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  • February, 2004

    Monday, February 16, 2004 , 10:39 PM

    I worked today in the public library on George IV Bridge. I finished my work-day with a call from my editor, who did her best to scrounge together some things for me to work on while in the middle of a tight deadline herself. I went for a falafel for supper. That wasn’t filling enough, so I went to Bene’s for chips (with salt’n’sauce, of course). At first I didn’t see the owner, but then he emerged from the back room, cute and impossible as ever. This is the shop where my father and I got a battered and deep-fried Mars bar last summer.

    I went to a student pub at The Pleasance, where I washed the grease from my mouth with an Irn-Bru (which I can only take once every few months). I answered some e-mails and waited for the doors to open for a reading event. I’m on an e-mail list for a local press because of my defunct reading series, and I figure rather than whinge about not being part of local culture, I’ve got to show up for every one of these things I hear about.

    The book is an anthology of stories about love and boundaries, or something, from Luath Press. The readers were surprisingly adept, and the stories long but somehow engaging right to the end. The “big name” of the evening had — surprisingly? not surprisingly? — the most predicatable twist to her short story. I sat there by myself, drinking a pint of Tennents (formaldehyde, yes, but Scottish formaledhyde!) because they didn’t have an eighty shilling. A couple sat down beside me, and to my pleasure, introduced themselves. She was Aimee Chalmers, who had a story in the anthology, but because of the age we live in, everything was conducted over e-mail, so the publisher and everyone else there neglected to acknowledge her in any way because they had no idea who she was. She and her husband had driven over from Fife, and we had a great talk in-between the story readings. Her father, she shared at one point, spoke only Scots, and she was forbidden to speak it in school, so she eventually stopped speaking directly with him. I found that fascinating and sad. Now, of course, she’s learned to write in Scots, and is one of the few perpetuating this thing which I barely understand. (It’s more than a dialect of English, yet not a discrete language, so it’s…?)

    I walked home from the event, having had a pint I bought, the pint Mr Chalmers bought me, and another which I ordered a bit too close to the end of the readings. I walked home, steady of body, but with a brain like a flock of sparrows, stepping over the cobble-stones, the light rain turning my glasses into a yellow kaleidoscope under the sodium lamps. I took a shortcut up Jacob’s Ladder, a forgotten old windy staircase between two levels of the city which should feel dangerous, but with its overhanging trees and old brick walls felt, like so many things do to me again lately, so distinctlyEuropean. What a vague word — but such a true word. I’m not of this place, yet it feeds my soul — the art and the architecture and the culture of it all, wrestling to reconcile its past with a living present. Maybe I have a falsely romanticised notion of it. But then, what’s false about romance? If one feels a way about a thing, doesn’t that make it true?

    P.S. Had a lovely time this past weekend, completely unlike the previous. It’s beautifully documented already by Anita and Liz.


    Friday, February 13, 2004 , 11:01 AM

    This morning I got an Anti-Valentine’s card from a friend, one of the cute, not snarky ones on Meish.org. I don’t have any negative feelings about Valentine’s as a single person. It’s pretty easy, actually. Easier than the whole restaurant/date thing. Last year I went for dinner at an Italian restaurant with the guy I was seeing, and the staff were — well, not openly hostile, but not particularly nice to us as a male couple.

    I remember in grade school giving Valentines to everyone in my class. Being the budding cartoonist I was, I drew pictures of everyone, which was quite a hit (I discovered I could be cool through my talents only moments before moving away). The real fun is that everyone gave cards to everyone — which meant I got to give cards to the boys, too. I liked that. I wonder where Rodney Heeney is now.

    Last night, I had a “magic soiree” with poets Elspeth and Wendy, and Elspeth’s partner Ian. Dinner started with a nice salad by Wendy with great little phyllo camabert/crandberry twists, and a matching paper bonbon with a different “magic moment” inside for each of us to go and do sometime, all written out in a spiral. Supper was veggie haggis, introduced with a poem by Elspeth just for the occasion, a la Burns. I so appreciated these people putting their creative spark into my evening! How amazing to actively use one’s gifts for one’s friends. Ian is a quiet, gentle soul who doesn’t say a lot, but always wears a smile like he knows a secret. He’d just set up himself and Elspeth with Pocket PCs, so we geeked out a bit over that shared interest. Then we talked for what felt like half an hour, but somehow sped us to midnight, covering everything from St Mungo’s bones to whirling dervishes.

    I’d made it down to Newhaven early, so I walked down to the waterfront, out along a stone pier that had a 90-degree jut at the end with a lighthouse on it. I sat on a big iron lump (presumably for tying large boats to) and ate the smoked salmon I’d guiltily bought along with dessert for the evening. It melted as I chewed it, smoky and fishy. I indulged in pescetarian delight (since this was a decidedly non-vegetarian moment), and swore I could feel the vitality of the fish in me, this all-muscle creature, wee streamlined suit of armour made flesh. I looked out at the Firth of Forth, barely able to make out the rocky form of Inchkeith between me and Fife. A plane flew past, low, and I found myself imagining that it was a Spitfire, and that the low grey clouds were illuminated with bomb-blasts.

