Author: hamishmacdonald

  • December 2004

    The Oilend Waye uv Loife.
    Wednesday, December 22, 2004 , 6:34 AM

    Where the hell am I? Today before work my brother went to a Rotary breakfast. Tonight’s big news on local television is the closing of Island bootleggers.

    We have bootleggers? I thought those went out of vogue shortly after pirates. And the Rotary Club? Do the meetings happen in black and white?

    I love these little touches of the past that are still part of people’s lives here. Okay, so maybe the bootleggers’ isn’t exactly the pinnacle of culture, but it’s certainly different from what I’m accustomed to.


    Proof
    , 1:14 AM

    There are pictures from past RED cabarets here, along with you-know-who:
    http://www.girlcancreate.com/RED-gallery/.

    The two-man show Noah performed at RED is called “Our Times”. You can read more about it here:
    http://www.zagadka.ca/. I always feel guilty not giving credit, so I’ll mention that the other puppeteer is named Mark Keetch, and he’s with “Zagadka Zoological Society”.

    I’m spending a lot of time at my parents’ kitchen table writing e-mails and dreaming about possibilities…


    Noah’s art.
    Monday, December 20, 2004 , 6:39 AM

    Dad’s watching football. I’m sitting at the kitchen table, looking out the window at a heavy grey afternoon. The bird feeders are unoccupied now. There’s a tiny little patch of feathers stuck to the kitchen window; this prompted Mom and Dad to ask me to make the black bristol board hawk silhouettes that are now on the kitchen and dining room windows. It’s nice to be handy.

    Mom’s at church. She gets really busy this time of year, not because she’s particularly religious, but because she loves to sing, so she joins every choir she can, in addition to the barbershop group she usually participates in.

    My brother, sister-in-law, and nephew are on their way here. Once they arrive, it’s the end of quiet and time to focus, so I want to get this written.

    My writing guru Natalie Goldberg says that the best way to cut through to the living voice in your writing is to ask “What do I really want to write about?” I’ve got a lot of details I’d love to chronicle here — haggis supper with the boys, time with my beloved friends Lisa and Margaux, the particulars of what it’s like to be around The Strategic Coach workshops. But what do I really want to write about?

    Noah Kenneally.

    I made a terrible mistake on this trip: I fell in love. It wasn’t completely my fault: last summer, my editor and her brother’s fiancee Lisa both told me a number of times that I had to meet this fella, that we’d get along so well. I’ve had people say this a few times before, good friends, who I thought knew me well. But when I saw their choices for me, I had to question if they really knew me at all. So while this Noah guy was coming with good references — “He’s the nicest guy I know”, “He’s incredibly creative”, “He’s cute” — I took a “wait and see” attitude, figuring it was just as likely we’d never get a chance to meet.

    (The birds are back. American finches in their brown winter livery.)

    Wednesday night was Red: A Night of Live Performance. Lisa Pijuan, the aforementioned fiancee, regularly hosts this cabaret. Given the incredible puppet show I’d seen her in this summer, I had high hopes for this event.

    It started with a bassoonist. Now, when I think of a bassoonist, I picture a skinny rich kid blurping out classical, staccato pitches in a symphony. Picture instead the Simpsons character who thought he was Michael Jackson: a large, black man who held this giant wooden instrument at an oblique and eased the happiest, smoothest, jazziest sounds out of it. Margaux had heard him before, and he fully lived up to her praise. We bought his CD after the show. It’s called “Black Santa”, which makes me giggle.

    Fast forward through a dance number with three women and folding chairs — not because they weren’t good, but because I want you to see the next act.

    The puppeteer fumbled his way onstage to join a big box. He called to the audience, asking us to sit on the floor in front of the stage. Surprisingly, everyone jumped up from their tables and did as he asked, forming a little grade school assembly.

    The cardboard set was cut into the shape of an old theatre, and featured a shiny green curtain. You couldn’t tell how old the puppeteer was: he was five foot something just a bit short of average, and his movement and face were a little boy’s. But he also wore a goatee and a little black beanie-toque which suggested a culturally savvy urbanite Torontonian.

    With the tug of an unseen cord, he raised the curtain and through the little cardboard proscenium we could see a little world: mountains, sky, then, as he added them, a village, and all the people of the village (who were cardboard cut-out drawings of chicken-people in old-world clothing). He told us an old Yiddish story about the people of Chelm.

    I was still thinking about the puppeteer through the next ‘act’, a dark film produced in a one-day shoot-and-cut film contest.

    He helped Lisa set up her act, which was a beautiful story based on memories of her Spanish family. I won’t go into specifics, because the breathtakingly tender — yet everyday — details of the story are hers to tell.

    A pair of women followed, reading from scripts, acting out two sides of a kidnapping story. Then Saidah Baba Talibah — daughter of singer Salome Bey — sang. My mouth hung open as she let sounds as textured and curling as cigarette smoke from her mouth, but much more healthy, soulful, and life-affirming. Just her and a crappy keyboard, making art as good as anything, right there on the air for us.

    During the intermission, there was a puppet show in another room, with Noah and another man. To the tune of “Madeleine”, they acted out a day in the life of a man and woman, he in Toronto, her in Paris. As their days went on, the two puppeteers flipped panels on two small stages, folding a backdrop down, accordioning a room into being, then flipping again to change the scene all over. “Madeleine” speeds up with each verse, so the daily routines soon became an adept blur, yet somehow the puppeteers still managed to convey everything the little green man and little pink woman felt as they carried out their lives far apart but pined for each other.

    Yeah, ironic. The universe has a great sense of humour.

    Fast-forward again through improvised art, music, and dance, a brilliant comedy piece about family planning presented by Frida Kahlo’s doppelganger, machine-gun spoken word rap, and several lonesome songs (which all of us at my table laughed through, thinking their dread seriousness was a send-up; it turned out we were wrong).

    Then the evening ended suddenly. I’d guzzled beer, and was ready to keep going, even though it was a school night. But that was it. In just minutes we were all out in the cold, heading our different ways. Noah’s set was bundled into a pram. We’d finally been introduced, Cath saw to that, and we both smiled because we both knew how much of a set-up it was. But there wasn’t time to hang out.

    The next night, though, was Cath’s brother Dave’s birthday. Dave also works at The Coach, and became a good friend as we worked together on the Production team. (He’s a poet of a programmer.) Cath made a constant stream of staggeringly tasty Japanese food as guests arrived. Good friends from The Coach came, along with others Dave and Cath know. Everyone I’ve met through Cath has been unusually good-looking and talented.

    We all ate and joked late into the night. Noah had arrived after a class, but we both spent most of the evening in conversation with others. The crowd thinned until there were just a few of us left, and Noah and I had a chance to talk in the kitchen.

    If there’s an inverse of nausea, that’s what my stomach felt like.

    Fast-forward, ’cause I hear a car in the driveway.

    We split from the others on the sidewalk and headed off on our own. It was mightily cold; the ideas we shared were steam that quickly diffused. There was too much to get, and not enough time. He knew about everything I know.

    We tiptoed through the house he shares with several others and went to his room. Every wall was covered in art he’d made — colourful prints, cut-out characters, sayings. The raw materials for creation covered every available surface.

    You can fill this space with your imagination. But make it sweet and tender and unforgettable.

    The morning came quickly. I looked at Noah’s calendar while he was in the bathroom: here was someone who’s not only creative but productive, too.

    We walked through his neighbourhood to catch the streetcar. He knew one that looped around and took us right to King and Dufferin, where the office is. We went to a coffee shop nearby and sat on their deep old couch by the fire, talking until it was time for me to head in for the team meeting. I’d been funny with the birthday party group the night before, but now my mouth felt like a drawer that’d been put in upside-down, and my words fell out like socks. We held hands, and I didn’t care what anyone thought.

    The team meeting was a great reminder — as if I needed one — of what a powerful, dynamic, successful, and caring organisation we’ve made. If nothing else, the money they splash out on us speaks volumes about where they place their values.

    We finished early and I raced home. I had to get ready for the company party, which meant ironing a shirt and (*blush*) taking a pair of underwear in the shower with me to wash them then ironing them dry. (You know you’re grown up when you want underwear for Christmas.) I snuck a quick nap in there, too, to keep from falling over.

    The party was at The Liberty Grand, a fancy building (by Canadian standards) on the Exhibition grounds. Everyone was done up in sharp suits or evening gowns and fancy hair. I don’t know a lot of the team members now, but I’ve got some great friendships amongst the people I do know, and the new people had all heard of me. (It’s quite strange, this localised fame I seem to have at the company.)

    Cath and Lisa giggled together about their handiwork, and word of Noah and I had spread with remarkable speed. Lisa gave me her Christmas gift: she called Noah, telling him that she’d arranged a taxi to pick him up, take him over to Perry’s (since they’re the same size), where he would pick out something dressy to wear.

    I hugged lots of people, ate, and watched the surreal cruise-ship like entertainment someone or another booked for us to watch (several dance numbers, a woman doing a ribbon gymnastics routine, and another woman singing the theme to Titanic which the dancers interpreted). I suspect that won’t happen at next year’s party.

    I went out to the lobby, and there he was, coming through the door. He was all rosy and cold, having biked over.

    We danced with the others, and I showed him off (proud to be part of a company where I knew he’d be welcomed as a special guest; what mattered was his importance to me, not his gender). We looked dumbly at each other and smiled, again and again.

    Dave, Lisa, Margaux, Cath, Nilan, Noah, and I went on to another party, then it got late and I said my goodbye-for-nows. Noah and I got into a cab and headed over to Donlands Avenue. Happily, it wasn’t terribly late, so Noah and I had some time together.

    Cosgrove knocked in the morning, saying hi through the door on his way to the bathroom. On his way back, he opened the door. “Oh!” he said, then apologised and closed the door again. We had a laugh about it later, in the car.

    Mark dropped Noah off near the Exhibition grounds. I got out of the car to say goodbye. I can picture Noah’s face so clearly in the morning light, those eyes so big and blue, and that smile that is a world unto itself. I hugged him, kissed him, and told him I loved him. He said the same. We’d said it before already. There was no hyperbole in it, no dramatic inflation. It was simple recognition. I know basically nothing about this guy, and yet it feels like we’ve done all our living until now in parallel, just happening not to meet.

    On the plane I looked out at the clouds, thinking about how easy it would be to live in Canada again. No more learning new words for everything, awkwardly sticking them into my sentences, no more having my pay whittled down by exchange rates to a beginner’s wage, no more being acutely aware all the time of my otherness.

    But then I showed my mother pictures of my trip to Paris, and I think about how much I love Europe, how much I know that’s what I want to explore. I want to travel and explore, now that I’ve got a taste for it. I love Edinburgh, and I have some good friends there. What if my book comes out there?

    Yeah, I think, but what if suddenly I was allowed to just write stories about my own experience, without feeling the unworthiness of not knowing enough about the place, the language, or the culture I’m writing about?

    But what about…? But…

    I have no idea what to do.

    Cosgrove, ever my best friend, gave me the best piece of advice: “Don’t try to make it work.” He’s right: no manipulating an outcome. I’m excited, I’m moved, I’m confused, and I know he’s absolutely right. I just have to trust that, like everything else in my life up until now, there’s a pattern under this, and that it’ll work out.

    Dad’s made a seafood chowder (which is always great), and Mom’s home from singing. I’m hungry, too. So I’ll sign off here, where I’m nestled in my parents’ home, able to catch up on my sleep, and enjoy their company. Gotta admit, though, my focus is a bit split.

    God, life is grand.


    Monday at the office
    Tuesday, December 14, 2004 , 11:42 PM

    The workshop is on a break. Some very Starbucksy jazz is playing in the room, and the entrepreneurs are chatting amongst themselves.

    Getting up this morning was a challenge. I slept in half an hour later, but still managed to get here at the same time. The TTC operates under different space-time laws than the rest of the universe.

    I spent the latter part of Saturday afternoon hanging around the Eaton’s Centre with the boys. The place was packed with Christmas shoppers, but it wasn’t quite as mad yet as it will be.

    In the evening, I went to my old friend JC’s place for a Hannukah party. A number of people walked through his front door who I’d forgot existed — people I like. I had a few good conversations. The best, though, was spending time with Jordan. He drove me up to JC’s, and we sat in the car talking, catching up. Then he drove me home after, and we talked some more. I can’t describe how much I love and admire him. He’s still got his cute giggle of a laugh, and is as playful as ever. What’s cool, though, is watching him grow in ability and confidence in his work, art directing television commercials.

    I got home at 3AM, and didn’t manage to fall asleep until 5. I slept in Sunday morning, kinda. I still woke up at the usual time, but made myself go back to sleep repeatedly. In the end, I had the total number of hours of a full night’s sleep, but when I got up, I felt like someone had tried to suffocate me with a pillow.

    Mark, Eric, and I went out to get some Christmas shopping done for them, going out to this bizarre bunch of box stores, colourful, blocky buildings like some kind of capitalist Red Square. The shops were full of every electronic thing going, all those technofetish objects — mobiles, computers, audio equipment — but all my geek appetites are fully sated, so I was safe.

    The boys dropped me at a subway station, and I rode downtown, where I walked in the cold rain for three quarters of an hour trying to find Baldwin Street. My mental map of Toronto is eroded like a sand painting in a breeze. In the end, I took a cab what turned out to be one block, just so I could stop wandering around.

    My destination was Bocca, a new restaurant opened by a friend of my editor Cath. Last night was the opening night, so we were invited to eat for free. (This keeps happening for me here!) The food was great, as was the company: Cath, her new beau Nilan, her brother Dave and his fiancee Lisa, another friend named Garvia (a beautiful and very funny woman who works at the CBC), and later Perry and his fling Cherry. (Yeah, we had a laugh about that.)

    The conversation was quick, and we laughed a lot. I seem to be living in a space where funny conversation occurs, and I love it. Cath whispered to me at one point that she thought I was really on, that I was being very funny. I dunno what it is with me being funny here. I do enjoy it, though. I think that’s my highest ideal in group conversation: making everyone laugh together. When others join in, it’s even better.

    Cath’s friend Lindy and his band joined us later. The main event for the evening was seeing him play at The Rivoli. Cath sent me his CD a while back and I really enjoyed it. (I can’t get the URL to his website at the moment ’cause I’m not connected, but do a search for “Lindy Vopnfjord”; I’m pretty sure he’s the only one.) I stood up and introduced myself, but it didn’t really register. Then he joined in our conversation for a second, and I skated over on a comic wave and made some comment about the upcoming avian flu that’s supposed to kill 100 million of us.

    Yeah, he didn’t get it, either. I was feeling confident, so I was okay. But I must admit that I was hoping to make some connection with this guy who’s become such a good friend to Cath, and, okay, to be chummy with the guy who’d be onstage later.

    About a half hour after, he leaned over — someone must have said my name — and he gave me a hug. He’s a very tall, blonde, Finnish guy, so this adding to the surprise. “Sorry, I didn’t hear your name before. It’s great to meet you. Cath speaks so highly of you.” So that was sweet.

