Category: Uncategorized

  • Does This Medium Fit?

    I was having lots of fun working with my Ackerman pen and its flexible Manga G-nib. Suddenly I could reproduce the thick-thin lines I’ve seen in comics I like (and if others are doing it, I should be doing it, too, right?).

    Strategic Coach are asking me to do a lot of illustration for them — equal to the amount of writing I’m doing, which is a) giving me lots of good practice, and b) has allowed me to change my “What do you do?” answer to “writer and illustrator”, which feels awesome.

    But the Ackerman pen leaks like crazy, and I’m using deadly black ink. (There’s a table at the pub with a new permanent stain for folks to remember me by — oops!) And then the other day I was doing a full-page drawing for a (very fun, as-yet-secret) book project, and I don’t know if it was the amount of coffee I’d had to drink or what, but suddenly the G-nib lines felt huge and out of control, like I’d become a mash-up of Charles Schultz and Katherine Hepburn. I switched back to my “old” method (like, months old), and suddenly felt comfortable and preferred the look of what I was doing — it wasn’t so much an obvious pen-line as just a finished shape.

    G-nib on the left, Carbon pen lines & Tombow nib outline on the right.

    (At this point, I’m wondering why you would persist in reading about my struggles with pens and paper. Thank you.)

    Yesterday on my lunch break, I drove the car to the grocery store — just because I could, YAY!! — and then I started re-watching the documentary Cartoon College. Having just survived driving lessons, I would hardly want to be in a gruelling, deadline-filled MFA course, but seeing the people there, all exchanging ideas and best practices about drawing, I did feel a longing. I’m trying to find the right paper, the right pen, and to work out all these technical and stylistic skills — all from first principles. That’s difficult.

    Yet totally fun. I wrote an article this morning then drew the illustration to go with it. How fun is that? What a blessing, to get to spend my days like this.

    I’d still like to be able to do more work directly on-screen, so here’s me practising in a spare moment today with my stylus. (I don’t even like cats, but for some reason I like to experiment with them — so maybe that makes sense after all.)

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  • Car-Cartoons

    Today I had my practical driving test. I’ll get to the result in a moment.

    Yesterday was my final day to prepare, and I knew that at that point I’d practiced all I really could, I’d been driving for months, and the only thing that could get in my way was nerves. So I pulled out every Oprah-Chopra, hooky-pooky strategy I had up my sleeve to try and get my head in the right place.

    (Three nights ago I had a terrible sleep, woke up at 2 a.m., and couldn’t fall asleep again because my heart was racing and my mind obsessing about the test.)

    One of the things I did yesterday was sit down to draw, because that’s the one place where I can create my own world. I used that to exorcise my “stuff” about driving:

    And, finally, this morning I knew I had one last thing to do: declare myself ready. Whatever happened in the test, it was time to give myself credit for finishing my training. As a symbol of this, I made myself my own driving licence to carry in my pocket:

    And? And?

    Thank #£$*!!!

  • Goodbye Fluffy

    After over a month of living in our back garden, “Fluffy” the herring gull chick has moved on.

    This afternoon, a woman from the Scottish SPCA and I chased Fluffy around the yard until she could catch him. She gently put him into a travel-kennel, and took him away in her van to a shelter, where I’m told he’ll be put with other chicks to learn how to be a gull, grow flight feathers, and then be released into the wild.

    Since we got back from Canada, we’ve been feeding him moistened cat food (the meal-worms were a one-off treat we didn’t want to buy more of). His mother seemed to stop feeding him, and he just wasn’t thriving like the other juvenile gulls around town, who are already flying. Instead, he was just this sad creature walking around the yard, making constant little whistly peeps.

    And what sucks we are: Craig got teary this morning when he said goodbye to it from the back door, and I was the same after the bird was gone. I didn’t think I had it in me to be a parent, but given how attached I’ve become to this little dinosaur that’s done nothing but squeak, eat, and shit in my back garden for weeks, maybe there’s hope.

    Post script: We visited Fluffy at the shelter. He’d lost his fluff, and was looking a bit vulture-ish. The nice lady there said they’d been feeding him and givinghim a daily bath, and they were going to release him at the beach in another week or so.

    Attaboy!

  • A Breakthrough in Inking

    [EDIT: This looks like crap to me now, but it’s still progress.]
    Photo 10 Aug 2013 05_03 PM

  • I Am the Red Sock in the Wash

    I had an “A-ha!” yesterday as a result of a fascinating conversation I’ve been having with my client (which I won’t get into here): I’m getting this sense that I’m rightly a lens, a mirror, a painter, a wind turbine — a conduit. I’m not the guy to nail down the theory or state the message. The universe is “out there” and kind of none of my business. I don’t understand how the world works; I don’t have huge, all-encompassing insights. But I do seem to get life at the personal, individual level. I do have personal convictions, but I don’t need to change the world and don’t feel equipped to anyway. I have peace down here. When I look at government or society or the economy, I get frustrated because of the opinions I hold, yet I know deep down that even those opinions are borrowed; I’d throw them out in the face of better information, because I’m not my ideas. I’m something else.