    And now it’s Friday again already.


    , 12:51 AM

    I’m sitting on the second floor of a bus, riding to my dinner with the poets.

    I bought The List this afternoon, as one of my tasks from my Monday meeting with Patrick was to look into rental prices in Glasgow. Because the universe works this way, the issue was all about comparing which is better, Edinburgh or Glasgow. I felt excited reading it: I love both cities for different reasons — and that’s more or less what the contributors had to say.

    All I know is that I’m a bi-polar freak, because I’m giddy with excitement this evening at getting to be in this country.

    It doesn’t hurt that my week has been full of good company and fun correspondence. I also wrote something for work this afternoon, some snappy copy to go on a postcard, and they loved it. Sometimes it all just works.


    Thursday, February 12, 2004 , 12:51 PM

    When I was little, my mother would ask me the following day about something that upset me, and I’d say, “Oh, that was yesterday.”

    Some things never change.

    I blogged here about my rotten weekend, so of course I’m having a fine week. I was through with Edinburgh by Sunday, so of course last night I was in love with the ragged cliffs of Arthur’s Seat and this morning with the decorated tops of the stony gingerbread tenementson Easter Road, as I walked quickly from home to the library, because I had to — HAD to — get out of the house.

    My mum pointed out that I might have just been suffering the “February Blahs”. I hate that idea, that somehow I might be duped by some vague condition of light and mood into despairing over my life’s plans.

    Like I said, this week has been completely different. I had a brilliant Monday night session with Patrick, a night for planning out what we’re up to for the week (which has proved to be a rewarding thing to do, as things get done, I feel more focused, and I have someone to crow about my achievements with).

    Last night, I met with my friend Doug, who works witth the courts here in Edinburgh. He gave me tons of information and ideas for the remaining chapters of my book, so I don’t make any mistakes about the machinations of the Scottish legal system, and also so the progression of things just makes sense. Not only that, he’s a brilliantly funny storyteller himself. You’d never think of a courtroom as funny… Until you talked to him. Nonetheless, I’ve no doubt he’s also very good at what he does. Best of all is learning how no-nonsense the Scottish court system is; things that are obviously a waste of time and money are simply thrown out in a way that’s not provided for in the English legal system, nor the Canadian system, I’m sure.

    Tonight I’m off to have supper with my poet-friendElspeth, her partner Ian, and another poet I met through her named Wendy.

    Then tomorrow is the pub-gang, and I’ve filled my Saturday with things to do.

    So what was I on about? I’m not sure, and I still feel like I’ve got bruised ribs because of it. Should I move? Is there a better environment for me? I’m not deciding anything until June. In the meantime, I’m going to do what the poet Rilke suggests, and “live in the questions”.


    Tuesday, February 10, 2004 , 10:00 PM

    Well that’s fun: I got an e-mail just now from someone who’d downloaded my second book from this site. I’m not sure what he does, but he had some very specific mathematical knowledge about why some technical things in the book were incorrect. Like I care. (Just kidding.) No, it was very gratifying to know someone was getting something from the story this long after I’d published it.

    I had a crap weekend, feeling quite washed out to sea here in this city all by myself. Happily, a good friendacted as the Coast Guard last night and came out to fetch me from the proverbial water. I always feel like I should be able to save myself, but there are times when you’re — to stick with the analogy — sucking in water and you think you’re breathing, and it takes someone else to… Okay, I’m abandoning the metaphor now. There was no rescue breathing involved.

    I am thinking, though, that Edinburgh might be a beautiful place that just isn’t home. I’m not leaving Scotland. That would leave a big hole in my life, and I’d keep looking back here because I hadn’t finished whatever it is I came here to do. But I’m thinking that Glasgow might be a better place for building a life. The book I’m writing is so tied in with this place that I’ve got to be here until it’s finished. When that’s done, though, I think it’ll be time to move.

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    Sunday, February 08, 2004 , 5:00 PM

    My heart is a moth

    cupped in my hands.

    It’s minus-twenty out

    and I’m not sure what to do.


    , 12:23 AM

    I had nothing to do today. I need some key pieces of information for my book before I can start writing the next chapter, so that pre-empted what I wanted and had planned to do today. So I did some shopping, then took myself out for a pub supper, answering some long-neglected e-mails in the process. I went to the cinema, but I was too early for the show, so I sat and answered another e-mail in the internet cafe there, which is also the ticket-sales area for an indoor ride with hydraulic seats and a big projection screen. While I was typing, the young man behind the counter asked me what I was using (referring to my handheld). I told him, finished what I was doing, then went over and talked to him for about half an hour. He was friendly, easy to talk to, and very soon it was time for my movie. Instead of sitting there in silence, I swung out, reaching for a social vine that wasn’t comfortably within reach, and discovered again how easy it is to talk to strangers. I have no idea what his intentions were, and we parted without any exchange of contact details, but it was a nice connection for what it was.