    Cath, Nilan, and I walked to The Rivoli and caught most of Lindy’s show. It wasn’t long, but it was very good. He had a fun presence onstage, bouncing around, pulling faces, smiling, but also delivering his songs with a lot of force. The first song we caught was a tender little ballad, and I found myself crying. It was much like seeing my friend Tim in his show: something about seeing someone doing what they love and being good at it, but also something about the simple sweetness of someone expressing a touching sentiment through that talent — it gets me. Other songs were manic, and he finished with a silly mock folk song about poo. It takes a certain something to pull that off. Lindy’s a cross between a rock star and a nice kid you knew in kindergarten.

    I’m sitting here writing as the clients fill out a form designed to focus them for the next quarter. Kara, my former project manager, is the “Workshop Success Director” today. She cranked the jazz down a few points, ’cause it was getting a bit “Live at the Apollo” in here.

    There’s a client in the workshop I know Patrick would fancy, and it makes me smile in a way I have to hide.

    Tonight I’m going over to Lisa’s place. She insisted that I stay at hers at least one night.

    I’m struck again and again by how fortunate I am, how blessed I am to have this work that I love, and to be surrounded by great people who listen to me like I’m this certain person — who happens to be exactly the man I’d dream of being.

    Right. Must focus on the clients.

    ~

    Now it’s Tuesday morning and I’m back in the office. I’ve not been able to send or receive e-mail; I haven’t had access to the ‘net, so I figured I’d just tack this entry onto the other one.

    Last night after work, I went to Lisa’s place. Both of us were knackered, her from driving out to Saint Catherine’s to her theatre gig, and me from getting up for work and doing social things at night. So she made us a very nice supper, with basic food to offset the restaurant food she imagined I must be full of (though, truth be told, I’ve actually been having very good restaurant food, and the caterers at work are very good now — not like our previous one who hadn’t quite mastered the Western palate, and liked to make dishes like spaghetti with tomato mint sauce, and poisoned some of the staff and clients on a few occasions — oopsie!). We had a spinach salad with cooked onion, mushroom, and peppers, then a rice, chick pea, curry, and black olive dish that was really tasty.

    We talked endlessly to each other, catching up (in a way you can’t in a group), and sounding out each others’ advice on our various issues. On the surface she’s this playful pixie, but inside she’s an old monk. She’s done a lot of work on herself, and as a result has her feet planted firmly on the ground. It’s not that things don’t come up: she’s an emotional person, and very sensitive. But now she owns it, and knows very well how to be her. I have endless patience for someone who has ups and downs but also takes responsibility for them all. Then it’s possible to be as crazy as you want, but make it okay for others, and have compassion for yourself, too. I like that.

    After setting the world to rights, we plopped ourselves on her couch and didn’t move until bedtime. Well, except for when Lisa got up to make popcorn (further endearing her to me). We watched the Gemini Awards, a showcase of what’s going on in Canadian television. I can’t articulate what it is, but there’s a specific ethos to the things produced here, and that show was a great example of it.

    After the Geminis, we watched “The National,” the CBC’s nightly news show. Again, it was such a different take than, say, US news, and different even from the BBC’s news.

    Workshop’s starting. Must go.


    Slumming in *$s
    Saturday, December 11, 2004 , 11:09 PM

    I’m sitting in the Starbucks on Church Street in Toronto. This is a conflict for two reasons: first because it’s That Big Coffee Chain, and second because I’m surrounded by gay people *really* doing the “gay” thing. But I’m here for nostalgia’s sake. I wrote big chunks of my first and second books here.

    On the wall are several plastic mannequin chests, alternating between male and female, painted in black, white, silver, and rainbow stripes. This is gay art. Gay art deserves to fail and disappear.

    Last night after work, I had a nap so profound it was like sinking into the black depths of Lake Ontario. I desperately needed it, and it was delicious. I was awakened by Mark, then Eric, jumping on the bed like dobermans to tell me it was time to get up.

    The boys and I (meaning Cosgrove, Eric, and Heipel) went for supper in the gay ghetto, then went for drinks. Again, it was nice to visit Woody’s for nostalgic reasons, but I had no interest whatsoever in doing the scene thing. Tiredness and busy-ness have supplanted my libido, and someone from the past has resurfaced in my Edinburgh life; even the possibility of someone specific displaces thoughts of anyone else. This fella is bad news, or has been, but there’s something there. I’m willing to step into the “maybe”, knowing that I’m old and wise enough to handle whatever occurs.

    Ha! My best mate just walked in. Of course! This community is huge, but very small.


    Anyone want to marry me?
    Friday, December 10, 2004 , 11:55 PM

    The Supreme Court of Canada has ruled that same-sex marriages are protected by the constitution. Civilisation is here. Okay, the issue of finding someone to marry remains unchanged, but what an important step! Canada is looking very good these days, particularly while standing next to its deranged brother, the embarrassment in the human family. This is being reflected in the strength of the Canadian dollar, at a high not reached for decades. Unfortunately, this is actually hurtingbusinesses, like Toronto’s film production industry.

    ~

    I’m up early again. Yesterday, I compensated by eating every sweet thing available in the workshop room — muffins, butter tarts, fruit juice, and even some bubbly black sugar-water. In the afternoon, I literally got dizzy.

    Happily, I’m getting a lot out of being in the workshops. It’s one thing to write about these Strategic Coach ideas on a theoretical level, but it’s something completely other to speak with people whose business and personal lives are transformed by the work we do. This was a good plan, my coming here to recharge my work batteries every six months.

    ~

    Last night I zombied my way home on the TTC, ate some leftover pizza, then went with Mark to the Hargrave, a pub on the Danforth, to meet our friend Bert. It was strange to be in the Canadian cognate of a British pub, but seeing Bert was a joy. He’s the editor of Toronto’s eye magazine, and one of the most challenging minds I’ve encountered. His public persona is as something of a thorn in the side of sexual conservatism. He likes to shock, though his purpose and social function in doing so is to remind people to think fresh thoughts all the time, not to rest on received or unquestioned attitudes. Underneath that persona, though, is someone who’s actually sweet and caring. But that cat is tied very firmly into a bag of superior reason. He lets it out around me though, and I’m grateful.

    Then there’s Mark. How do you describe someone you’ve known for a decade, someone who shares the other half of your brain? He and I sat across from Bert in the booth at the pub, both a bit quicker than your average schlub, but running to keep up with Bert’s allusions to this book we’d not read, or that line of thinking. (He’d just sent out a memo that day to the staffers at eye, correcting them for using the logical premise “begging the question” incorrectly. It doesn’t, he pointed out, mean making you ask a question, but rather posing a question that contains a predetermined answer. cf: the all-girl punk song Cosgrove laughed out loud at just before bed called “Michael Jackson”, which contained the words “Show me on the doll where the bad man touched you”. I would say that this is an example of “begging the question” — as well as leading the witness.)

    Still, Cosgrove could take any thought balloon that landed on the table, get it completely, then inhale its contents and say something new in a funny voice. I love him (but not that way).

    Eric, his partner, is quieter, but he has his moments of brilliance, too. Witness his comic classic put-down “You scratch through the surface, and — Oh look! More surface.” (My corollary, only possible because of his original, is “All bottle, no message”.)

    Right. Workshop time.

    P.S. Yay! My invoices have been filled (turns out one fell between the cracks). Life is easier with money, and even moreso whilst travelling.


    Skint
    , 4:48 AM

    I’m in the cafe again. It’s 7:52AM, and I was up at 6. I’m enjoying being here, but I’m glad I’ll have a good stretch of time at my folks’ after this, where I can have a lie-in every day if I like.

    Okay, quick recap:

    Lisa had a little Xmas party Tuesday. The guests were mostly from her acting and catering worlds, people I’ve known for years and usually only see at her parties. These folk are so funny and quick. They also make me feel like a comic genius, too.

    I’m not so big on going out clubbing. I don’t show up very well there. But situations in which everyone’s joking back and forth, but also feels the freedom to jump right into their deepest philosophical thoughts or dilemmas in life — I love it. And this was that. Lisa seems to draw people like that to her, as, I suppose, do I. It’s just one of the many things I appreciate about her.

    I called Cosgrove from her place at midnight because I realised I didn’t have a house-key for his and Eric’s place. Of course, he was asleep. I’m being an accidental arse, just because it’s awkward trying to balance all these important relationships (though this trip is coming together much more spontaneously and naturally than the last). It’s also happening because I’m utterly, utterly broke. I say this without having checked my bank account today. I’m waiting for an invoice from the Coach to go through, a fairly hefty one, but the timing’s a bit off, so the whole time I’ve been here I’ve been running on empty. The credit card has helped, but I hate using it. I do appreciate, though, how lucky I am that this is a temporary situation for me.

    Strangely, I’ve also been getting stuff for free. Yes, others have been picking up the tab (which I always feel bad about), but it’s happened in other ways, too. Yesterday I worked with my editor Cath at her place, and we had lunch with her cool friend Perry at a restaurant called Fresh. They have great food and fresh juices, and I figured I’d put the bill on plastic. But the bok choy in Cath’s dish was full of mud. It wasn’t just unwashed, it was muddy. When she pointed this out to the waitress, they comped our whole meal. Sweet! Shame Cath had to eat mud, but hey, whatever. I must remember that: bring a bag of dirt to restaurants. I think that’ll work out much better than my cockroach solution, which can go all wrong so easily.

    I also accidentally “fare-scoffed” on the TTC today (the Toronto Transit Commission). The ticket-seller in the booth kept talking to me about the previous customer in a thick accent, and he had one constantly-blinking eye. It was distracting enough that I walked through the turnstile with all of my tickets in hand, including the one I should have put in the box.

    Last night, I met Mark and Eric at one of the remote spaceport ends of the TTC, and we drove to our friend Robert’s restaurant in Milton. We sat in a cozy back room and had an amazing meal. He’s such a gracious, wonderful man. I won’t have a chance to talk to him one-on-one, which is a different dynamic, but it was still nice to reconnect with him.

    Right. Time to go to the workshop room.


    From the Coach Cafe
    Wednesday, December 08, 2004 , 6:20 AM

    Soft jazz is playing overhead. I’m sipping an herbal tea. Around me are prints of old French adverts from the turn of the last century, along with ferns doing calisthenics, small round tables, and soft lighting.

    No, I’m not in Starbucks. I’m in the cafe at The Strategic Coach, the company in Toronto for whom I write freelance.

    …Okay, now I’m in the workshop room. The Coach conducts workshops for successful entrepreneurs. It’s fun to be here, because I get this outsized gushing burst of love from the team. There’s so much mutual respect here, and a real sense of fun behind what we’re doing. It works, what we do, and we’re very successful for it, and that feels good to be a part of. I’ve also benefitted a lot from it, personally. So it’s all good. I’m aware that I’ve floated up into a stratum of thin air where I experience the company at its most theoretical level, and that in practice there are probably some gaps where bureaucracy slips in. But I have the good fortune of being able to exist blissfully unaware of them.

    Workshop’s starting. Must go.

    The window to my left looks out on a parking lot, which is full of…

    Snow.

    Damnable snow.

    ~

    (Break in the workshop.)

    Things are pretty non-stop when I visit here. I’m working full-time, but I’ve also got a lot of people to visit. I’ve taken it easy this trip and not booked time with people; I’m just taking it as it comes. It’s more spontaneous, and I don’t feel so stressed out as last time. The flipside, though, is that there are a lot of people I’ll miss this time. I’ve given myself permission to do that, though, ’cause I’m going to be back and forth here every six months now.

    What have I been up to so far? Here’s a quick recap:

    Saturday:
    Spent twelve hours taking a seven-hour flight. Airlines are the nonpareil of corporate timewasting. I used to love flying, but now it’s a necessary evil, all the sitting around, all the lineups and discomforts. I like travel, though, so this is the price.

    I broke a personal rule and spoke to the passenger next to me on the plane. She was trying to take a pill, and, having ordered the vegetarian meal, I’d already been served and had a spare cup of water (in one of those ‘designed to burb its contents on you’ foil-topped plastic cups). I had a big bottle of water, so I offered my cup to her. That started a conversation, and by the time we’d both taken our suitcases from the carousel, we were buddies.

    Cosgrove, Eric, and Heipel fetched me from the airport, and I went back to chez Cosgrove-Yung, where we talked for a bit and I soon crashed.

    Sunday:
    We went to the Pacific Mall, a shopping centre on the fringes of Toronto that’s been torn from Hong Kong and dropped there. You can find technological gadgets there that just plain don’t exist in the West. I did some shopping there for my family, as most of us have slid down the slope into the pool of geekness.

    The buds and I shopped hard. I dropped a bunch of cash, but I got things there for a fraction of their UK price. We had lunch at a dim sum restaurant called The Graceful Vegetarian (as opposed to The Raging, Venegeful Vegetarian). And later we drank bubble tea. Okay, I didn’t. I had a coconut milkshake, ’cause I don’t want to suck black tapioca beads through a straw.

    Sunday night I went with Mark and Eric to my ex’s place. Of course, being an art director for commercials, or rather being a person with impeccable taste and style who’s chosen that career as a form of self-expression, Jordan’shome is a beautiful, welcoming space. Actually, the only thing wrong with it is that leaves you feeling like your home is inferior. (Especially in my case, as I’ve no talent for DIY or space design, so my granny flat is pretty much exactly as I found it: dumpy.)

    It was kind of a Hannukah party, but Jord said it was really for me, which was sweet. There was a big crowd there, with lots of faces I’d not seen in years, since we’d been together.

    I had to leave fairly early with the boys, as we all had to get up early. I was committed to being fresh and present for Monday, and I was grateful yesterday when I got up in the dark and took the subway to the office. But I still have such powerful feelings for Jordan. He’s so cute, and so talented and capable. We’ve resolved the question of our being together, but I will always, always love and admire him.

    Monday:
    Dan, the co-owner (with his wife) of The Strategic Coach, arrived in his limousine, and we immediately fell into deep conversation. A lot of his ideas are a real challenge, coming from such a different place and sounding so contradictory to my own. But their foundation is visionary and humanistic. But he challenges some of our usual concepts, like “equality” — a word he hates. “People aren’t equal,” he said in the workshop yesterday. “They’re all different.” At The Coach, we have this notion of “Unique Ability” (fairly self-explanatory), and that’s what we’re always getting the entrepreneurs to focus on, both in themselves and others. Dan’s commitment to freeing people to live unmanipulated lives based on their Unique Ability is really inspiring. I also enjoy having real conversations with him, rather than just carefully relating to “my boss”, and I know he appreciates this difference. We have a nice working relationship, and something of a friendship, which I value.

    Of course, I also got to see my friends here in the company, people I love and admire. I’m very fortunate to be surrounded by lots of people with these qualities. It was great to see Margaux, who’d visited me in Edinburgh, Ross, Julia, and Gaynor, whom I’d travelled through Paris with, and of course my editor Cath, who’s become such a valued friend as well as an essential part of my career here. My gift, I’ve learned, is in expressing — ideas, moments, things. Cath, though, gives me the whatI describe for the company. We’re a great team together.