    In short, I’m not a fixed point in the universe. That’s not going to sit nicely with someone who’d want me to sum myself up or to permanently join a cause. But it does free me up to let everything flow through me, and know that something of me — my wit, sense of wonder, compassion, *something* — will show up in the product.

    I seem to be able to help people think through things, or to better experience what they’re experiencing, and while that’s not as flashy or marketable as being the guy with the tablets on the mountain, I can see the value of it now.

    This makes a lot of sense when I look at my work (which sucks when I try to do it without a good creative brief, or when I neglect to ask for real-world input). It also explains why I enjoy drawing and writing so much — yet what the problem with authoring novels was (since a novel is a position, a fixed argument, a thesis rather than an observation — at least as I was writing them).

    ~

    Here’s another insight from this week (sorry, I feel I should draw something to go with this, to make it more palatable, but it’s conceptual, and I just want to get it down):

    I’ve been wishing for twelve years that I could lose my accent, and this strikes me now as a big metaphor. This is my voice. I’ve been trying to tone it down out of embarrassment about its force and energy. I don’t blame Scotland for that — nobody’s ever suggested I should change — but it has been what I’ve felt I should do to fit in, to better understand this culture, which is very highly critical of anyone who “gets above” themselves.

    When I was in Canada, specifically in the Strategic Coach environment, I had people around me cheering me on. They wanted more, more, more of me. It’s been great having the peace and quiet of Wick, and I don’t want to knock this place that’s has been so welcoming, but I feel a new wind in my sails after this visit to Toronto and I love it. Usually it diminishes back to “normal”, but this time I don’t want that. It’s not just about being celebrated (though why shouldn’t we all be?); it’s about having a purpose. I need that purpose. I’m not finished, and I don’t want to be becalmed, lost in a grey fog halfway between here and Stroma (the abandoned island that’s held my imagination since we moved to the north).

    I guess I aspire to having enough self-sufficiency to exist in a void, yet the dawning awareness I spoke of above, that I work best as a medium — well, you can see how that suffocates in this environment.

    I also believe that there are lines, patterns, that run through our lives, and when we follow those everything just works. I also believe, though, that we have total free will to deviate from those or ignore them altogether. The only problem is that life off the line will always be a struggle.

    I’ve found love in Scotland, and I’ve found the peace to not need to get anywhere or do anything. I’m whole and complete right here, right now. But I’m also still alive, and it seems like it’d be a shame not to see how far I can go with the gifts I’ve been given while I’m here.

  • Sharing Versus Blabbing

    Oops: in my last post I blabbed about stuff that could have been misread. Suffice it to say that all is (very) well.

    That’s the trouble with these blog things: figuring out how much is too much. Without detail or vulnerability, posts and tweets are nothing but big, braggy press releases. Too much of those, though, and it all gets a bit dramatic, trashy, and into the realm of “Should I really be finding out about this here?” (That goes double when I’m not just talking about me and my life anymore, but implicating someone else in the things I say!)

    So I’ve had a wonderful month in Canada, and tomorrow we’ll be heading back home. Now my concern is keeping hold of all the energy, inspiration, and ideas I’ve had, and making sure I follow through with them when I get back to Wick.

  • At a Crossroads

    Photo 2009-11-15 1_33 AM

    [Transcription of today’s sketchblog…]

    Last night after work I had dinner with Dan… This came at the end of a week in which I had great connections with so many people in the company, on the team, who told me how much they like working with me, how talented I am, how much they depend on me — plus a whole bunch of new opportunities came up, and I made up a few of my own. Essentially, last night Dan told me I could make my own future in the company.

    Making this all the more difficult is the brain-fog I feel today: I woke up at 6 or so, as I have been for most of this week, so I showered, ate breakfast, and read a little. I felt tired, so I lay down for a little nap… and woke up at 11!

    The most plausible explanation I can find for this is a bag of corn chips I had the other day. Oh yeah, and the Reese’s Peanut Butter Cups I had after.

    I couldn’t make it home before visiting Lisa and Alvaro because the streetcars here are so damned slow after the flood and because of the Honda Indy, and every car I have taken on this trip “short turns” unexpectedly — going up to the station instead of to the destination on the sign. So I couldn’t get home for supper and ended up in a convenience store looking for something to munch on.

    Hamishes aren’t good at moderation: If I want to be balanced about something, I have to take it out of my environment. I don’t see corn chips very often, and on this occasion my defences were down. I became a monster.