    I will make a game of this, to do five risky things each week that will improve and expand my life here.

    The film I saw was a Bertolucci movie called The Dreamers. I expected something raw and European, and that’s what I got. Kind of. The story centred around a young American student in Paris (bien sur), who meets a pair of twins, a brother and a sister. Of course, it being Paris in the Sixties and this being a European film, they all are soon in love with each other, smoking, sharing a bath, and showing their actual human genitals. Yes. When America is doing Saint Vitus’ dance over Janet Jackson showing her breast, treating the incident as if she’d sprayed sarin gas on the crowd, I watched a movie in which you saw penises, breasts, and even labia — a filmic first for me.

    But did the two boys kiss? They all said many times how much they loved each other, including the boys. Twice we saw an Iago-esque leg-thrown-over-a-leg. But did they ever share a passionate kiss?

    No.

    I’m offended by the filmmaker’s cowardice. Just when I was considering that my next book might contain a relationship between a man and a woman, I’m reminded that I must not oppress myself in an attempt to be more palatable, more saleable. If who I am is unpalatable, so be it. If Bertolucci thinks the kind of love I feel is too frightening to show, then it shall be my job to be frightening. What kind of artist am I if I subjugate myself and my experiences? Can I be funny, can I be inclusive, and still achieve the task at hand? Sure. But to cut myself out of the piece of paper that is my life is a crime against my soul.


    Thursday, February 05, 2004 , 1:05 AM

    I’ve been stupidly happy all day for no particular reason. This afternoon I worked from the library, which was much better for my concentration. I got a call at one point from my editor and had to bundle all my things up (don’t worry; it was on ‘silent’) and rush out and downstairs so I could talk to her and take notes.

    Turns out she loved the last piece I wrote. Apparently I succeeded in making a complex business topic emotionally leading and simple to understand. She’s written a lot on this topic herself, she said, and she still found herself saying “Oh, I hadn’t thought about that.” That was quite a triumph, particularly after I’d just named for myself this week that the times I get stuck with work and take five hours to write a three-paragraph blurb are always about not feeling confident enough, like I don’t have the authority to be discussing the things I’m writing about. I can recognise when this is happening, because the work starts to get jargony. I’ve found a great mnemonic for getting back on track, an old advertising acronym: AIDA — Attention, Interest, Desire, Action. If I can’t create each of these things with a piece, I haven’t really figured out what I’m saying.

    While waiting to meet my friend Chris to go see a movie, I sat in a coffee shop (yeah, *that* one, but it was open and I could make a minimal purchase, as I just managed to squeak through to my next personal pay, even with buying clothes last weekend). They were playing really great old music, some of which I knew from shows I’d been in. I decided to do a little more work, so I unfolded my keyboard and was sitting there, trying not to sing along, happy as a clam to be a writer in a cafe.

    We went to see Big Fish. The reviews I’d read tempered my expectations, which was good. I wanted to see a great magical realist film, something on the scale of Amelie, but this wasn’t it. The problem was that there was too much gloss, and not enough humanity, not until the last ten minutes — which, admittedly, had me choked up. But that’s not enough. And I think that was just me bringing in my feelings for my father — they lucked out and tapped into something of my own there. This is the trick with magical realism: the magic’s got to be anchored in something real we care about. You can’t slip that in at the end.

    Endings. I’m very conscious of endings these days, as the end of my book is looming on the horizon. So many stories are wrecked by a bad ending, so I’m trying to really dig deep into the earth and find out exactly how this story wants to finish properly. What’s great, though, is that I’m really getting immersed in the world of it. I’m thinking about it all the time, dreaming it — in fact, tonight walking home from the movie, I felt like I was in my book, with the big, silly stone dollhouse of a castle above Princes Street, and the tenement canyon of my block with the moon big and full and storybook bright in the sky.

    This year feels different. Things are magical, and somehow I feel less complicated. Is that possible? I thought we grew in complexity and weariness, yet here I seem to have left some of mine behind and reverted to a simpler me. As I walked through this city on my way to the library today, the people were each like lit-up bulbs. I loved them all and wanted to hear what they had to say.

    I was also dressed like the famous version of myself on his way to an interview show. That was fun. New underwear even — but I don’t think that wholly accounts for what a great day it was.


    Sunday, February 01, 2004 , 10:27 PM

    Another week has flown past. Friday I got together with my pubbing friends, and we went for supper, for drinks, then to The Improverts, the improvisational theatre show we’ve been going to the past few weeks. Of course, the first week was the best, but there’s always something inspiring about seeing people being spontaneously, originally funny, rather than executing studio-vetted-and-tampered-with comedy over a laugh-track.