    After the workshop, I went shopping. I feel nauseous about how much I’ve used my credit card lately (since I’ve been waiting on an invoice being filled; I’m here travelling but I’m skint — it’s a bit awkward). But I finished my Xmas shopping, and I got some trousers, ’cause my clothes were all shabby — fine when I work at home, not so fine when I’m sitting across from a millionaire entrepreneur trying to talk to them as an equal. I’m grateful that I’ve grown from being a kinda funny-looking, awkward child into someone who people seem to respond well to. I like plain clothes that present me well; I don’t care about labels. Unfortunately, this led me to that store, where I got some very nice trousers on sale, and I know they’re going to last me for years. The mental picture of Indonesian children locked in a dark warehouse, sewing their fingers into the table makes me feel just a little guilty.

    I should be focused on the workshop. Must go.


    The long hols.
    Friday, December 03, 2004 , 1:02 PM

    This is my fridge as it looked yesterday. Now there’snothing in it. It’s that time again: I’m off to Canada for the rest of the month, back just in time for Hogmanay.

    Apologies for keeping my thoughts in my head lately instead of sharing them here. If you want a glimpse of what it’s like to be inside my head, go see I [Heart] Huckabees. A lot of critics are hating it, but my new friend Geoff and I went to see it the other night, and laughed throughout the whole movie. It was the same kind of “laughter of recognition” that all those pathetic women let out at the Bridget Jones movie, except intead of angst over boys or being fat, the concern here is with ontology, hermeneutics, existentialism, or any of those other ideas we drive ourselves nuts with in our quest to “get it”.

    ~

    When I self-published doubleZero back in 1999, I found myself thrust into the indie publishing community in Toronto, a vibrant little world of photocopied and stapled ‘zines, hand-made chapbooks, and comics. Most people hadn’t considered trying to appeal to mainstream publishers, or had already gone that route and were frustrated by the focus on bureaucracy rather than creativity. A lot of the work was scruffy and self-indulgent, but there were some real gems in there, too, full of clever insights into everyday life as a postmodern that the mainstream media tend to miss.

    The highlight for me was attending Canzine and speaking on a panel there. I loved how everything was about what it was about, rather than presenting one thing (e.g. art) and being about another (e.g. money).

    In that self-same spirit, I’ve got together with some writers and photographers here in Edinburgh, and we’re working on a ‘zine called Dunderheid! The first issue will be out early next year. We’re taking it really gently, using it as a good excuse to create work, rather than stressing ourselves with deadlines.

    It really is time, though, to keep putting work out on the market, like Robert Heinlein says in his Five Rules for Writers. And, hey, you can’t argue with the man who’s said to have made a bet in a bar with L. Ron Hubbard that resulted in the creation of Scientology.

    <

    p>

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  • November 2004

    Busy Hamster
    Tuesday, November 23, 2004 , 7:16 PM

    I took a breather between social outings on Sunday to go to a pub and write another short story — this time the correct length for the competition I had in mind. I won’t post it here, ’cause one of the conditions of the contest is that the piece be unpublished.

    Okay, it is posted to my website, but I figure it doesn’t count if I don’t publish the address. Of course, if you’re really clever, you could probably find it if only you could figure out my naming convention for the site (namely that story filenames begin with “stry_” followed by the story name, and this story is named “The Half-Dead House”, and that I wouldn’t include the word “The”, a hyphen, or spaces in a filename).

    I did also post my longer first story, though, which you’re welcome to read. It’s called “Spirits”.

    Also, shortly after my mum sent me her sequel to the “Mixers” stories, my friend Paul pitched in his version of events. Hey, I thought I was supposed to be enteringwriting contests, not holding them!


    Done like dinner.
    Saturday, November 20, 2004 , 10:35 PM

    My throat barely hurt at all this morning, and I felt full of energy, so after my requisite two-hour chat with my folks this fine Saturday morning, I went out with my writing gear to find a place to work. That was a bit of a challenge, because the high street is teeming with Christmas shoppers. I found a place, though, sat down with my notes, and made up the missing pieces of the story I wanted to write.

    It was as easy as letting dogs out into the yard. Unfortunately, though, there’s a maximum word count of 750 words for the contest I wanted to submit this to. The story I ended up writing was 2328 words. Oops. So I let three times as many dogs out as I should have. I can’t make this story shorter without injuring it, so I’ll just have to write something else. I’ve already got something in mind.

    This is why I don’t understand how people can say it took them ten years to write a book. An average novel is 100,000 words. So a person just needs 50 days like the one I just had, and there’s your book done.

    I took myself out for supper and did my edits while I ate… Or rather, OVERate. And now I’m sitting in bed surrounded by notes and scraps of paper and books, with all kinds of extra time on my hands. Ahh, this is my favourite kind of Saturday.

    Last night, I had a nice, easy evening talking to a new friend named Geoff, then Patrick joined us and we moved to The Waverley, where we watched Liz be busy and efficient, and Philip showed up, too. I left early, ’cause my throat was getting sore from the smoke and having to talk loudly, but still, being *almost* better felt SO good. Today is even more of a treat.

    Last night I had a perfect moment, sitting with a shot of (medicinal) whisky, leaning with my chin on my hand, my mates chatting around me, in this old pub that’s covered in a thousand yellowed posters from decades of Fringe festivals, along with lanterns, two small crocodiles, a dozen metal contraptions of various utility, a few musical instruments, and a small postcard of the Queen and her consort looking surprisingly casual on the till.

    I stole the moment for my story, and I nicked a detail from my friend Niall’s life, and cast Liz in it, too (just a walk on; she does speak, though — thank God she’s not Equity). It’s not like me to do that, to use threads of reality quite like that. Usually my work is, well, Tennessee Williams put it best:

    “My work is emotionally autobiographical. It has no relationship to the actual events of my life, but it reflects the emotional currents of my life.”

    I always find it a bit insulting when people say, “So where did you get that from?” as if I couldn’t have justmade it up, which is kinda my job. With these short stories, though, there isn’t the time to grow these details from scratch, so I found myself just nicking things from the window-boxes of others’ lives instead. Novels are so much easier to write.

    I will post the story here, but not tonight. I’m working on my Pocket PC, ’cause if I turn on the PC (which I’d really have to do to add a new page to my site and update the navigation), it’ll suck away the rest of my evening.

    It was great to have all my gear working and be able to work away from the house. Being healthy again was fun, too.

    Okay, time to tackle some of this other stuff, and to do some outlining for the other story that I have to write. Seven hundred and fifty words isn’t much space to make something happen in. “He left the house, he had a meal, he went home” is about the scope of it. In two thousand words, you can also visit some friends, go to the zoo, and think about what’s happened, too.


    *gulp*
    Tuesday, November 16, 2004 , 9:47 PM

    I’m sipping tea. Not real tea, of course. I hate the stuff. This is green tea with lemon or somesuch. I’ve already done the old trick of putting my head over a pot of steaming water, only I added a few drops of thyme oil to the water. That’s what Verna says to do; she’s the favourite alternative health practicioner for the people atwork. I’ve also been gargling with salt water.

    As you might have guessed, I’m sick.

    My uvula is a swollen, sore earthworm that gets pulled down my throat every time I swallow.

    Sickness is boring. I have short stories to write! I’ve got about four different ideas banging around my head like tricycles in an attic, but my body aches, and I don’t have the energy or concentration for a writing session. I have been able to do some outlining, though.

    (*sips tea*)

    I just called my mother. I saw she was online on this new program called Skype that we’ve been using to do VOIP or internet telephony. Talking is free now, so suddenly we’re having more conversations. I love the connection this gives me to my family. Technology can be a good thing. (It can also be a distraction that nibbles at one’s soul like sugar cookies, but that’s another matter.)

    Mom said I get sick because “all you eat is parsley sandwiches”. That made me laugh out loud — inflicting pain on her, because her old iMac doesn’t handle sound very nicely.

    I’ll “awa’ to ma kip early the nicht”. It was so nice to hear my mammy’s consoling voice: there’s nothing like being called “Snookums” by her. (And only her, mind!)

    ~

    I took out my “industrial” this afternoon. It’s a piercing I had, a bar going across the top of my left ear. I had it done last summer when I was in Toronto. I kept thinking about being in the workshops at work next month, and visiting with my relatives the Sadlers before I go back. Having a needle shoved through your ear is a pretty strong statement. Every time I thought about it, asking myself why I had it, the answer was “No reason.” My body’s still rejecting it in icky ways, with lumpy scars and strange wetness, and the statement it makes is an empty one. That’s not the outward show I want to put on. So I took it out.

    The different piercings I’ve had in that ear each followed some painful incident in my life. I guess it’s like sailors getting an earring when they cross the Cape of Good Hope (or so I’ve heard): a symbol of endurance. Rather than make such a commemoration, I think I’d rather walk forward into the future pain-free.

    ~

    I just got an e-mail from a friend with the subject line “Nina”. This has happened to me a couple of times lately, people writing to me with nothing but someone else’s name in the subject line. I immediately assume that person is dead.

    Nina wasn’t dead.

    If you write e-mails, don’t do this.


    P.P.S.
    Tuesday, November 09, 2004 , 11:14 AM

    One of my best mates from Toronto, Steve Heipel, has just been published in Quills Canadian Poetry Magazine.

    His poem is called “Raspberries in Kelly’s Garden”, and appears on page 308.

    Heip’s been whingeing forever about how he’d never be published, but to his credit, he still took action like someone who might be. So now he’s proven himself gloriously wrong, and has to shut up and accept that just maybe he’s talented.

    (Not that publication is the final arbiter of who’s talented or not, but having other people think you are and be willing to put money behind your work does saysomething.)


    Salut!
    , 10:46 AM

    “Hello. How are you? I am fine. I’m sorry I haven’t written in a long time.”

    That’s a quote from pretty much every letter I wrote as a child to my Great Aunt Jen, who lived by herself in a flat in Glasgow, enjoyed the odd tipple, and liked to watch snooker on the telly.

    I’ve been enjoying some nice quiet time, in-between fireworks with friends (Liz captured that event, saving me the effort), and catching up with some other mates. MyPocket PC has been in at the repair centre, which is a major knock to my lifestyle. It means I have to work from home, stuck in front of the PC while the broadband delivers every kind of distraction under the sun. I did manage to turn the computer off, though, and enjoy some quiet evenings with lots of time for reflection, making notes, working on some things I’ve been thinking about… and cooking. Lots of cooking. It’s not something I associate with myself, but I actually quite enjoy it. The simplicity of chopping vegetables is very calming, meditative.

    I even baked a cake. A year ago, my brother sent me a birthday cake in the mail as a joke: a cake mix, candles, and a little tub of icing. The icing is gone — I dipped into it a while back on impulse, and had to throw it out when I left town for a few weeks (though I doubt there was anything real in it to go bad). But I still had the cake mix in my cupboard. I never have eggs in the flat, so I couldn’t add the last ingredient the cake needed. So finally this weekend I bought eggs and…

    My oven is crap. It’s a little tin box with a tiny blue flame at the back (which I have to light manually, sticking my head in like Sylvia Plath). It doesn’t heat things properly, as anyone I’ve tried to bake for can attest to. So instead of half an hour, I left the cake in for an hour. Even then, one of the two loaves was still like chocolate pudding inside, but the outsides were splitting open like little models of the Grand Canyon, so I took them out and put them on the counter overnight. And yesterday, I ate cake! With vanilla ice cream and maple syrup — as if it wasn’t sweet enough.

    <

    p>Yesterday my Pocket PC came back. I’m free! I can go outside again, out into the world. I can work from the library or a cafe. I can be amongst living, talking human beings! Except I’ve got so much food in the flat. Hm.

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  • October 2004

    Samhuinn
    Sunday, October 31, 2004 , 11:24 PM
    Tonight I attended the Samhuinn parade with Liz and Chris. Chris’s brother Malcolm was playing some sort of a — well, I’m not sure what he was. Liz and I decided he was The Judging Penguin, something that has a furry white head and plays a horn made out of a giant Christmas wrap tube. (Liz took pictures.)

    We bumped into Ewan and his girlfriend Angel. Angel was new, at least to me. She’s American (how awful that anything positive following that word has to be prefixed with “BUT” these days) but she was really cool. Her reference-enriched sense of humour fit so nicely with his. The five of us laughed and made up stories about what the various bits of dancing and fighting in the end pageant of the parade were supposed to be.

    One thing’s for sure: The Green Man was killed. Summer is dead. I love having participated in Beltane, then Samhuinn. There’s fire and papier mache genitals, there was a cool giant puppet thing we dubbed the mantiskeleton, there was edginess and danger, ritual and community. I love that this happens here.

    I’m not big on fancy dress — I like being me — but a woman came around during the ceremony and daubed the five of us with greasepaint, making us part of the proceedings, and that felt good and right.

    Here’s to transitions. I wonder what will come next.


    Something good in the mix.
    , 6:13 PM

    I tore myself away from the computer for a while — a very good start to making life work better. I took a pad of paper, a bunch of coloured markers, The One True Writing Pen (which Liz helped me buy when I happened to bump into her last weekend, since I’d lost my good pen in Kinlochbervie), and went over to the chair where I work when I’m at home.

    I asked myself what was going on lately, and a surprising number of answers came back. The jumble my outer world has been turns out to be a reflection of what’s inside me. I’ve got some work to do on that space, ’cause it looks like nobody’s been in there for quite a while. How can the world give me what I want when I’ve no idea what that is?

    I came back to the computer just now, and I found an e-mail from my mum. God, I love her. In our (endless)phone call yesterday, she mentioned that she’d read the “Mixer” stories Mark and I wrote, and found them kind of sad. She wished she could write another one to offset them.

    So she did!

    It meant so much to me for two reasons. One, because she’s more creative than she gives herself credit for, and was brave enough to just go play in that imaginative realm that I treasure so much, even though she doesn’t think of herself as a “writer”. The other reason is contained in the subject matter of the story itself, which speaks worlds about how lucky I am to have her as a mother.

    I also love what a creative conversation this story has been from the onset, with me writing a bit, then my buddy Cosgrove, then my mum.

    So, yeah, things have been challenging for me this week, but this was a good reminder that, even if I’ve got some work to do, I’m still a rich guy in some important ways, and should appreciate that.


    The off-kilterverse
    , 2:58 PM

    This week I was stood up four times — twice by the same person. On Friday night I was out with my best mate and he took off, just said he was going to the bar and left. It was the umpteenth time that’s happened.

    I’ve developed cancer of the social life. What kind of vibe am I putting out that’s giving people the impression that these things are okay to do? It’s like I’m producing a radioactivity that kills off the little motes of attraction, loyalty, and thoughtfulness in people. Meanwhile, though, random folks on the ‘net have been saying the nicest things, and I got more good news about my book (which, for once, I’ll keep to myself).