    Photo 2013-07-13 9_06 PM

    …And now I have brain-fog. I should be visiting with people since I’m here, but I can’t imagine sustaining conversation or having the energy to be “on” — plus I have done a lot of that this week. It’s been great, but I’m a introvert and I need to get my energy back by being on my own today.

    So here I am, writing, drawing, and thinking about the future.

    Photo 2013-07-13 9_06 PM (2)

    Being around Dan this week, having such long and intense conversations with him about big topics (like about being a “self-organizing individual”) had a real effect on me. It’s like we were talking about one thing, exploring a topic together, but my cells were being sped up like they say about being in the presence of a Zen master, receiving a “transmission”. He’s the last one to seek guru status, but his intense focus, the clarity of his ideas — even when I feel really challenged by his views — I appreciate the depth of them and I’m challenged to find my own thoughts.

    Well, all this speed gave me a feeling of purpose and direction that I had given up on. Scotland has little use for me, and Wick has none.

    I guess I wanted to move north so I could be free of demands and create, to see what I could come up with. Of course, in Kolbe parlance I’m a Facilitator/Mediator, so I need to get energy by responding to something. I wanted to move into the afterlife, to be in a space of pure freedom. It’s been great, spending that time with Craig, finding that no matter how much time we spend together I want more. But now I feel plugged back in. I can see a future that’s a bit scary but is full, where I have no future in Wick. I love the coast; I love the people I’ve met and the things I have seen. I love what I have been free to create. But this…

    But “this” would mean making a big move. We’ve talked about it, but with equal confusion, neither of us driving. I don’t want to force Craig and I hate the thought of him having to give anything up for me. But if we did this, I would have more to give him and I would become so much more than the vision of me that’s living on life support up there.

    Photo 2013-07-13 10_22 PM

    My darling is on his way tomorrow. We need to talk again about all this, but this time it’s not just an idea, a should (“I should live closer to my parents”), it’s something that fits together with greater sense than nething else I can imagine.

  • I’m in Toronto, and Superman is not Jesus

    I’m on the “Red Rocket” again — a Toronto Transit streetcar, heading to work from The Beaches, where I’m staying at Strategic Coach’s guest house. Everything about that place has been put together with a wholly relaxing taste and elegance; it’s a challenge to accept that, yes, I’m allowed to stay there in such an up-market property and neighbourhood. A happy challenge that I’m willing to take on!

    My flight over was… well, it was air-travel, which I find to be a tedious necessity. Air Canada was celebrating the inaugural flight of their Edinburgh-to-Toronto connection, so at the airport there were suits with droning speeches read from pages, and speeches, cake, coffee, and a ribbon-cutting. Meanwhile, though, in true Air Canada fashion, I’d had to wait an hour to check in, and the flight left an hour late. So all the self-congratulation seemed quite misguided, occurring as it did alongside rubbish service with no apologies.

    This was also the flight crew’s first voyage on a plane painted up in the livery of a new branch of the company: Air Canada Rouge. The attendants wore grey hipster hats, cool grey leather shoes, and all their announcements were scripted in a breezy “Hey, we’re your pals!” slang that sounded all the more fake when repeated verbatim in French.

    But whatever, it got me here. And it’s a thrill to be here.

    Yesterday was my first day in the office, and within an hour of arriving I had nine new projects and I’d gone from a worn-out flatline of “Yeah, I do this for a living” to being excited again about what we do, thrilled to have the privilege to work with such smart, switched-on people, and jazzed about everyone’s plans for how to use the skills I want to develop. Oh, and I got a pay-rise. So a meaningful vision of future possibilities, plus social and financial rewards. What else could a guy want?

    After work, I walked to The Annex and visited The Beguiling, a shop devoted to comics and illustration. I guess because I’d sidelined drawing for so long I hadn’t really spent any time in there when I lived in Toronto, and I suppose my tendency from childhood until now was just to draw comics, not read them. Well, that’s changed, and this was a feast!

    Despite being there for about an hour, I only picked up two little volumes, one by Dustin Harbin, whose work I’ve admired for a while, and another by someone the guy behind the counter said was local, and he thought his work was promising. All I know is the quality of his lines is supreme.

    Toronto, it turns out, is a major centre for comics work. That was starting to spring up when I published doubleZero, but it’s really grown since then.

    On the flight over, I watched a documentary called Cartoon College, which I really enjoyed. (I was glad I’d bought it beforehand, because Khmer Canada Rouge’s in-flight entertainment, it turns out, is using your own iThingy’s wireless and battery to access shows via an app — which you had to have downloaded beforehand. I had it, but the pickings were slim.)

    I had a lovely few days with my parents-in-law before flying out. I worked in Stirling during the day, then spent the evenings with them. We watched a lot of tennis, which I actually found exciting. And hooray for our boy Andy Murray. It’s a shame he’s such a glum Eeyore all the time. That said, if you could manufacture a personality that Scots could get behind it’d be someone like him: so not “above himself” that he’s practically buried in the ground.