    I stayed out at Patrick and Anita‘s Friday night, then Patrick and I went shopping on Saturday afternoon. Contrary to the stereotype to which I supposedly belong, I hate shopping. I finally capitulated because the other day I pulled on a pair of underwear and they tore. The last time I’d done any major shopping was with my Toronto gang on a trip down to New York. After that trip, I’d reached a happy point where every day could be Favourite Underwear Day. But that was about five years ago. At plane crash sites they often refer to “metal fatigue”; I guess I’ve discovered the point of cotton fatigue.

    So I bought a couple of packs of boxers. Yeah, so they’re that kind, not the sort that are individually boxed and cost fifteen quid each. I also bought three shirts that actually made Patrick say words to the effect of “Oh, you’re not!” It occurred to me, though, that I’m an artist, a culture-worker. We have an image to maintain. I don’t work in an office, so I don’t have to dress like an office-person.

    Patrick was all pleased and “butcher than thou” after he bought a power drill while I was buying candles to make my flat smell nicer.

    We shoved everything into the boot of his car and continued through to Glasgow, where we checked ourselves into a hostel. It wasn’t exactly a fancy place, but it was dirt cheap, and we just wanted someplace to flop at the end of the night.

    From there we went to meet Jamie and my friendGraham, whom the others hadn’t met yet. We went for drinks to The Polo Lounge, which is a nice club that looks like an old-fashioned gentlemen’s club. That’s the main floor, full of tables with curly-legged chairs, a few chaise-longes, chandeliers, and old paintings on the wall. Downstairs are two dance floors, one of which plays generic crap music, and the other of which — the bigger one — plays some decent dance music that always gets me moving.

    Graham had to attend to some family stuff, so he left fairly early. Soon enough, the night wound down for the rest of us. Patrick wanted to stay, so I went to a chippy with Jamie, who commanded me to order chips, cheese, and coleslaw. I thought it sounded vile, but he was right. It was bang-on late night food. I’m not sure how well-advised it was to put all of that on top of a evening’s worth of bourbon, but it was pretty tasty.

    I said my goodnight to Jamie, and we agreed that we all have to get together more often. Then I walked back toward the hostel. The streetlights illuminated the snow that fell between the decorous buildings of Glasgow, turning my walk into a ticker-tape parade. The snow was wet and soon soaked my hair, but the night was mild and I felt happy. For all my talk of being disconnected from Scottish culture, I have developed some really fine friendships here.

    This morning, Patrick and I awoke to the sound of two Swedish girls in the shower stall beside our room, talking away to each other. To some, that would be a pornoriffic dream. To us, it was even more of a nuisance than the sound of peeing and flushing we’d heard from the exposed pipes in our ceiling. We got up, got cleaned up and packed our things, then went for breakfast. We stopped in for a quick hello to Graham, then Patrick kindly drove me back to Edinburgh. This evening needed to be quiet time.

    <

    p>I didn’t write a thing this weekend, for which I’m mentally giving myself a kicking, but I did do some living. It’s a fine balance, this art and life thing. I’m aware, though, that as Charlie Parker said, “If you don’t live it, it won’t come out your horn.”

  • January, 2004

    Wednesday, January 28, 2004 , 11:19 AM

    I saw Lost in Translation last night. Good film. Nice to see that patient, quiet moviemaking that trusts its audience can still happen from time to time, and get recognised.

    My buddy Patrick and I met the other night to talk about places we’d like to visit this year, and I said that for some reason the East just doesn’t hold an interest for me. This film played right into that. Sometimes I was uncomfortable with the movie’s ‘outsider’ view of Japan, but just when it was starting to look like that stereotypical American xenophobic ignorance, the film would zoom us into a detail of the characters’ lives and emotions, which felt so authentic that my knee-jerk distaste evaporated.

    The Americans in the film are characters, where the Japanese are props — but this fits with the tone of the film, a week-long, jet-lagged wander through an alien metropolis. It’s as if you’re looking through two feet of Plexiglas at some unrecognisable, neon-lit thing, trying to figure out what the hell it is. If the Japanese seem shallow and strange, the Americans fare no better, being in such sharp focus that their flaws are readily identifiable, without being cliché.

    In the middle of this bizarre foreign world, two people form a kind of friendship, a kind of romance, that exceeds expectations. Rather than portraying a Lolita-esque affair, the film concentrates on exploring that wonderful sensation of finding and cherishing another human soul in the middle of a busy, insane world. The two don’t say anything terribly profound or new, but that feeling of friendly, wordless intimacy is so genuinely displayed that I couldn’t help feeling it and appreciating it myself.

    Walking home from the cinema through a crisp night, looking up at Venus (the only ‘star’ I could see) in a black sky over the jagged stone tops of the city, I appreciated that my situation as an ex-pat Canadian here in Scotland is pretty mild by comparison. But it’s long-term exposure.

    I sound wrong. I don’t have any access to Scottish culture except as an occasional visitor, and I barely know any Scottish people.

    What’s worse, when I go back to Canada, I don’t belong there, either. I cherish the tiny, imperceptible-to-others changes in my voice, the experiences I’ve had, and I know I have so much more to see that I wouldn’t be content there anymore.