    I’m going on a “people fast”. Samhuinn is tonight, the Celtic autumn festival, and I’ve got a meeting on Tuesday with the people I’m producing a ‘zine with. Other than that, I’m checking out for a few weeks to figure out what this is about.


    Homo kills pomo, news at 11.
    Thursday, October 28, 2004 , 1:30 PM

    Last night, I went to see Rufus Wainwright in concert.

    Wow.

    His sister, Martha, opened the show. She had obviously inherited all the ability that Rufus had from growing up in a musical family. But her content was… eerie. Rufus writes about yearning, and I think that’s part of why I love his music. Romantic love doesn’t work for me, so the yearning thing is very appealing. But Martha writes about pain. And pain is ugly. It doesn’t help when your opening song is called “Bloody Asshole Mother Fucker”. I kid you not. She’s one of those people who was born in an emergency room and never left. I had to wonder how Rufus feels, bringing this person along with him. Maybe he gets her, and doesn’t see it. He’s got his own issues, but somehow they’re much more palatable.

    I watched her strum away at her guitar, looking from a distance like Maggie Gyllenhaal dressed up in an 80s costume, her legs akimbo as she stomped and wailed. She has a good voice, with an Emmylou Harris quality, but the stuff she was singing… It was like hearing someone’s recovery journal put to music.

    Then Rufus came on and made everything cool. He’s weird and fruity and his sound ranges from soaring anthems to heart-squeezing ballads to vaudevillian numbers. He wore tartan trews for the occasion, and made a few awkward jokes about Edinburgh. Happily, he restrained himself, jumping straight into the music, as if he’d been tightly coached (like a presidential candidate in a debate) to stay on-program.

    And a long program it was, too! It ran for quite a while, and we even got two encores. I thought his voice was strong before, but I didn’t realise until hearing him live just how strong it was. Hours later, he was still in full voice, with a sound that reaches right into your head to tickle your thoughts, and into your chest to get your heart beating faster.

    During one of the encore numbers, Beautiful Child, I figured out what his music feels like to me: It feels likemy times, like someone’s putting music and words to the days I’m living — not with any apology, and with none of this shite “It’s all been done before” postmodern cynicism, but like it matters right now, more than anything. It’s Bohemian, it’s raw, it’s authentic and heartfelt.

    Words are great, words are everything to me, but if the soul has a language, it’s music. And Rufus Wainwright is a damned fine musician.


    Content update
    Sunday, October 24, 2004 , 4:41 PM
    Last night, I poured myself a glass of the absinthe I brought back from Paris. I felt like a heroin addict, pouring water over a cube of sugar into the glass. Really, though, it’s just booze. The active ingredient in absinthe, thujone, is barely present in most modern-day brands. Still, I gotta say, the stuff is liquid happiness. I took the cloudy green drink over to my desk, sat down, and did some writing work.

    I know, it’s all very cliche.

    I didn’t actually write anything, but between last night and this afternoon, I tidied up a lot of loose ends around my personal writing. I created some submission packages so I can start sending out Idea in Stone to some more publishers or agents. I’m torn, though: I actually really want to work with the people who already have my ‘script. Instead of contacting anyone new, I should really just write them. Thing is, I don’t want to be a pest. I’m grateful that they’ve been so positive about the story, but the waiting is killing me.

    I redid my letterhead with the new logo I’ve created for myself, and you’ll notice that, other than in the actual URL and the masthead, I’ve changed references to me to “Alistair Hamish MacDonald”. There’s another Hamish MacDonald in Scotland who’s a writer (go figure), so I’ve got to stake out a different territory. (I’ve also snagged the URL for my full name, though at present it just redirects you here.)


    Kinlochbervie Pics
    Saturday, October 23, 2004 , 10:16 AM

    Patrick has posted an enormous gallery of photographs that he and Liz took on our trip to Kinlochbervie. You can find them here.


    Piccie-posty-thingy
    Wednesday, October 20, 2004 , 4:12 PM

    HAZZAH! I finally have a replacement for iPhoto, as Google have come out with their own image management program, Picasa, which also interfaces very sweetly with Blogger via a program called Hello. I’ve finally looked up the programs Google’s developed, and they’re sweet. (I just want to know how on earth Google snagged the domain name “hello.com”. I suspect bags of money were involved.)

    iPhoto was always very good, and made the business of putting together photo albums painless. I’ve got a pile of pictures I haven’t posted specifically because it’s been such a schlepp to do it. No longer!

    I’m in a good mood today. I’m being really productive at work, which feels great. I’m clear-headed, it’s easy to focus, and the words are coming easily. Ahh.


    Kinlochbervie
    Tuesday, October 19, 2004 , 9:19 PM

    This weekend I went with Liz, Patrick, and Karen to a place on the top-left corner of Scotland called Kinlochbervie. Liz and Patrick took hundreds of pictures, so if you want to see a little bit of what we saw, go over to their blogs!

    I’m also happy to link you to their blogs so that you can get a wee taste of their minds. Liz, Patrick, and Karen are very quick-witted people. We were all so ready to jump in and add facts to whatever any of us was talking about; it would have been annoying, except that we’re all so interested. “Oh really?” we’d say, wanting to hear more, instead of feeling pulled up short.

    The countryside varied from low and rolling to steep and mountainous, but all of it had a look like titanic stone dogs who’d been sleeping so long they’d grown vegetation. The ferns and heather were brown, rusty, and purple. The trees were yellow and green. The rocks were grey or black. And the beaches were white against turquoise water like sea-glass.

    We tromped through brush, over dunes, and across jagged rocks to see what we were after. All the driving left me feeling like I’d spent whole days on a slow-moving roller-coaster (the feeling hasn’t left me), and as I looked out at the sea stretching away, seeming strangely higher than I was, I felt…

    Unsure.

    I wasn’t sure what I should be doing with all this beauty. I could only witness it. Happily, my friends were full of ideas for what to do next, so I followed along, feeling a bit guilty I wasn’t contributing more direction to the weekend.

    My PDA broke, and I lost my favourite writing pen. Something about the gravity at the centre of my universe is a bit unstable. It’s uncomfortable now, but I’ve a feeling something good will come of it.

    On our last night, Patrick directed us to Oldshoremore beach (though a sober Liz Only-Coca-Cola-runs-through-these-veins Babb did the actual driving). You might remember the dinner I had with my “muses”, my female poet friends. That night, Wendy gave us each a circle with a swirl of text on it describing a “magic moment” for us. I’d been carrying mine around, blessed by the promise of it, cursed by this piece of paper that kept reminding me that I’d still not done it. Patrick knew about this, and took us all to the beach so I could fulfill this charge.

    We got out of the car and fumbled through the darkness. Of course, the only path to the beach was through an old graveyard. I’m generally not afraid of anything (except for dangers to my family), but I have to admit that my “kid fears” did come out from under the bed in my mind. We made it to the beach without incident, though…

    And we marvelled.

    The sky overhead was not a “net of jewels” or a “pin-pricked blanket”. It wasn’t an arrangement of constellations that formed Orion, Cassiopaeia, the Pleides. It was nothing the human mind could wholly encompass. It was an endless spread of lights, varying in size and constancy. The Milky Way ran from horizon to horizon over our heads. I saw no less than ten shooting stars, and made wishes on each of them (one was a repetition, for emphasis).

    We lay down on Patrick’s car blanket, and we passed a bottle of whisky back and forth. I held some in my mouth as long as I could, until it started to burn, then gulped it back and breathed immediately over the vapours. For the first time in my life, I liked it. I lay back and, for a moment, experienced stillness, bliss, quiet. It was what the late monologuist Spalding Gray called a “perfect moment”. Or a “magic moment”, as Wendy had promised.

    We each walked up and down the beach on our own, then with each of the others, and wound up in a human houndstooth pattern, each of us with our head on another’s stomach. We talked and laughed and lay silently for some unmeasurable amount of time, until the clouds came in and it was time to go back to the hotel.


    Home again
    Wednesday, October 13, 2004 , 10:15 PM

    I’ve got a pint on the table beside me. I’ve found a nice, quiet, not-so-smoky corner in my local pub.

    It’s time.

    I got back from Paris a week ago, and I haven’t had a chance to write anything about it. I’ve had work to do, and quickly got overwhelmed by all the social calls I had to make. I’ve been out every night this week. As someone who’s complained in the past of having no life here, I appreciate that this is a good state to be in. But as someone who also believes he should constantly produce, create, build… It’s a conflict. I have to adopt again an old habit that worked for me in Toronto: writing nights. Book it in, the thinking goes, then I can protect it, do it fully while I’m there, and live my life without guilt the rest of the time.

    Okay, I’ve pencilled in Tuesday and Thursday next week as Writing Nights.

    This weekend, I’m going with Liz, Karen, and Patrick to Kilochbervie — another feather in my “see Scotland” cap. I’ve hardly seen any of the country, I know, but having driven to some places now, I realise how very much smaller it is than Canada. A five-hour drive in Ontario would have just got me from Toronto to Algonquin Park. This Friday, it’ll get me right across Scotland.

    Right. I’m still not talking about Paris.

    It’s intimidating, though. Three words — A Moveable Feast — make me feel like I shouldn’t even try. And this is the sense one has in Paris: it’s all been done, and probably better. It’s hard not to be painfully aware of how much one, in being there, is living out a script, stepping into those stories that have gone before.

    Here’s the trick, though: it’s not cliche, it’s not fabrication. All those things really are Paris. Yes, it was like that in the past — the cafes, the little streets, the grand buildings, the endless art and culture — but it still is that. The place is stuffed with things that predate this age, that have managed not to be subsumed by it. I love that about Edinburgh, and I love it about Paris. Edinburgh is like a man I’ve fallen in love with; Paris is his sister I barely know, and I’m starting to wonder if they might be twins.

    I can’t recreate the trip here. It’ll take more time than you or I have, and it’s an experience that belongs to the four of us who travelled together. All I can do is give you some snapshots — verbal ones, since I’m a terrible photographer.

    You never know how people are going to be as travelling companions. Great friends can become albatrosses, and near-strangers can become instant companions. I travelled to Paris this time with three friends from work, Ross, Gaynor, and Julia.

    To start with (from my perspective), there was me, whom you know or don’t to whatever degree. I flew from Glasgow on an insanely cheap flight thanks to Ryan Air — a penny each way, plus a bucket of taxes.

    I landed in Paris Beauvais (which is a bit like taking a ship to “Earth Moon” that deposits you on the moon). I started walking, which I love to do in a strange city. The taxis looked different from one to the next, were all occupied, and the Metro didn’t seem to connect with the closest-to-home station, Jussieu. So I walked… For three hours. I walked under the setting sun to the Arc de Triomphe, in the dark along the Champs-Elysees, past the giant Egyptian obelisk, across the Siene, criss-crossed around St Germain-de-Près, and then finally found the flat. Luckily, I had the buzzer for the gate, a door blocking the driveway-sized entrance, and walked into a beautiful courtyard of white walls and shuttered windows with waterfalls of plants and flowers streaming from them. On the ground level, an Italian restaurant’s windows poured laughter and music from what looked like an engagement party…

    Aargh. I can’t do it. I’m sorry. I started describing my friends, and I realised that it’s not my place to talk about them here — even when it’s good, since we turned out to be great travelling companions. We saw a thousand things, and I can’t do them justice here, nor is there really a reason to: I had that trip, I made little notes (“Market, nasty pommes-frites, the little old woman, dusty bottles of wine, catacombs…”), but ultimately, it was our time together. You had to be there.

    I couldn’t come back here, though, and start writing in the blog again, until I’d said something about Paris. Sorry, that was it.

    Tonight I saw a movie with Liz and Fiona, The Motorcycle Diaries, about the early years of Ernesto “Che” Guevara. Afterward, I split off from Fiona then Liz, and walked here in the light rain, wondering if I needed to do Really Important Work, if I should get involved in something grave to give my writing some sort of deep social justification. My brother and my dad are both social workers, and I was brought up with a strong sense of social justice. I struggle, though, with a moral relativism: ultimately, individuals don’t matter. They all die, so it doesn’t make a difference. In a couple million years, the sun will expand, and none of this will have made any difference. At the same time, though, I hold the paradoxical belief that every individual the most important event-thing ever, and everything in our world revolves around the fate of each single person.

    Other things I’ve been ingesting lately:

    Books, from Paris, bought at Shakespeare & Co., a kind of writer’s Mecca, a shop on two floors, one of them doubling as a residence, its crooked walls stuffed with books for sale. Hemingway used to borrow books from the woman, Sylvia Beech, who ran the store’s first incarnation. Even now, when I sat in the tiny cubby on the second floor — a tiny nook with an old chair, a single bulb, and a blue typewriter — I felt like I could create anything.

    Unfortunately, the first book I bought there was clever in all its parts, but a disappointment overall: The Dreamers, by Gilbert Adair, which I realised only when I started reading it, was an adaptation based on an earlier novel of his and a screenplay he wrote for the movie of the same name. It poses as something daring, risque, and does a nice job of capturing the romance of Paris in 1968, when riots took place on the street, but it ultimately chickens out and shies away from connecting the last two dots in a love triangle.

    In the airport on my way to Paris, I’d bought another book which I finished last night, called Paras over the Barras. Every time I’ve gone to The Barras, a dodgy sort of black market in Glasgow, I’ve thought of it as the kind of place that must have been exactly the same in WWII — except instead of DVDs and software, they would have sold stockings and sugar. This book was set in that era, which I’ve always been fond of, and followed a fictitious family who live near the Barrowlands, or “The Barras”. It’s full of pun-humour, is as broad as a Christmas panto, and, despite the fact that the typesetting is terrible(someone at some point had no idea about closing quotation marks, or putting paragraph breaks between lines of dialogue), I still found it charming, like a story your grandfather tells you that, while dated, is still kinda good.

    The other night I saw Sky Captain and the World of Tomorrow, which was pure fun — mainly because it didn’t suck (a quality that’s rare to find in a blockbuster movie these days). It was the mental equivalent of a massage.

    The other book I bought from Shakespeare & Co. is called The Big Questions. It’s about using philosophy to build an approach to life. I’ve only read the introduction so far (this week has been busy, as I said), but I’m excited by the promise of it. Yes, I know it sounds like the literary equivalent of those little polystyrene chips you get with Chinese food, but it reads like the Number 7 Lobster Dish.

    I’ve also read and listened to way more than I should have about the upcoming American election. It fills me with a pointless rage that feels borrowed. Deep down, I know that this is not my fight. Lord knows the world doesn’t need another of his creatures blogging about this event, so I’ll stop now.

    Speaking of Himself, I read something last night in bed about the origins of Christianity. It’s the most concise and complete work I’ve read on the subject. In some places it seems a bit of a stretch, but overall, it pretty much makes the worship of a badly-photocopied version of the sun-god hero myth look kinda foolish. Still, though, even after leaving behind this tradition I grew up in, there’ssomething there to human spirituality I can’t let go of, that I’ve had too much experience of to disregard. I guess I need it, and it’s coming back as a theme a lot lately. As I keep living longer and longer, individual events are meaning less than the aggregate picture they present.

