2004 , 7:59 PM

    HAZZAH!

    From The Scotsman: “Ministers to ban smoking in pubs”.

    We trust people not to murder each other, but just in case someone doesn’t quite get the idea, we’ve created laws about it. Same thing here.


    Saturday, July 03, 2004 , 4:25 PM

    I have something akin to strep throat. My uvula is like a fattened earthworm hanging down my throat.

    On Thursday, I had supper with three poets — Wendy, Gail, and Elspeth. Wendy made us a lovely supper (tagliatelle with a salmon-mushroom sauce), and we sat in candlelight, drinking wine, then eating strawberries and eating pineapple that Wendy and I braised in port, adding brown sugar to make a kind of caramelised port jus. With some heavy cream added — mmm! From time to time, one of us would get up and bang out some words on the giant old black typewriter. By the end of the evening, we had created something together on a sheet of paper.

    I had a night with the muses.

    This week, I fly to Canada. Edinburgh is rainy and bleak lately (it isn’t usually, really!), and there’s a siren call issuing from Toronto — all those friends, all those old memories to walk through, all the favourite places where I love to eat. I can’t wait to go. But Edinburgh (and Europe in general) — this place makes my soul sing. There’s no question where home is. I belong here, even if I don’t yet.

    I went to JK Rowling‘s website today, amongst my other sick-day Saturday activities. It’s a beautiful piece of design work, and I have to admit that I am well and truly jealous. I want to be published. I want to have that kind of creative license and freedom.


    CosBlog
    Thursday, July 01, 2004 , 3:12 PM

    <

    p>My buddy Cosgrove has written the most brilliant wedding speeches for the marriage of two male friends of his that’s taking place today:
    http://www.markcosgrove.com/Blog/.