    Lost indeed.


    Friday, January 23, 2004 , 9:18 AM

    R.I.P. The 35mm “film” camera.

    Kodachrome, they give us those nice bright colours
    They give us the greens of summers
    Makes you think all the world’s a sunny day, oh yeah

    — Simon & Garfunkel


    , 12:34 AM

    Tonight after I finished writing the e-mail newsletter I write each month for work, I made myself a smoothie (apple juice, soy milk, and a banana), caught up with some friends online, then headed out to see my friendElspeth perform her poetry at an event called “Big Word”. It’s an ongoing event here in Edinburgh, and I’ve seen some great performers there, like Elspeth, who’s kind of like a young Julie Andrews who occasionally uses the F-word while channelling the spirit of the Beat writers. I’ve also seen some utter freaks, like the guy in the red-and-black wrestling mask who yelled at us about his father while pulling apart Barbie dolls and throwing the pieces at us.

    Tonight was lovely. Elspeth spoke lyrical possibilities into the space (a basement deep underneath a pub that caters to students). Then she did her lovely kooky thing, with a self-possessed twinkle in her eye that said, “I know this is kooky, but stay with me. I know what I’m doing. It’ll be fun.” She had audience members draw slips of blue paper. One was the poem she’d perform, while the other was the accent she’d perform it in! It was fun, funny, and — cleverly– actually drew more attention to the words she spoke.

    Two of the other performers (whose names I forget, because I do that) had broad Scots accents. What struck me as I thoroughly enjoyed their pointed but always funny poems (is this the Scottish voice?) was that, unlike the first Big Word I attended, at which I met Elspeth, I understood everything they said!

    A young woman presented a few poems, too. She wore a loose purple scarf, a khaki tie-on top, and a low-slung pair of trousers with a big, beaded belt — a flattering costume that said “I’m young and I travel”. She spoke, and out came that American accent. Her voice see-sawed between two notes — a rich white girl rap? — and we wanted to hate her. There was some talking at the back. But she defied us, and took us to American deserts; to the streets of Washington, DC; to a crowded, happy bus in Guatemala; and to a starchy ride from King’s Cross Station in London. She made poignant remarks about the highs and lows of her culture, and how her Americanness informed her experience of other places. Really, it was the only way she could perform there that night, given the current political climate: to have the conversation out loud. I’m not sure that I liked her, not the way I love Elspeth’s funny lines and her lucid dream encapsulations of emotions. I did respect her, though.

    The series is hosted by a tall drink of water named Jem Rolls, who’s usually got long, brown-and-grey hair and sometimes a beard. Tonight, he had on a loose brown suit and had neat, short hair. As always, though, his tongue rolled around in his mouth like a roulette marble, and thought-words zing-zinged out as fast as we could catch them (sometimes faster). His voice was no see-saw, but a cleverly-used instrument with a good range, played sometimes staccatto, sometimes with a pause like a cartoon character frozen in air just past a cliff.

    It’s truly incredible what we can create for each other with words. That was a great night out.

    I also, finally, returned a piece of Tupperware that Elspeth brought to my flat about two years ago. I put Tunnock’s tea cakes in it, and while buying those, I bought myself some sage. (Sage, I’ve learned, is that magical ingredient that makes soup go from good to exquisite.) I reached home a few minutes ago, having walked home through a mild night, under a black sky and lamp-lit wiry winter tree branches, and I put my bottle of sage in the cupboard… where it joined lots of other bottles of spices. Sweet Lord! I’m domesticated! I own spices — and use them!

    Bedtime. Night night.

    P.S. Anita Govan, Big Word’s sometime co-host, was the last person to present a poem last night. When the main acts were finished, she got up and shared Robert Burns’s “Scots Wa-hey”, in honour of the upcoming Burns Night (25 January), and also as a rousing cheer to the power of the word and our collective Scottishness: though those of us gathered in the room were from Scotland, England, Canada, America, and likely elsewhere, we were obviously united in our love of Scotland by the fact that we were in the place, and the way we laughed with appreciation at moments such as one man’s poem about “bein’ fae Dundee”.


    Wednesday, January 21, 2004 , 2:50 PM

    The State of the Union address, the Iowa primaries, Blair spinning like a centrifuge so none of the mcuk from his decisions sticks to him — politics is too heartbreaking a horse-race to watch. I’m weary of seeing all the best contenders get shot in their prime, and have their heads and hearts buried in a box.

    Perhaps we’ll see a truly visionary statesman or woman arrive on the scene, instead of all these opinion managers and corporate go-fers. In the meantime, I’m tuning out for a while. It’s some time until the next election, and my “Unique Ability” is not best used being an activist.

    I’m at the public library, sitting under the giant mustard-coloured dome with its gold oak-leaf features. The huge windows that punctuate the wooden shelves of books are showing a flat, grey sky. It’s winter, but not winter like I’ve known it. I’m getting reports from Canada of what it’s like — minus thirty or forty Celcius, twenty centimeters of snow — and I feel pretty secure in my decision to be here.