    I could go and be a Che, to fight against something — say, the forces of oppression and injustice (God knows they’re out there, and at a peak of activity). But I’d be looking for a fight, looking for something to fill in an outraged blank. The training I did years ago held as one of its tenets “What you resist persists”. Instead of fighting against a thing (which ultimately ends up being about that thing, and paradoxically keeps it in existence), it’s better to work towards the preferred other, to “Be the change you want to see,” as Ghandi said. Maybe that’s why I burn out when it comes to the American election: there’s nothing there that belongs to the future I want to live.

    I’m tired. I’m babbling. I’ve been very tired since I came back from Paris. I feel like something is gestating inside me. I don’t know what.


    Speaking Welsh
    Saturday, October 02, 2004 , 9:00 AM

    Someone knocked at my door. I spun in bed and sat up, in the process swiping the corner of my pillow across the surface of my left eye. I answered the door in my T-shirt and boxers, wiping my streaming eye.

    “Hello. I’m from the television licensing board.”

    Oh.

    Well, at last I could show them that I don’t have a telly, so they’ll stop pestering me with threatening letters. “If you have a television and aren’t reporting it…” I know, I know. But I don’t.

    Even though it was evident that I didn’t have a set in my house, I still felt compelled to make my case, and mentioned what I do for a living, and that having a television at home would be too much of a distraction.

    “Oh,” said the man from the board, “a friend of mine is a writer. Have you heard of Irvine Welsh?”

    “Yeah,” I said in an ‘of course’ voice, and told him that I’d just read a short story of his on The Barcelona Reviewwebsite the other day. So he went on to tell me stories about things that had happened to them, and charted Welsh’s career progression for me (studied law, wound up cutting grass, went to work for the Council, and was working his way up when Trainspotting hit.)

    I wondered how it felt for the man, an average Joe (or Jimmy, I guess you might say here), missing a tooth, wearing a licensing board jacket, toting a clipboard, watching his friend rocket ahead in the world. (Assuming, for a moment, the achievement model, rather than the being-here-and-now-is-all-there-is model.)

    We finished our talk, and I saw him to the door. I turned on the immersion heater and cleared some bills off a side table, where the Hello! magazine was. I smiled, the similarity of the situation not lost on me. But I prefer the board-man’s version of it: as he left he said, “So you never know when it’ll happen for you.”

    ~

    I’m off to in a minute. I’m finally going to make it to the farmer’s market, which happens every Saturday on the Castle Terrace, but I always miss it. Liz was the first of our gang to find it, and is slowly introducing everyone else of us to it.

    I spent the evening of my birthday with Liz, actually. It wasn’t specifically a birthday plan, but we went to see the movie Hero together. She was great company, exceedingly tall and clever (unrelated, but both worth noting), and we both enjoyed the movie, which was a cross between a box of bright pastels and a great martial arts flick. Whenever I see one of these films, I think back to my days doing karate and aikido, and I long for the kind of discipline that demands. I look at my work habits lately, which, while productive, could do with some tightening-up. My brain is adipose, flabby, and prone to wandering.

    <

    p>Must go bathe, grab my things, and leave for the market. Then, this afternoon, I’m off to Paris!

    <

    p>

  • September 2004

    Bipolarity
    Wednesday, September 29, 2004 , 1:32 PM

    This past weekend I went camping with Patrick and Karen. Right after work, we drove north and east through a dark night, listening to music and chatting, following the twisty roads, blinking at the oncoming high-beams. Patrick’s tent was a cinch to put up, its bug-legs snapping into place easily. We made supper over blue tins of gas, then had an early night. I didn’t really sleep, conscious of my cold, not wanting to sniff or blow my nose or breathe on Karen (let alone “spoon” her inappropriately), who was stuck in the middle.

    On Saturday we walked through Braemar, the little town a short walk from the campground. It looked like a very old town that had its last surge of development in the 1950s but kept itself nice and tidy since then. We explored the surrounding land, including the beige-plaster-looking wee castle, which seemed more like a theme park feature than a fortress, then walked up through a lovely pine forest on a hill and back to the campsite.

    Karen and Patrick left to do some serious hillwalking, but I stayed behind. I was away from the city, and wanted to take the opportunity to disconnect, to unwind then gather myself together. I listened to music, including some little snippets of Tonight’s the Night I’d downloaded fromTim’s website. I looked through the Hello! magazine I bought when we did our shopping the night before. There he was with Ruthie and Lily, right on the cover:

    A friend recently mistook my talking about Tim on here as me fancying him, holding a torch. It’s not that. And I’m not jealous, either. He’s a buddy, someone who went through those early poor Bohemian days with me in Toronto. And here he was. I sent him a text message, congratulating him about the article, saying that he’d really made it. Moments later, from wherever he was, he wrote back to thank me (ain’t it neat living in the future?).

    Maybe it was the impending birthday, but I felt this need to take stock: “How well are you doing at this life-thing, Hame?” Of course, there’s always more to do. I felt myself slipping, feeling like I was supposed to be published by the time I was 35 (though I don’t know where I got that from). I don’t know how to do relationships, I’m not rich… Maybe things don’t ultimately work out, like I’d always said they do.

    But here was my friend on the cover of a magazine, holding the woman he loves and has worked to create a successful relationship with, being fully recognised for all the talent he has. So there it was: you might just get it all if you persist. And if you don’t, you definitely won’t.

    So which is it? I thought, which future do you want to go after?

    The fun one, I answered myself. I immediately felt excited. I know I’ve got the wherewithal — okay, I’ll dare to use the word “talent” — to follow through when my star rises, and the clarity not to be thrown away by it. I don’t mean “fame and fortune” (I’m too uncomfortable with consumer culture to bite down on that hook). It’s more about knowing that I’ve found my right place in the world. And I’m pretty close.

    With a loud zip, Patrick came into the tent. He and Karen were back from their walk. We had our supper together, talked, then played variations on Scrabble (“Scribble”, “Squabble”) into the evening with wooden, lettered pieces Karen brought with her in a bag. I generally hate board games, and thought “Ugh!”, but ended up having a lot of fun; she’s super-bright, so she gave Patrick and I quite a run. Patrick’s a pretty sharp specimen of humanity himself, but, happily, he sucked at the game.

    The next day, we explored the Linn of Dee, an amazing waterfall cut through the black rock the way hot water erodes an ice cube. The walls of the little canyon looked like driftwood, and the water swirled and churned in the wild shapes cut out of the rock. You could tell just by looking that the deep, brownish water from the far-away hills would suck the heat out of you and dash you to pieces in an instant.

    We went on to another linn in the middle of a forest and walked through the pines there. I found myself at the top of a crest, looking out at the giant hills all around us. Scotland has several different faces, but one distinct character, and I’m in love with it.

    We headed back, stopping in Dunkeld for a nice lunch in a bright hotel restaurant, then walking around the ruined shell of a church by a river. The Forth Bridge was under construction, so I barely made it back in time to go walking with the ‘zinesters — a group of creative friends I’ve been meeting with about the possibility of self-publishing something together, featuring writing and photography. The working title is Dunderheid, but that may be replaced with the equally-playful Mince.

    We went on a field trip around Cammo, an estate near the house of one of our group’s photographers, Phil. He’s taken lovely pictures of the place before, which you can see on his website.

    The estate features a ruined house, a stable that’s largely intact, and a tower that stands like a land-locked lighthouse in the middle of a field, next to a raised grove of trees that’s strangely prominent. It’s easy to imagine Celtic fairy-things from one of Sheila’s stories dancing there by lantern-light in midsummer. (Sheila and Sergio are other writer-members of our group, along with Carol, an artist who wasn’t there for our walk.)

    I got back home, exhausted from not really sleeping the two nights previous. The winds had been high, turning the tent into a drum. The second night, I swear I could hear ducks moving around the tent all night, too. We’d seen them during the day, but at night — spooky ducks!

    I checked my e-mail, and got two from friends in Toronto telling me “Mikey is dead”. Mike was a young friend — younger, it turned out later, than we’d first believed. He was a little Italian rascal with a cute, narrow, olive-skinned face that always featured a smirk. That expression encapsulated his personality well, and a big personality it was, too. On a number of occasions I wondered aloud about who he’d turn out to be when he grew into himself. But he was found in his bed at university, where he was studying to become a vet, and that’s the end of that story.

    I took it hard, partly, I think, because I was so exhausted from not sleeping. I suppose it also reawakened my feelings about losing Alan last year. The questioning I was doing back in the tent came back, and the bottom fell out of my emotional boat: How thick-skinned does a guy have to get? At what point do you stop feeling anything through that skin?

    I’ve had a few good sleeps since. What a difference a night makes! I’ve talked to friends I still have, people who really matter. I’ve talked to my family, whom I love with a passion (even if I was a petulant and cranky little five-year-old with them when I was tired). I’m I the library, typing away, listening to one of my best buds singing “You’re In My Heart”.

    I can’t help coming back here, to this idea that it’s all for something, that life is meaningful and good. I live here in this incredible place, I do work I love and get paid for it, I’ve been blessed with gifts and a host of great people to spend my life with. I’m off to Paris this coming weekend. It’s all quite beautiful, even the painful parts. As for what hasn’t worked out yet, as my beloved editor Cath said to me yesterday, “That’s what the rest of your life is for!”

    It is a happy birthday.


    Thursday, September 23, 2004 , 10:34 PM

    The soup I made last night? Tastes like vomit. I put too much white wine in it. It’s even orange from all the carrots; it looks just like the stuff I see splattered all over the city on a Sunday morning.

    I’m going camping tomorrow after work! This may turn out to be a Very Bad Idea. Given the mates I’m going with, though, if it all goes pear-shaped, it’ll just be funny.


    I’m Back!
    Wednesday, September 22, 2004 , 11:33 PM

    I’M BACK!

    I feel like the man in those “Men’s Sex Clinic” ads on the Toronto subway, who’s standing I ocean waves with the legs of his black suit rolled up and his fists held high in the air. The unspoken subtext of the photo is “I can get it up again!”

    I have regained my literary boner.

    There are times when the mind needs to lie fallow, to rest for a while and regenerate creative energy… Or something. I know this; I’ve been through the process before. That doesn’t mean it’s not worrying, though, when there are long periods of silence, when I try to put words on the page and they slip off like Oreos from a plate.

    This evening I shut the main computer off when I finished my day’s work, creating silence in my flat and taking away the main source of distraction. Then I made myself supper. I started with a salad, just lettuce, tomatoes so bursting with flavour it was almost rude, lots of olive oil, salt, and some lemon juice. I cooked some rice and made a sweet-and-sour stir-fry, while also preparing a white wine, carrot, onion, and lentil soup to eat the rest of the week. I made sure to reserve enough white wine for a bit glassful to have with my supper.

    I ate in the quiet and thought about the short story idea I’d been playing with last night. Could I get my legs under this one? It required a bit of research, and it might be hokey. Or pointless. Or–

    I got the first line. It popped into my head, and I created a file and entered it there. I knew that the thing was as good as done in that moment. The creative ice age has passed, and with it the wooly mammoths of doubt.

    I finished my supper, washed my dishes, and dove in. The research nearly knocked me off-balance: maybe I should take a step back, or do something else that wouldn’t need any of this, I thought. I immediately dismissed the idea. I’d started, and I knew that if I could just pull enough cleverness up from the ground I could get the story finished. Partway through, I considered putting it aside and finishing another night. I immediately threw out that idea, too: by now I was having too much fun.

    And now it’s finished. The wine glass is empty, I have a Bible (of all things) in front of me, along with a page with surprisingly little outline, my pencil-case, and some books that inspire me, as much from their presence now since I rarely end up opening them.

    I knew this would feel good.


    Friday, September 17, 2004 , 9:10 AM

    Apologies to my friends with Hotmail accounts. I’m not ignoring you; there’s something’s been up with Hotmail for the last fortnight or so that’s causing messages to bounce back to me.


    Thursday, September 16, 2004 , 3:46 PM

    In case you were missing me, here’s a picture my friendPhil took of me when we were at Rosslyn Chapel (though it’s unfortunately cropped and shrunken from his original):

    I also bought tickets yesterday to go to Paris. They werefree. Yeah, crazy. RyanAir charged a token 1p each way, and then the airport taxes brought the price to 26 pounds. I have no idea how they do that, but I’m not complaining!


    Actuality
    Tuesday, September 14, 2004 , 8:17 AM

    The wedding I attended ended up being a blend of both my ‘versions’, with something more besides.

    I reached Colchester after making several train connections, then found my way directly to my hotel in the geekiest possible way, using a GPS module and my iPAQ. It’s a bit embarrassing, following around this little glowing thing as it gives me directions, but the technology is there, so I use it. I stepped out of the train station, having never been in this city before, and was able to walk confidently to someplace across town. That works, and I like it.

    My hotel was a cute little building with white walls and exposed wooden beams, much like the architecture I saw in Stratford-on-Avon. My room was a little cupola of a thing, but very comfy. (I remember travelling for work somewhere and getting a suite. As Quentin Crisp said of living in a bachelor apartment, “What am I supposed to do with all those rooms I’m not in?”) I asked the woman at the reception desk how I might get to Mistley for the wedding. She’s from there, she told me, but she didn’t know of any way to get there on a Sunday. Oh. Thanks.

    I went out for a walk, wondering what to do. Getting in a cab and asking the driver to take me someplace two towns away was a bit frightening. Plus, I’d taken out a fistful of cash back in Scotland; I keep forgetting that the English sometimes refuse Scottish notes. (“They’re easier to counterfeit” is generally the reason given, but apparently this is a load of bollocks.) My friends here tell me to insist that they’re legal tender, but I didn’t relish the thought of having this debate in a taxi in the middle of the Essex countryside. I found a branch of my bank which had a pay-in machine — a real rarity in the UK — so I deposited my money and took some back out in English notes. Sorted! Then as I was buying some snacks to take back to the hotel, I passed a visitor information centre. They’d be open at 11 in the morning. Sorted! So I went back to the hotel and watched TV.

    The movie Bulworth was on. I’d been meaning to see it for a while, because Aaron Sorkin’s writing, particularly when he’s focused on political subjects, is second to none. Sure enough, this story was full of dialogue that I actually found an instructional guide to the compromised workings of the American political system. Okay, sure it can be argued that when characters slip into this stuff they leave the realm of believable dialogue, but I’m okay with that. It’s okay for art to be better than life; I don’t think we need to chain ourselves to the rock of verisimilitude at the cost of the power, the beauty, and the imagination that art can bring us. Watching this movie, which is several years old now, it felt as if Sorkin were writing about the current American election. Plus ca change

    In the morning, I got up, showered, ordered an iron from the front desk, singed the collar of my shirt, dressed, and walked into town. The visitor information centre told me of a bus that would take me right to Mistley, so I walked over to the bus station, the bus pulled up, I stepped on it, and the driver took me to Mistley. The weekend went that smoothly. There were several opportunities to panic, but I assumed it would all work out, and it did.