    One day while I was there, I finished my work early and figured I’d treat myself to a movie. Man of Steel was the only thing I felt remotely like seeing, and it was pretty much what I expected: stuffed full of CGI like a digital goose, and an okay but lifeless “reboot” of very familiar content.

    The one scene that made me roll my eyes showed Jor-El/Clark visiting his Smallville priest to ask for advice. Clark’s handsome face occupies one half of the screen, while in the background we see a slightly out-of-focus stained glass window depicting Jesus.

    Oh God.

    At least when Stephen King named his character in The Green Mile “John Coffey” he acknowledged the reference and said, “Hey, this isn’t rocket science,” but this was like those old TV adverts I saw as a kid that were selling wild animal cards: the trick was to spot the animal that changed its appearance, and if you could name it when you placed your order, you got a plastic box to put the cards in. So they showed and elephant, its trunk flashed on and off in an unsettling way, and the voice-over said, “Did you see that?!

    So, yes, this was like that, but with Jesus and Superman. And the shot lingered, just in case you didn’t get it.

    But here’s my beef with that, aside from the total lack of subtlety or trust in the viewer: it’s a perfect reflection of the bait-and-switch contemporary culture does between science and belief. (I’m not a Christian, so it’s not that I’m defending Jesus-the-brand, nor am I talking about him as a literal reality but as a mental construct.) It’s a category error: Superman is science fantasy, Jesus is a myth. You can pretend to be Superman, but you can’t aspire to be him. (That “becoming” is why Luke Skywalker captured my imagination as a kid and Captain Kirk didn’t.)

    The community of people who talk online about science really, really — like, really — love to rubbish religion, faith, and the likes, but science is incapable of addressing or describing consciousness and inner experience yet is either sold like it can, or like the need for a meaningful context is silly and deluded. Everything is reducible; no other possibilities are permitted.

    Superman is a closed loop product for kids. There’s nothing else you can really do with him. Jesus — at his scriptural basics — is a good idea. Not the dogmatic cruft, but the person who stood at the intersection of the worlds and said, as Douglas Adams put it, “Wouldn’t it be good if we were all nice to each other for a change?” (“…So they nailed him to a tree.”)

    Coming back to Earth, I had a great night out with friends last night, thanks to my mum, who was trawling around Facebook and noticed that my best friend, Cosgrove, and his husband Eric were in town. I joined the group of friends they’d gathered together, a few of whom I knew a bit, and one, Bert, who’s been a great friend for a long time. So through happenstance I got to reconnect with some people I really like. That’s what I want this trip to be about: being with people who matter, rather than going to shops or movies or hiding out.

  • Life-Saving Techniques

    I’m at the pub, where I’ve been organising my work for the week and doing some drawing practice.

    Last week’s work was a real breakthrough: Although I already knew the principles, somehow stressing the importance of using good shapes, lines, and reasonable anatomy has all lifted my ability to another level. Less freaky feet and hands! I’m thinking through the bones and muscles more than I was, and it’s helping.

    The challenge with cartooning is balancing the development of an effective shorthand — less detail makes for characters that are cuter, cleaner, more expressive, and easier to read — yet holding true enough to real life that the reader’s brain can relate to these simple shapes as their real-world equivalents without experiencing cognitive dissonance, like “Is that a hand or a lobster claw? What is she supposed to be holding?”

    I’m also working on my lettering, because that’s another area where I felt I had a sloppiness that undermined my efforts. I don’t want to use fonts; I want to be able to hand-letter my drawings — do the whole thing on paper — and have it look good enough to use.

    Shapes, anatomy, and lettering are something I’ve taken from the Franco-Belgian comics I’ve been studying. I also like the way they integrate machines and buildings and other background elements — things besides characters, that is. This is something I’ve long neglected.

    So here’s a lovely old Morris I saw in town the other day:

    The urge to do all these things has shifted — happily — from overwhelm, self-deprecation, and envy to a sense of possibility: If I can draw all this stuff, I can capture ideas and stories on paper better.

    Then comes the scary void: “Okay, so with these skills, what will you say?”

    I don’t know yet.

    Meanwhile, the sketchbook is my best outlet, and my life my best material to connect with. So, asking myself about what’s going on, this is what I drew (and I was pleasantly surprised that the anatomy was just there, better than before, simply because I’m thinking about it, it seems):

    I know it’s not the healthiest motivation in the world, but I want to save my husband. His work is killing him right now. He doesn’t know how to do anything but his best ability, and there’s just too much work to do for him to be able to do it all to that level. He likes the work, and it’s not like he wants to be idle, but I would really love to be able to take him away from this crushing demand and let him just do something else — travel, use his languages, or even do good work like this but not have to deal with the horrid bureaucracy of the National Health Service.