    I have work to do, and nothing particularly insightful or clever to say here, so I’ll move along.

    I just bought a cheapie electric shaver ’cause my other one broke. I tried switching to a conventional blade for a week, but that succeeded in completely messing up my face. I’d forgotten about that: it’s one or the other, and you’ve got to stick with it or pay the consequences. This is about the only thing that sucks about being a man. No menstruation, no menopause, no pay inequity (though I’ve almost always worked for women, so I haven’t seen much of this in practice, though I’m told it happens) — but I do have to shave my face every damned day.

    A beard? Did you say “You could grow a beard?” No, contrary to what I’ve said above, my Great Aunt Jen could grow a beard, but I can’t.


    Thursday, January 15, 2004 , 12:09 PM

    Turns out the book by our client is very good. It’s written in plain, uncomplicated English (thank God — how rare in a work that discusses money), and I think I can actually manage what it suggests.

    How weird: I found myself thinking as I read it, “I really should get into a long-term relationship. It just makes sense financially.”

    ~

    Spalding Gray is in my prayers today. He’s a brilliant monologuist whose Swimming to Cambodia was really inspiring to me years ago. I later saw him live in his showGray’s Anatomy. He sat in a chair and just with the power of his words created for everyone there an experience he calls “skull cinema”. It was utterly astounding, powerful stuff: he laid bare his every worry, his every hope, and a string of descriptive prose that transported all of us through the places and experiences of his past several years. Unfortunately, he has a history of depression, has attempted suicide a number of times, and has been missing for several days.

    The journals that I read through at Christmas and this funny, wildly creative feeling I’ve had since then link back to the time when I was really into his work. And now this. I know that it’s easy to slip into a space where life seems impossible, but this man also had a stunning way of opening an audience’s perceptions to the wonders of life. I hope he’s not lost.


    Wednesday, January 14, 2004 , 8:25 PM

    Thinking about money.
    In one of the e-mail conferences at work today, someone mentioned a coup for a client of ours, who’s appearing on “Oprah” soon to promote a book he’s come out with. I bought an e-book copy of it, as it’s on personal finance. I need the help.

    See, my challenge is that money and I have a funny relationship. We know the other is there, but we don’t go out of our way for each other. It’s generally not a problem: somehow money always works out for me. I’ve got twenty-odd years of working life behind me, and it’s always worked out this way. I’m a frugal person: I buy some expensive things so that I can do my writing, print it out, and post it online, but the rest of my things — the food I eat, the clothes I buy — are generally pretty cheap. My brand of “Bohemian plus” is perfectly comfortable for me, and leaves me free to follow my soul around without worrying about money.

    I don’t have any debt. I know the very idea of that is a shocker for many post-millenial folk. But here’s where the trouble comes: I also don’t have any assets. No savings to speak of, no investments, none of that stuff. Why? Because I find money boring. I’m not interested in spending a lot of time thinking about it. Which is why I bought this book. It’s by a client of ours, David Bach, which means that it should fit into things I agree with. I’ve read things by other people, like this Robert Kiosakifella, but his approach seems to be that everyone should get into buying real estate. Zzzz. No thanks. I see the financial model, but when it comes to the idea of chasing after real estate investments, well, I’d rather be writing.

    My tendency is to revert to one of three streams of thought:
    1) “Hell, I’m going to die anyway, no matter what my money situation is. Why think about it?”
    2) “Someday, my writing is going to get picked up, and then I’ll be set.” (I know, don’t laugh; I’m well aware how few published writers actually make a living from their royalties and advances).
    3) “Money has always worked out for me, so maybe it’ll just keep on working out.” (which conjures images of me looking for work at eighty).

    I went out with someone the other night, and at one point over dinner he said, “Tell me what you’re thinking right now” — a variation on the dreaded “Penny for your thoughts” conundrum: do I actually tell the truth? We’d just been having a conversation about honesty, and I’m proud of being someone who’s been told by several people “You’re the most honest person I’ve ever gone out with. I didn’t know it was possible to be this open with someone”, so I figured, what the hell, I’d tell him exactly what I was thinking. That meant sharing the train of thought that had passed through my head while he was in the toilet:

    He left his mobile phone on the table. Gosh, it’s small. These things are amazing. Actually, though, that one’s not so new. They came out a few years ago, and had those stupid ads with the models swimming up to these blue port-holes. He’s a lot younger than I am, and I bet he doesn’t have much extra from this waged job of his. I want to go on a couple of vacations this year. If I was seeing someone, I’d want them to come along. He doesn’t make enough to come with me.