    I was early, so I walked around the churchyard, through the town with its malt mill (which seems to be the central industry there), then went to the waterfront, bought an ice cream, and watched the swans. They’re big creatures, and in life their three-toed feet with the rubbery black webbing are strange to see. A man in a blue boilersuit was there with them on shore, his face covered in white stubble. He raked large stones from the waterway, and the pretty swans were to him nothing but pests. He kept chasing them off with his rake, splashing the murky brown water on their white bodies.

    The time came, and I went back to the church. Tim’s brother Donovan was an usher, and took me to my seat, then talked to me in rapid-fire bursts about computer graphics work, which he knew I’d done. People think Tim is energetic, but Donovan is an earlier model for some of Tim’s characteristics, and I think the guy has orange juice flowing through his veins! I hadn’t seen him since my early Toronto days, when I shared “The House of Love” with all those other people. Don came to visit us for a month one time. It was fun to see him again, and it sent me back ten years to that time.

    I was joined in the pew by Hillary, Tim’s agent, and Sarah from Hello magazine. I’d spotted someone earlier out in the cemetery who had a white camera with a lens like a deep space telescope, and now that I was talking to this woman from the magazine, I had to giggle that my buddy’s wedding had paparazzi. This was Tim, the guy who taught me how to do laundry so my whites stayed white (though I’m back to the bachelor habit of throwing everything in together), who I used to curse for clunking up the stairs in his engineer boots at night, who I used to cook with in our boxers at the Shaw Street house, whose girlfriends I knew.

    Now here he was at the church, with his straggly rocker’s hair and the crinkly white tie with the grey waistcoat and black jacket. He’s a star on the West End, and he was marrying Ruthie Henshall, who’s an even bigger name. Now she was coming up the aisle, her pale face beautiful behind a gauzy veil, framed by her dark, almost black hair. You can sometimes see brown in it, like you can with the surface of a mahogany piano. Her dress was a salmony colour with white, lacy fabric over it. And she was several months pregnant. It was all taken in stride, just a fact, since they already have a daughter who’s over a year old.

    The ceremony itself was formal in a reassuring way: you want this day to stand above others, like speaking in iambic pentameter instead of free verse. The vicar had a solidity to him, a surety of what he spoke about, yet maintained an affectionate and warm personality. I never felt excluded or put-off by what he said. The vows were traditional, with a few teary moments from both the bride and the groom… and the rest of us, too. I kept bouncing back to those days ten years ago, when we were all poor and either swooning or utterly heartsick, and now here was my buddy having it all work out fine in the end. I wished Jordan was with me, my partner from back then, and I wished Lisa was with me, even though she and Tim were once supposed to be married, back when it was LisaAndTimAndJordanAndHamish. Lisa’s moved on, seen the world with her theatre company, created projects for herself, set up her own home, and entertained other loves. I wondered if it would have brought closure or just upset her.

    Outside, we waited with fistfuls of dried flower petals. And waited. And waited. The Hello people had been asked not to take pictures during the ceremony (though the relatives danced around with cameras and videocameras), so we waited while they got their fair share of pictures, then the couple walked through the crowd with much cheering and applause and got into an old-fashioned black Rolls and drove off.

    I got a ride with Tim’s agent, a large blonde-haired woman in a purple velour dress. In another time, I would have been beside myself, riding with one of the most powerful talent agents in the country. But I didn’t need anything from her, so we had a great, candid talk about the industry while driving, lost, through the countryside.

    The reception was held in a big, white tent on a lush lawn beside a little river. It was picturesque to the point of looking like a location. I met Donovan’s wife, a fun powerhouse of a woman. I spoke some more with the nice Hello woman, who confessed the temptation to write a novel — most everyone does to me at some point, but I like that she was honest with herself about preferring to be out with people doing her job this way, rather than being locked away in a room somewhere, writing pages. Tim’s agent introduced me to Ruthie’s agent (I love that; the bride and groom’s agents), who was dressed like a character out of The Yellow Submarine. “He discovered Charlotte Church,” she told me, “and got her to where she is. Then she fired him to replace him with her mother.” Apparently that’s not going so well for her now. Your mother — how could it?

    It came time for supper, so we went inside and took our places in the tent. I sat at what seemed conspicuously like The Gay Table. And yet, there was nothing wrong in that, because it beat the hell out of being at one of the (many) Baby and Toddler Tables. The food was great, a smorgasbord which had lots of options other than the large beasts being sliced with knives. The speeches were funny and authentic, with nothing cringeworthy. Tim’s best mate John Tessier stole the show by being such a big wuss. He kept breaking into tears. Everyone loves that in a straight guy.

    And then we were on to the drinking and the dancing. It wound up surprisingly early, with most of the stragglers being the actors from Tim’s show. The band leader finally said, “Okay, who wants to sing?” The first person up was actually Donovan, who sang a song to his wife — and the guy can sing. It makes sense, being Tim’s brother, that he’d come with the same vocal equipment, but it was still pretty impressive to watch. Then the cast members got up and got everything really swinging, belting it out to fill the tent. Years ago, I’d been to a birthday party of Tim’s at a karaoke bar, and there was something a bit off in the way his cast members then were singing. They were young, and something about it felt like a competition, which soured the tone for me. Kara-oke means “empty voice”, and that night the voices were empty, devoid of sharing. On Sunday, though, people sang with joy and huge spirit in order to give everyone a good time.

    Then it was over. The van was outside, arranged by Michelle, the couple’s invisible right hand, who’d orchestrated so much of the day I suspect. I got in, figuring I’d get back to Colchester somehow. Tim had asked me to stay another day before he and Ruthie left, and I’d agreed, ’cause I wanted nothing more than to hang out with them. But in the end, I didn’t know how to do it, getting back in town to check out, rearranging my train tickets, and missing work. So I got in the van, bleary from drink, and somehow got back to my hotel with it only costing me six quid. I gave the driver a tenner, shocked that I’d made it through the whole weekend barely having touched my wallet.

    And then I rode home, catching trains with the grey-suited, smoking Britons who were commuting back and forth across London through the Underground’s ugly tunnels and valleys of brown brick and bound-up cables like fallen trees. I sleepily watched as the English countryside turned Scottish again, then bought a poke of chips as I walked home from the station. I didn’t, ultimately, manage to work at all because my brain was burnt-out.

    I’m a bit late for work again today, but I wanted to get this out of my head and on the page — even though I’ve no idea why anyone else would want to read it. I did manage to write a short story on the train, which was a bit of a breakthrough. I kept scribbling ideas down all day yesterday, so it seems that I’ve managed to un-jam my gears again. Thank God. Or thank the process, that orderly way that everything happens in time. Same thing, I guess.


    Holy!
    Saturday, September 11, 2004 , 7:50 PM

    I’m on the train from Newcastle to London King’s Cross. Flat white industrial buildings fly past the windows, with brown brick housing developments beyond. The sky overhead is a low, cottony grey duvet.

    I’m headed to my friend Tim’s wedding.

    On the last train, I’d been reading The DaVinci Code. The book contains lots of fascinating factoids; unfortunately, they’re wrapped in clunky, expository dialogue and mechanical plot twists. Still, it’s been a fun read. I reached the last chapter, when… “Error. The book format was not recognized. ID: 24.” Serves me right for getting my copy from an e-books newsgroup.

    To pass the rest of the first leg of the trip, I opened up a video I’d encoded for my iPAQ, an amateur comedy show by a trio who call themselves The Lonely Island. There’s something about these young guys I find hilarious. It’s right up my alley, and was a great reminder that every situation contains humour if you’re willing to look at it. Everything’s a matter of framing, isn’t it?

    For instance, this wedding. I have to admit that I’ve been dreading it and looking forward to it at the same time, because I’ve had two conflicting mental images of how it’s going to go:

    ~

    Version One
    Tim and Ruthie are both West End musical theatre stars. (This actually isn’t part of my imagination: they are.) I show up at their wedding, and it’s full of stunning people. The ceremony is a show unto itself, as the performers take turns performing songs to honour the couple. They turn out to be as talented as they are good-looking. The entire congregation breaks into song, and I join in the musical number. It ends with Tim and Ruthie held aloft as the ceiling of the church bursts with heavenly light.

    Afterward, the reception is a funky “place-to-be” party in a giant tent in a field under the stars, and Tim introduces me to these bright young things he knows. Being in theatre, of course every last one of Tim’s male friends is gay (even if he isn’t, the rule somehow still stands). I have my pick, from calendar-hunky leading man studs to quirky best-friend-character types (and choose the latter, of course, because they’re much more interesting). At this point the fantasy devolves into something hot and trashy, or wedding-y romantic.

    Oh yeah, and somewhere in here, Tim introduces me to the writer of the show he’s in, saying, “This is my friend Hamish, the one whose manuscript I gave you.” The writer (whose work I haven’t read, but it doesn’t matter ’cause he doesn’t ask) gushes over it. He offers me a heaping platter of cocaine. I give a friendly laugh and decline. He vows to devote himself to furthering my career. A lucrative publishing deal follows, changing my life.

    Version Two
    I arrive in a taxi at the wedding in my black suit. It’s the one I bought for Alan’s funeral, but I’ve worn a bright, happy tie that makes it appropriate for a wedding. Thank God I’ve got a proper suit, I think as I enter the church, having taken a taxi fifty miles out of the town I’m staying in to reach the tiny wee country town where the wedding is taking place. The other men there are wearing tailored grey morning suits with cravats and gloves (my gloomy, crow-like outfit is off-the-rack). The women are wearing huge, puffy dresses the colour of French mints, and their heads are obscured by matching hats the size of sombreros covered in gauzy fabrics. There are flowers everywhere, and the church is arranged to an extreme of formality. The other guests all recognize each other, muttering approving hello-sounds that sound like “Hongh-hongh” in a very exclusive, posh English accent. I’m afraid to speak and betray myself. When guided to my seat, the usher asks if I’m he!
    re with anyone. “No, by myself.” Oh, how sad, says the look on his face.

    The ceremony is very Christian. The reception is a polite affair with lots of patterned china and silverware. I’ve been sat next to a skinny spinster aunt with no arms on one side and on the other is a handsome, athletic occipital lobe surgeon who’s just received an eight-figure advance for his series of medical crime books. He’s there with his wife, a woman who has luminous blonde hair, moves with the grace of a cat, and flies to Belarus every fortnight to tend to sick children. We’re served plates of moulded, jellied meat, and all the talk over the food is of relatives and babies and future plans together. From time to time I’m politely asked a question about my life, but my answers make everyone fall silent.

    I am a complete alien, a directionless pervert.

    ~

    On the trip down this afternoon, though, it occurred to me that I should throw out these mental images and adopt a different attitude. It doesn’t matter how much it’s costing me to go down to this tiny place, and it doesn’t matter how socially easy or advantageous the event is for me.It’s not about me. My dear friends have invited me to be part of an important rite of passage in their lives. They’re taking their relationship out into the community of people they hold dear, asking us to help make their decision more real by recognising it and helping them carry out the plans they’ve made together. It’s an honour to be invited into that circle.

    Suddenly this holy union stuff is a lot more palatable.

    And you never know, I still might get laid.


    Reformat Your Brain
    Monday, September 06, 2004 , 9:07 AM

    I have purged.

    Yesterday, I finally did it: I backed up all the files on my computer, then reformatted my hard drive and reinstalled the operating system. The machine had been slowing to a crawl, and now it’s all peppy and responsive, as if it were brand new.

    It was a bit of a radical thing to do, but it felt good to clean house like that. It was strangely refreshing, and I feel much clearer-headed today, even though doing this had no relevance to any of the heavy thoughts I’d been having.

    I lost a couple of things in the process. Everything can be replaced, except, unfortunately, my web browser bookmarks. I exported them, but I guess I neglected to back them up. If you keep a blog or have a website and you read this, please let me know the address so I can re-bookmark it (or I can get the URL in the first place). Thanks!

    I’m back to work today! It’s a Canadian holiday, but I’m going to work anyway. Cash is helpful, and I’m excited about getting back into it. I know I can produce work there, which should be a confidence-booster.

    ~

    Last night, I went to Calton Hill and watched the fireworks commemorating the end of this year’s Edinburgh Festival. Several of my friends were there, so there was a nice gang of us sat on blankets on the hillside near the classical stone buildings and structures, looking out at the old city below.

    More than one of my friends commented that this was a particularly British thing to do. I asked what made this so — sitting outdoors, eating snacks, drinking wine, being amongst a huge crowd of others to see an event, or sitting under a low cloud-cover like a fort made out of bedsheets. “All of the above,” Patrick told me.

    The city was lit with its usual yellow streetlamps and white windows, but the show started (Wendy had a radio, so we heard the broadcast of the orchestra playing in Princes Street Gardens), and the castle erupted in sparks of white, green, and red, with the odd orange, blue, or white ball of light shooting up toward the blanket of clouds and… disappearing. Our crowd on the hill had been “Oooh”ing appropriately, but when the fireworks were swallowed by our indomitable Scottish weather, we all laughed. Explosions we were sure would normally be huge round bursts showed up like nothing more than that brief point of light you see when a lightbulb burns out with a “plink!”

    Everyone on the hill seemed to enjoy the half of the show we could see. At the very end, the grand finale, we didn’t see the finishing bursts directly, but they made the entire sky above the city light up with an astonishing brilliance. Karen kept saying how much she felt for the pyrotechnician, but if I’d managed to create that final effect, like cloud lightning over my entire town, I would be pretty proud.

    [P.S. Liz took pictures!]

    ~

    On Saturday, I had another nice break: I went to Rosslyn Chapel with my friends Sheila and Phil. It’s in a sweet little town called Roslin (home of the Roslin Institute, where Dolly was created, and of my landlord) — though it’s probably not so nice at night, with the local neds about. The chapel itself is a stunning piece of work. Being inside the church, with all its pillars and arches covered in florets and stars and tiny, intricately-wrought Christian and pagan figures, is like being inside the skeleton of a whale. I didn’t feel it was a particularly ‘powerful’ place, though. The iconography of the figures doesn’t match up with the images in my own spirit: an upside-down angel with a rope around him might represent Lucifer, but that figure has long since ceased to have any meaning for me. It’s like being in a room full of ancient law books — interesting only if you feel compelled by the subject.

    And I’m still reading that damned DaVinci Code book. It clips along, but it’s full of lessons for me to learn from — things not to do. I know I did some of them in the second book, but less of that in the third.

    Right. Time to work.


    Stuckness
    Friday, September 03, 2004 , 3:47 PM

    I read a review this past weekend of the latest biography of Stephen Spender. I’ve not actually read anything of his, but I’m aware of him, and his association with Christopher Isherwood and WH Auden. The three of them were to Berlin what Hemingway, Stein, and that lot were to Paris. I hate them, because they had the opportunity to be something that — well, you just can’t be that now. It’s “done”, but it’s exactly what I’d love to be.

    Anyway, apparently Spender had a habit of telling stories about the people he knew, spilling their secrets out in public. Of course, readers loved this, but the people whose private lives he revealed weren’t so happy. It made me think of my friend Kirsten’s writing, except she tells her own secrets.

    I’m sitting in a café in the Scottish National Portrait Gallery. I just ate a square that was so full of sugar I feel high. I also bought an orange juice which is that awful concentrate stuff that tastes like rust.

    I’m completely stuck. Yesterday I was supposed to work on cover designs for The Willies, then today I was supposed to work on the Hallowe’en article to send to a Canadian newspaper to piggyback on one of Kirsten’s and a short story for this ‘zine I’ve got involved in.

    I’ve long contended that there’s no such thing as Writer’s Block. All that is is putting your focus in the wrong place, usually on product rather than process. Thing is, that’s exactly where I am right now. Nothing I can think of to say seems interesting or clever enough. I know I can’t be beaten for description, but that description has to fall within a context, and lately I’ve not been able to provide myself with any contexts. I think of writing something and my legs go all weak.

    Weird. There’s a portrait on the wall to my right that’s frighteningly alive and penetrating, even though the surface of the man’s face is covered in blobs of paint like some sort of elephantiasis, or like a sandstone sculpture that’s lost its surface.

    To my left is the portrait of a man about my age made up of broad, vague brustrokes. His face is blank, and he wears and open white collar with some kind of loose turquoise tie under a formal black jacket. The harsh red behind him and the stern look on his face make me feel that he’s very confident, and very successful. Next to him, I feel like a loser who hasn’t accomplished anything.

    I just looked at the card next to it: “Prowse has been responsible for making the Gorbals-based theatre world-famous for excellence and for the originality of its productions.”

    Ugh.

    The busboy is cute and a fraction of my age. He’s sitting at a table with three other members of the café staff. They’re all reading newspapers.

    I’m generally not a gloomy person, and not given to giving up. I just hate that I haven’t produced anything creative in a while. Whenever I have a day like today when I’ve assigned myself things to do, I get to it and feel like I haven’t anything to say, and I don’t feel like pushing it. It feels like creative dry heaves.

    I’m waiting for something big, something so important that its worth can’t be refuted or denied. Of course, this is silly. Every little detail is worth capturing and expressing. But I’ve got critic-voices in my head.

    I’ve just had a little champagne bubble of an idea. Gotta go chase it to the surface.

    …Damn. It’s already been done, the thing I was thinking of writing. But that’s all it’ll take, I know, one little entryway into that other place where the ideas come from. I’ve lost my map, but I have to find my way back there.

    I think it’s time for an enforced diet of reading and reading and thinking and thinking. “Stocking the pond”, as Julia Cameron calls it in The Artist’s Way. There’s an interim place between there and the finished work, and that’s where the writing comes from, it seems: I go off and get these ideas, take them to this middle place, then work on them and deliver them in a finished form. In Celtic mythology they talk of “thin places”, where the two worlds sit close together. I need to find one of those in my life right now.

    Of course, this might have something to do with this week’s work. I finished the edits on The Williesyesterday, and was left with this feeling of confusion, like perhaps I shouldn’t invest all kinds of money in publishing it, because it’s not the sort of thing that I’m writing now — that is, it’s not like my last book, which is closer to what I feel is my “style”.

    I’ve produced a bunch of work and not yet seen it find a home in the world. It’s making it difficult to generate more, new work. It’s an issue of confidence, I suppose.

    That’s enough introspection for now. I’m off to seeHellboy tonight, which should be the mental equivalent of Novocaine — just what I need. And popcorn, my favourite food.

    Maybe I need to live more, to have more experiences from which to generate ideas.

    I don’t know. I’m shutting up now.


    Want
    Wednesday, September 01, 2004 , 7:54 AM

    I did it: I finally bought Rufus Wainwright‘s Want:Onethis weekend. The price had dropped considerably since it first came out (it seems crazy to pay twenty pounds for a CD here when they’re twenty dollars at most in Canada), there were some songs that I saw on his website that I’d never heard or seen as downloads, and it was just time to buy it, because I’d already enjoyed it enough, and have bought all his other albums to support him.

    He’s brilliant: The album is so lush, I can’t get enough of the world it presents.

    He’s stupid: The audio links on the secret website that pops up when you put in the disk are either vague because he can’t talk about the person he wrote the song about, they’re full of him not being able to remember the names of the people he collaborated with on the album, or they’re just inane comments. How can someone write such glittering, incisive lyrics and such rich melodies, yet be so inarticulate and shallow?

    But I don’t care! He’s a musician. That’s the way he expresses himself, so that’s how I should experience him. Asking someone to deconstruct their work, particularly while it’s still so fresh, is a strange thing to do. In the silent moments when he’s constructing these songs, I just know there’s a touch of genius at play, and it’s a joy and an inspiration to hear. I love the level of risk in his work, the fearless way he stumbles through life and offers up his mistakes, thoughts, and feelings in his music.

    I’m looking forward to going to his concert in October with my friend Paul, and feel sufficiently prepared to handle him being silly and gay onstage. God, it’s easy to chase after the greatness of others, rather than grasp hold of the fact that what rings so deep and true, what really resonates harmonically, is a recognition of one’s own potential in it.

    ~

    I’m off work this week, and actually feeling more pressured than ever, because there are so many back-burner projects I want to get finished in the time that I have, things I just haven’t been making much progress on. It’s so sweet to float through the city, though, without a schedule, dropping into a cafe here to work, having lunch with someone or another, then drifting on to do more work or buy a book, then do some editing work in the pub.

    The next book in the queue is Magnus Magnusson’sScotland. I figured it was time to brush up on my knowledge of the place, and this is supposed to be very readable, with a good narrative through-line, rather than just a series of dry names and dates. But first I’ve got to finish the awful DaVinci Code — which I had to read just to see what the fuss is about. What I’ve read so far is shitty, amateurish writing, with ham-handed exposition and homework that’s sticking out from the corners of every scene. Somehow, though, it’s still a compelling read, because it has good forward movement.

    <

    p>This Saturday I’m going to see Rosslyn Chapel with my friend Sheila. I should finish the book before then, because I hear its climax takes place there.

    <

    p>

  • August 2004

    No Mancunian Candidates
    Sunday, August 29, 2004 , 8:46 PM

    I’m on the train on my way back from Manchester. It was a nice enough weekend away with friends, and a reminder of what good company Philip can be, but I can safely say now that I’m really not into gay events. The ethos of that scene — the silly hair-dos, the drinking and smoking, and the high camp behaviour — is at odd with who I feel I am.

    The people in Manchester are ugly, too.

    Patrick again demonstrated his incredible pulling power: literally within moments of our arriving in a club, some rough pony of a man would amble over and dance next to him. If Patrick wanted, the man was his for the taking. Now, Patrick is a nice-looking guy, very cute in a boyish way, but he’s absolutely nothing like the elfin, two-tone haired, bejewelled, and muscled clone-ideal that everyone on the scene was trying to emulate. But like some kind of Dr Leakey of sex, he could just pick out whichever of the Piltdown men he wanted, and he was off.

    And me? Back when I first got home from Canada this summer, I was going out of my mind: all that visiting with friends and family left no room for anything of a romantic nature to happen. But I got back to Edinburgh and enough continued to not happen that my seemingly quarterly heat passed. I didn’t feel compelled to connect with anyone this weekend. That disinterest was compounded by the lack of talent there (according to my purely subjective criteria… Blah blah blah — end of disclaimer against potential charges of excessive egotism/superficiality.)

    Philip, Patrick, and I were joined by Omar, someone they’d chatted with on Gaydar (the love-it/hate-it core of gay UK internet life). Our friend Jamie from Glasgow was supposed to join us, but received a promotion that required him to go on a training course this weekend, so Omar offered to go in his place. He and Philip are joking and talking across from Patrick and I, who are both plugged in and listening to music. Happily, Omar and I had a chance to get acquainted yesterday while Patrick and Philip were off napping and shopping, respectively. Omar’s from Italy, working over in Glasgow now, and his English, while strong, is heavily accented. I find when I’m in a crowd and it’s noisy or there’s some other obstacle to communication like this, I tend to tune out. So some time to talk one-to-one while walking through Manchester’s strange old-new mix was welcome. He’s a nice guy, and was a good addition to our mini-gang of travellers.

    Last night, though, I wasn’t really into the scene, and we’d already spent the afternoon doing laps of the cordoned-off gay quarter, so Omar’s intensity about being out on the scene, lookinglookinglooking jarred with my frame of mind (I struggle with my own desperation, let alone being in someone else’s). Meawhile, Patrick’s powers had got him stuck in a drama between some random bloke who’d chosen to dance with Patrick and a group of his friends who didn’t want him to (something about a boyfriend). I picked up my jacket — which was a mess from some silly bint knocking it into the swamp of filth on the floor — and Philip and I went outside for air. We sat on the low concrete wall on Canal Street, the opaque green water below us, with cans and bottles bobbing past. The various segments of gay society — old, young, male, female, fit, fat, muscled, handicapped — walked back and forth like a kind of show (complete with drama — a crying boy with Liza Minelli hair yelling at his boyfriend, slapping him across the face, then chasing after him when he left). I also got to say hello to a little white and brown terrier who made me wonder if a dog might complete my existence. Patrick and Omar joined us outside after a while, abandoning their trysts in the club. We said goodnight to Omar, and walked back to the student residence where we were staying. The three of us sat up joking in my room until we finished the last of our beer (bought for the train-ride), then went to bed in our plank-like beds with the duvets that were exactly the size of the bed (which actually doesn’t work). But, hey, you can’t beat é15 a night.

    The sheep in the brilliant green fields outside look strangely pink. I’m not sure if it’s the sunset, or because they’re wet.

    It makes me happy, being back in Scotland.

    I have this whole week off!


    Stepping Backwards
    Thursday, August 26, 2004 , 9:29 PM

    Washing my rain-wet face just now, I could smell an odour from the drain. It’s been raining so much in Edinburgh lately, I think the water is coming back on us, refusing to go away once we’ve soiled it. The city council has told us that it’s okay that the water is a bit yellowy. Of course they have.

    Before that, I stepped into my tenement building, which smelled like Mary King’s Close, the ancient alleyway dwelling I toured with Margaux last night — which is much-refurbished, and nicely too. I also learned that the city fathers did not wall in the plague-sufferers there, but actually gave them money, bread, and “Edinburgh pints” of beer, which are equivalent to three Imperial pints.

    Before that, I walked home through the rain, under scaffolding and trees that didn’t shelter me from the damp, but rather collected it to drop it on my head, as if from a trick bucket perched on a door. The streetlights reflected off the pavement stones, making it difficult to tell what was a broken-off tree branch and what was a worm. I avoided them all, just in case.

    Before that, I sat in the spiegeltent with Sheila, watching a poetry slam at the Book Festival. I didn’t want to go because I’m a bit drawn out from all the live performance I’ve seen in Fringe events I’ve attended lately, because Sheila woke me up with a text message this morning (I’m not good at sleeping, so it’s killer when someone tears that blanket from my head), because I didn’t want to pay for yet another night out, and because this is the one night I might have had to myself. In short, I was in a crappy mood.

    The poets, though, were lively and funny, spewing out funny, clever words that snapped me out of my mood and back into place. Someone used a line tonight (which I see now is from Luke’s gospel): “To whom much is given, much will be expected.” I thought about this blog with shame, about the grocery-list-type writing I’ve been doing here recently. There’s a thing called “showing up on the page”, and I know when I’ve been doing it or not. I’ve been making an effort to do it for work, but not here. And I want this to be a fairer representation of me than that.

    To be fair to myself, I’ve been preoccupied with my self-publishing projects and my two recent visitors. Tomasz and Margaux were both wonderful company, in different ways. And company is such a lovely thing. It may be the best thing one can have in this life. I know myself, though, and I get my energy back by being on my own — so I’ve been going for extended periods lately without having access to my natural state. I’ve also not been doing my own work, which stresses me. Oh, and spending bagsof money.

    And it’s not over yet: this weekend I’m going to Mardi Gras or Pride or whatever they’re calling it in Manchester. Why am I going there again? I don’t like the city, and I want to see Scotland, not England. I’ve also got a mental image of being stuffed in a club with drugged-up, screaming, over-coiffed gay people. The last thing I want to do is step into that picture.

    But this evening I gave up my mumpiness and had a great time. I just need a good sleep. Besides which, I’m going to Mancs with good mates, so there’s a very good chance I’ll have a lot of fun. Even better, I have the promise of the coming week entirely off work. I’ll be able to rest, have me-time, and catch up on all my projects.

    Phew! So here I am, on the page, caught up and dried off.


    Tender mercies
    Tuesday, August 24, 2004 , 11:24 AM

    Ow, my head.

    Last night, Patrick came over for supper, arriving just before Margaux came
    home from exploring Edinburgh. These two great friends from different
    regions on the map of my life came together, and we all got on like a house
    on fire.

    This happened over two bottles of wine and three pints of beer, so I’m
    feeling a little tender.

    …But happy!


    Monday, August 23, 2004 , 9:42 AM

    I received a very encouraging letter from a publisher on Friday who’d read the manuscript of Idea in Stone, and was re-reading it. It wasn’t a ‘yes’ (he’s still deciding whether or not to publish it), but it still made me feel pretty damned good, and went a long way toward flushing out last week’s bitter feelings.

    I hung with the gang on Friday, going to see the Improverts (who, in making up sketches on the fly, were better than things I’d paid considerably more for in the Fringe).

    My friend Margaux from Toronto showed up on Friday on the way home from a trip she won to the Olympics, and is here with me until Thursday. Many good conversations are coming out of her visit; her brain is a formidable thing. She’s fun, too.

    I also attended some readings and a workshop in the Edinburgh Book Fringe. It’s nice to be in the thick of it like that, and I hope that a community continues around this thing throughout the year.

    Must get to work now…


    Bitterness
    Thursday, August 19, 2004 , 11:14 PM

    I’ve been busy.

    My friend Tomasz visited me last weekend, which was sweet. He’s such good company.

    I’ve also been preoccupied with this whole self-publishing thing. It’s taking up a lot of my mental space, but it’s mostly welcome to. It’s an exciting project. Of course, because I’d committed myself to such a big undertaking, something happened that I recognise by now: the opportunity for “refusing the call”, as Joseph Campbell would term it.

    Basically, it goes like this: you receive a call to some adventure or another, but with that you’re also always presented with a dissenting call, a voice that says “Nah, just stay here. This is safe and comfortable”, or “That’s too dangerous.” Sometimes that voice comes from inside, but other times it comes from the world around you. In this case, it was my friend Kirsten, saying, “I don’t think you should self-publish. I think you should find a publisher. Did you really reach everyone? Show me your submission package. Maybe you could do something to make it more effective.” She was perfectly well-intentioned, and there was a lot of validity to what she had to say. I put her messages aside, because even if I go my own route and self-publish the second book, her ideas for promotion are excellent ones.