    And I actually said this shite out loud. I immediately felt like a money-grubbing jerk. Not only was that idea uncomfortable, the fact that it isn’t true, that I’m this I-get-by writer, makes it worse. I backpedalled as best I could, saying that I didn’t actually care about any of that, I was having a good evening, and so on. But, ugh, what an icky feeling. Families tend to share a “money conversation”, I’ve been told in the past, and I know my family’s conversation is fairly anti-rich, hard-working socialist sort of stuff. So this just played into all of that.

    Anyway, we’ll see if I get my act together this year. At work we talk about “Unique Ability” (in fact, we just wrote a book about it), and I’m very clear what I’m on this earth to do. And it’s got nothing to do with financial planning. What I’d love most is to have an expert to hand all this stuff over to.

    And that’s what I think about money.

    P.S. I just made a wonderful carrot lentil garlic ginger soup. I can cook! Maybe anything is possible.


    Friday, January 09, 2004 , 4:09 PM

    I’ve been away from this so long, Blogger forgot my user name and password.

    I’m a bad blogger.

    It’s so odd, because I’m the guy who used to write in his journal three times a day, or run away from a party to write about it. In fact, I ended up digging through my old journals to find a particular one while I was home at Christmas. My friend Kirsten is writing a book about a cycling trip a bunch of us took through Arizona, and she’s been asking me questions about what happened. I have no memory to speak of, so I picked up my journal from that trip. I wanted to bring all the journals back, but the whole gym bag of them must weigh about eighty pounds. Air travel is bad enough without having twooverweight bags. It’s fun to flip through those pages, though, to have these desert places sprawl out in my imagination again, and to share in the thoughts of me-eleven-years-ago.

    I have this superiority complex when it comes to past-me. I’m not an angst-ridden closet-case, I have a career I love and which works — and on and on. But when I read some of my thoughts then, I’m surprised at the level of writing I achieved, and how spiritually in touch with myself I was then. In fact, I’d say that’s something I’ve brought back with me from Prince Edward Island. Up until this moment, I couldn’t quite put my finger on what it was, but this year, after that time with my family, feels different. I had a good couple of weeks to sit and just live, to let myself off the hook for being productive, and to actively enjoy the company of people I love to bits. I guess we call this quality of life. Sometimes I skip that part of living.

    So for Christmas I played videogames with my nephew. I laughed with my brother (who has a variation on the same sense of humour I do). I ate my sister-in-law’s amazing Christmas treats. I worked out computer stuff with my mother and chatted with her about the ultimate meaning of life. And Dad — Dad was kinda just there. He’s not really in-your-face with his participation, but he’s always a presence. We had some good talks about politics, and we even joked about his Parkinsons, which I took as a good sign. We didn’t talk about it directly, because once I was there it was clear that there wasn’t really anything to talk about. His movement is reduced — both he and our old dog shuffled on their walks along the snowy street — and sometimes he has to pick up his leg and move it to get it started. Sometimes I think he’s frightened, and sometimes it’s just another adjustment in life. I guess what struck me the most is that he’s still the same man he always was; even if his body is weakened, he’s still the strongest person I know. This is a challenge for my mum, though: with this new development, he’s keeping to himself even more, reading voraciously on the couch while listening to classical music. This is the side I see in myself when I spend a whole week in Edinburgh without talking to people, and don’t notice that that’s a bit weird.

    This kind of a health development in the family seems like a horror when you hear about it over the phone, but in person it was, as I said, just an adjustment. With each new chapter in our collective story, my family just gets closer and closer, defying what I thought was possible in terms of warmth and affection. So I return to Edinburgh respecting that, and realising its enormous value in my life. As I look to the year ahead, I’m resting in the knowledge that my projects will get done (the novel, for instance), but that I have to make room for people, and to cherish them. Usually it’s the other way around: the projects take priority, and the people fit into the extra space. So “inwardness and affection” would be what this year is about, I’d say. Everything’s pointing that way, in the things I’m noticing and reading. Even the stupidReturn of the King — that long, drawn out ending-full-of-endings was so wistful and lovely, because it was all about the relationships that had been forged between these characters — much more interesting than all the battles, and all that suffering Frodo had to do while Sam greeted over him. I’ve never liked watching characters suffer for too long without any payoff. In my own books, I try to give some moments of levity and satisfaction to justify why the characters and the reader are bothering to go through all this.

    I spent the first week in Charlottetown working from my folks’ place. I love the portability of the work I’m doing now. I don’t think I could go back to being strapped to a desk again. My mother indulged my brother and I, buying a WiFi transmitter so we could both connect wirelessly to the Internet at their place. That meant I could do all my work on my Pocket PC without having to bring any extra gear, and it meant that we actually sawmy nephew, who could do all his slack-jawed teenage web stuff in our company.

    In my search for my old journals, I also found some Betamax tapes. Two of them were shows I was in, one was home movies that had been transferred to video, and another was of the Arizona bicycling trip. I suppose, now that I think about it, having watched that video would explain why the trip is so fresh in my mind. It was interesting to watch the theatre gigs on tape, too. One of them was the last professional job I did. I was pleasantly surprised how really good I was in it. It was like watching a favourite actor in a role; I really liked how that person came across, and what he did with the part. The other video was of the first paying gig I did, and I was shocked to see how bad I was in it. My singing voice was weak, and I was like a piece of wood being moved through the show. Granted, my character was a fresh-faced, green, innocent WWII pilot, so there wasn’t a lot to do with it. But that’s making excuses. At any rate, I got to see the span of my acting work, which was neat. Talking lately to Kirsten, whom I know from theatre school, I realise how much that training informs everything I do, even now.

    Unfortunately, I got the flu the day before coming back. So I suffered on the already-dreadful flight back (no screaming babies this time, thank you God), and was barely present to meet a friend of mine from Toronto who happened to be connecting through Edinburgh when I arrived. The next five days, which were supposed to be bonus catch-up time to work on the book and get everything in order for this year, were spent instead with me curled up on my couch (including the evening of Hogmanay). In a funny way, though, this was more reflective of the way this year is starting off: I had time to relax, to think, and to enjoy myself (well, except for the sickness bit). I’ve gotta live if I’m going to have anything to write about. And I’ve got to stay connected to my soul if I’m going to truly be able to see through to the heart of this world, rather than just catch the outer bits that are on show.

    <

    p>Tonight is the first night this year with the Tapatistas. A Friday out with friends after a week of fulfilling work seems like a good start.

  • Funk

    I’m in a crappy mood and I want to tear the world in half like a phonebook. Lucky for the world, I haven’t yet mastered the phonebook trick.

    I learned last night that I’m not getting credit for the book I’ve been working on with the company I do copywriting for. This is totally fair: it’s been edited heavily since I worked on it. I’m also not so attached to the idea of being a non-fiction writer. These weren’t my ideas, I didn’t shape the project, and my commitment is more to the book being good and valuable (which I truly believe it will be) than to promoting myself.

    Still… I am a writer, I thought I was going to be published, and now I’m not. That just plain sucks, and there’s no way around it.

    I’ve asked them to take my name off it completely. If I’m going to be a ghostwriter, I should be that, and keep things clear so that there can’t be these kinds of misunderstandings or disappointments.

    Time to put my head down and concentrate on finishing my own book. I’d like a castle right next to JK’s, and I’ll have my orchestra keep playing loud into the night.

    My novel is coming along well, actually, and I’m really happy with my progress. I wrote all of Chapter Sixteen on Sunday, which surprised me.

    ***

    I had acupuncture today. That was neat, having this woman stick long, thin needles into my thumbs, calves, and feet. Did it do anything? I have no idea. When I used to do Aikido, I had no doubt that there was something to this notion of energy: I could go into that class in any state of mind, and I’d come out feeling like a breeze in a field. Judging from my mood today, I’d say that doesn’t apply here.

  • Birthday

    Yesteday was my birthday. I’d gone to bed naked so I could wake up in my birthday suit, just the way I’d been born. Then, to celebrate, I worked. I figured that represented what my life is about: I got to be a writer for the day. In the evening, I met with my friend Sergio, and we talked about writing and the meaning of life (like, seriously) over a pint. I wanted to meet with a friend and, rather than doing the freak-out birthday thing of getting all depressed about how old I am and what life I should be having instead, I acknowledged the life that I do have, and the things that I have done. And you know, thirty-five is pretty cool. I’ve done a lot of neat stuff that I’m proud of, and I love my life.

    ***
    I just deked out to my doctor’s office to have blood taken. They took six vials of the stuff, which was fine, but by the time I was leaving, I felt woozy and had to sit down for a bit until — I guess — my body made up the difference or balanced something. It made me realise how unrealistic action movies are. “It’s okay, I’ve just been shot through the shoulder, but I can finish running around and fighting until the climax of the movie is over and the ambulance comes.” No way. If the hero lost than a little bit of the stuff, he’d be throwing up and falling down like a little girl. (You know, little girls that throw up and fall down — one of those.)

    ***
    Oh. Funniest thing I’ve seen in a long time: the intro to the 2003 MTV Movie Awards. It’s a spoof on “The Matrix:Reloaded”, and last night I played the audio over the phone to an old friend and we were crying laughing about it. Of course, he’d called me at 1AM when I was asleep, so I wasn’t completely compos mentis to begin with. Find it, download it.

    The friend who called was Tim Howar. We go back a long way, and now we’re both over here in Britain. He’s rehearsing a show now based on Rod Stewart songs which will be opening on the West End in London at the end of November. I’m going down to see him, a) because he’s my bud, and b) because he’s going to rock in it. He is one of the most singularly talented people I’ve ever known. I’ve been very lucky that way, meeting folks who are not only good people, they’re also very good at what they do.

    Which reminds me, my friend Kirsten Koza found me here on the web and contacted me out of the blue. It’s been great catching up, reclaiming a whole chunk of my life that had slipped away. She’s got a book coming out soon called Lost in Moscow. Knowing her, I’m sure it’s going to be caustically funny.