    My life, though, was using her as the invitation to refuse the call. But I know I should do this. I don’t want to write a single other supplicating letter to a publisher when I can do this myself. What’s the difference between their presses and mine? Nothing. Some money, and some artificially-generated sense that they have all the marbles in this game. Why, oh why, should a business have a say in who is and isn’t a “real” artist?

    Unfortunately, revisiting this idea of “Why hasn’t someone bought this book in the past four years?” just played into all the doubt and bitterness I’d been feeling about not being published.

    I think I’m a positive person. Yeah, I carp on about things that I think are tasteless, stupid, or disappointing, but only because I’m forever trying to figure out what I think is important to do, be, and create. So it’s felt really gross having this bile in my mouth about the literary world — the place where my stories have to go when I’m finished with them.

    I want to do this thing in a spirit of possibility and sharing, not because I’m saying “fuck you” to the establishment. It’s proving hard to shake that feeling, though. Thing is, I honestly don’t really know the establishment.

    I did take a mosey through the grounds of The Edinburgh International Book Festival the other day. I’ve generally stayed away in distaste, because it’s really designed to play into that celebrity/fan dynamic, which nauseates me as someone who believes that everyone is equal and worthwhile, and because the situation makes me feel denigrated as an also-writer, sitting at someone else’s feet. JK Rowling gets her own tent built — hey, great for her, honestly. But I don’t want to go sit in her shrine. Why would I? What would I get from that?

    I wanted to see what the press that has my manuscript is displaying there — only to find that they don’t have a bookshelf there this year. I found a book, though, by theScottish Publishers’ Association that will prove helpful, because it tells who the publishers are in Scotland, along with the literary agents, print production houses, distributors, and so on. It’s exactly the information I needed. I’m going to their event on Tuesday about “How to Get Published” or somesuch with my writer-friend Sergio. Hopefully it’ll have some ideas in it that I haven’t already read about. If nothing else, there’ll be a literary agent there on the panel, and I am under instruction (from myself) to grow some bollocks and speak to this woman about Idea in Stone (or me in general).

    Speaking of Sergio, I met with him, my friend Sheila, and two of Sergio’s coworkers from the Camera Obscura. We’re talking about creating some sort of publication between us. Yeah, more self-publishing! Carol and Phil are both photographers, each with a very different style from the other. (You can see some of Phil’s work online.) Carol and Phil brought portfolios of some of their work, and Sergio sent us a story by e-mail yesterday. My God, these people are all talented! It’s lovely to be surrounded by that, and makes me feel good about creating something with them. (Of course, all being creatives, we could really use a good administrator-type person with lots of follow-through.)

    Then tonight I went to the launch party of The Edinburgh Book Fringe. Yeah, a fringe around the Edinburgh International Book Festival. It was a beautiful thing. My friend Elspeth was there and recited one of her beautiful, beautiful poems (I swear I heard someone gasp when she finished!), then another poet read, a woman from North Uist (where my ancestors likely lived before emigrating to Canada) sang to us in Gaelic, then a group of Scottish women sang some South African songs. I bought tickets to a number of events over the next few days, and there’s a panel discussion about some arts funding thingy tomorrow morning (oops — must get to bed soon). Elspeth introduced me to a neat woman named Alison, who’s written a book and, like me, has had a number of presses like it and not publish it. From talking to her, I bet I’d like it. Then I talked to Elspeth, her partner Ian, and a man named Richard, who did a very funny piece at a Big Word event I was at. We talked about the arts scene here, and Richard’s perception that Canada has an inspiringly strong independent publishing scene.

    Catch this from the Edinburgh Book Fringe brochure — WOW!

    This is the first year for the Edinburgh Book Fringe. It is designed to complement the Edinburgh International Book Festival, in that it features only writers not already appearing in the EIBF and only writers resident in Scotland. It is thus a showcase for the many writers in Scotland who remain virtually invisible to their countrymen and women as well as to those who visit Edinburgh from all over the world at Festival time. As current president of Scottish PEN, I was only too aware of how much talent remains unknown among hundreds of diverse writers in Scotland. The aim of the Book Fringe is specifically to provide an opportunity for experienced writers in any genre or language to be heard, as well as some of those in writersé workshops or university courses in Scotland. We were overwhelmed with nearly 70 entries, from which we had to choose only 15. This demonstrates the need of which we were conscious. We hope to continue and perhaps to expand in appropriate, ethical and sustainable ways in the future…
    — Tessa Ransford, Chair: Edinburgh Book Fringe Society

    Something is stirring in this city of mine, an independent spirit… And I like it.


    Tuesday, August 10, 2004 , 5:29 PM

    I just printed off an old journal entry I wrote in Disney World that I think is a good example of my writing, then printed off a short story — both of them as little books. At last, I’ve finally found imposition software! “Imposition” is a publishing/printing term for the rearrangement of pages so that they’ll show up in the right order when folded together into a book.

    There’s a little program called ClickBook that intercepts a print job on its way to the laser printer and asks you what to do with it. Book? Booklet? CD liner? Tri-fold brochure? This thing has a lot of different options, yet it’s straightforward to use. Even better, it’s just $49.99. The closest equivalent I’ve found is an “XTension” for QuarkXPress, and it costs $1,300.

    This is all I want! Today, I’m published! What a great, freeing, democratising thing it is to be able to publish one’s own work at home.

    I’ve asked myself what it is that I want, and the answer is “To share my work with people.” People, you’ll note, not publishing companies. Yes, being published would be nice, because it’s a professional stake in the sand, opens up opportunities, and means that someone else will foot the bill. But what’s struck me is that getting published is not salvation. I read an article a few years ago that said the average Canadian makes $13,000 annually from royalities. So I’d still need a job. I have a job, one that I like a lot.

    But what about the publicity? Well, the average publishing house will focus on a book for three to six months, and then it’s up to the author to keep the book in existence for other people. So why not just do the whole thing from the beginning? Then it can be exactly the product I’d imagined.

    I contacted a bookbinder in Glasgow, and his price is quite reasonable. I can also do a short run of just 200 books. I can sell 200 books.

    As I’ve been investigating all this, I’m reminded of all the people out there who are generating their own work, doing exactly what the muse in their coffee cup or refrigerator tells them they should be doing every morning. I like that, and I think it has a lot of soul. I want to do that.

    Crap, I know people who are already doing this, and doing well at it. Take, for instance, two nice guys I know from Toronto, Cory Doctorow and Jim Munroe. Just trynot to run into their names on the web.


    Cory’s on the cover of NOW magazine in Toronto this week, and his glasses are bigger than mine.

    Cory has been working for years on different ways to deal with digital information, and on the rights issues that go along with this kind of transmission. He’s written a lot on e-books, too, and has shown that offering them online for free has no negative effect on the purchase of ‘real’ books, and may in fact help them sell. My plans to self-publish my second book will definitely include a free electronic release.

    I just stumbled across part of a blog entry that gave me pause:
    “You are going to have to decide if you’re going to take yourself seriously, and by that I mean you’re going to aggressively seek what your work is worth to you, not what some random group of passersby decide to pitch into your hat.”
    http://www.hypercube.org/auntie/

    But then, isn’t it better to entertain the people who are throwing a little extra into your hat (especially if you’ve got a decent job already) than keeping your work hidden, holding out for some mythical publisher to “discover” you?

    At work, we talk a lot about entrepreneurs who create an “industry by-pass”: sick of over-regulation by top-heavy corporations, they find a way to do things themselves, focusing on creating value for real people with their work rather than playing the industry game. I can only find twopotential publishers for my third novel in Scotland, and one of them has already asked to see my manuscript. All the others publish quaint Scottishy armchair books or have been devoured and turned into subsidiaries of multinational corporations. Even their slushpile is abroad!

    You know why I want to do this? I think it would be fun. It’s fun to have a book out there in the world, to do readings, and to have people you don’t even know tell you that you entertained them. It’s a boatload more fun than writing letters to publishing companies.

    ~

    I went with my friend Wendy to see a stand-up comic last night. The evening was bracketed with riveting, soul-stretching conversation with Wendy. The middle part, the bit with the comic? Not so fun.

    I’d stopped into The Waverley Pub on my way to The Pleasance and chatted with Liz, who was as quick-witted and engaging as ever. I also wound up talking to two young guys who are up here from England to take in some shows in the Fringe.

    (As an aside, last night I was reminded that I already know a lot of cool people in this city. It was also fun to finally do the “talking to strangers in the pub” thing.)

    Liz had seen this comic and thought he was very good. So something must have been off last night. He kept dropping the ball, and — worse — criticising himself for it. A comic needs to make the room a safe space for the audience, to be a confident guide. Most definitely, he should not make the audience worried for him. And we were. What’s strangest is that when he was funny, he was really quite good. Whenever he’d get a big wave of laughter, though, he’d let the energy drop, go over to the barstool beside him, sip from the drink he had there, light up a cigarette, then come back and rub his hands over his face, confused about where he was in the set, like there was some knot in his brain about something he wasn’t telling us about — which is strange, because he seemed to be telling us about every little detail of his life.

    What’s most uncomfortable for me watching performers is that, as a recovered one, I often see the need that drives the urge to perform. Sometimes that can be transformed into moments of astounding brilliance. Other times, though, it just plain hurts to watch.


    Addendum
    Monday, August 09, 2004 , 12:12 AM

    I had a chat online tonight with my friend Graham in Glasgow. He listened patiently and attentively as I whinged about feeling like a man without a sense of identity or a sense of place, then I listened to some relationship issues he’s been having, about those early, scary days of dating. They were far too easy to empathise with.

    After our talk, I picked up my kit-bag and went to The Regent, the pub up the road from my house. (I should go to The Albion, since it’s my local, but The Regent has a gay-friendly atmosphere, whereas The Albion was started by a former manager of the Hibernians Football Club. Maybe I’m not giving my neighbours the benefit of the doubt, but there are certain crowds in which I feel they probably wouldn’t be comfortable if they knew about allof me.)

    I got a pint from the bar and sat next to someone in a big, deep, green leather couch. I read the gentle words in Brenda Ueland’s If You Want to Write while sipping on my cloudy yellow pint of Hoegaarden. My angst fell away without my even noticing, until I walked home with a smile, the yellow sodium lamps doing for the darkened street what my yellow sunglasses had done earlier in the day. The fishmonger’s shop was dark, and all the ice was gone from the slanted display case inside the window, long since drained away through the little hole in the corner of the window-frame. The other shop-fronts were covered over with metal armour. A pub was dark except for its emergency lights, its chairs and stools turned up. A stocky man in a kilt with thick calves in high white socks saw his girlfriend to her tenement door then headed on to the Turkish kebab shop down the street. A couple fought with each other, slurring their words while tipping back and forth in opposite direct!
    ions, hanging onto objects to keep from falling over. Shiny black taxis ferried people up and down the Easter Road as I turned the corner to head up my street.

    There’s a point of giving-over to coming back here. It’s easy to find energy and drive in discontentment, in being a misfit. It’s an excuse for being inactive, or for taking rash, destructive action. That’s fine for a bit. This weekend was about burning up the part of me that wants to sit and complain at how much it chafes to move back and forth between two cultures. But would I have it any other way? Would I give up the knowledge of this stony city, home to Enlightenment thinkers and footballers and shopkeeps and poets and musicians and students and tourists? Not on your life. So my beginning drifts toward the local accent have been washed away like a sand castle in the tide by immersion in broader Canadian speech. It’s uncomfortable; yes. Do I still want the chance to listen to the song in these voices? More than anything.

    Being back in Canada made me aware of what I’ve brought with me here. I can’t escape the fact of who I am and where I’m from. But this is good. This is something to work with.

    Now I’m going to bed… at the local time.


    Sunday, August 08, 2004 , 6:40 PM

    How I Spent My Summer Vacation
    by Hamish MacDonald

    At last, I’ve posted the pictures from my trip. They’re in the Pictures section of the site. I didn’t put any comments with them, because, frankly, I couldn’t be arsed. Most of the shots are of people. If you know who they are, or are one of them, that’ll be interesting for you. If not, well, you’ll see some landscapes, an alley you might recognise from some movies like Hedwig and the Angry Inch, and you’ll see me in my swim trunks. Woo.

    I’m having trouble articulating what’s going on with me since I got back from Canada. I’m feeling culture-shocked, displaced, and generally empty.

    I experienced so much Canadian culture when I was home, work generated by people I know. Theatre, music, comedy — so much incredible, original work that reflected “the Canadian national identity”. I’ve participated in discussion about the Scottish national identity while I’ve been here, but hadn’t thought about the Canadian one. Now I’m back here, feeling like part of one thing, but living in another. I’m rootless and confused. It’s like I’m starting all over, as if I’ve woken up in someone else’s life. And this guy doesn’t do much.

    I’m having one of those periods in which I feel like a snail — small, insignificant, and slimy. I want to be more evolved than I am. I want to be involved with communities here in Scotland, and I want to be published. But I just spent a day walking through the town, saying only a single word: “Sorry”, to a tourist who bumped into me (because we Canadians do that). I went to a pub up the road last night and had two pints, sitting there by myself, ’cause I wanted to be around people. The terrible thing is that when I get like this, I don’t even call the great people I do know. I feel like I should be being productive or something on the weekend, like that’s the time I’ve got in which to create these works that are supposed to somehow save me.

    I ended up in Holyrood Park this afternoon. I was supposed to be planning out — I dunno, the rest of my life or something. Instead, I lay on the grass, watching people play frisbee, obese little children scamper back and forth, white clouds smear across the intensely blue sky, and the green mounds and black cliffs of Arthur’s Seat. It felt good to do nothing, restorative, almost spiritual.

    I’m also utterly confused about writing. I’m completely without ideas. Well, I have a little file with hundreds of them, but I can’t get started because my writing-legs are all rubbery. I don’t have any confidence, probably because I’m…

    At work, we have this concept called “The Gap”. It’s the permanent distance between the actual and the ideal. It’s what you fall into when you keep focusing on where youshould be, or where you want to be, instead of on where you are and what progress you’ve made. When you keep doing this, you “gap out”, as we say around the office. I’m totally gapped-out about my writing career.

    Of course, I’ve just handed myself the remedy my boss developed for these situations: focus on “progress, not perfection”. I work as a writer, and I’ve written three novels. That’s pretty cool.

    I’ve been severely jet-lagged this week, too, staying up until 5AM. That probably accounts for my mood. My thinking and my feelings since getting back have felt like a calf that’s trying to stand up for the first time.

    <

    p>Today, a puff-ball drifted by me and I caught it in my hand. I thought “This is what writing is: it doesn’t change the fact of this thing, but my noticing it makes it exist for me. Otherwise, this would have just fallen to the ground unnoticed. Writing is about doing that for other people.”

  • July 2004

    Phew
    Saturday, July 24, 2004 , 8:00 PM

    This has been a long two weeks. Er, I mean fortnight. I don’t know what I mean.

    For my first week here, I was alternately chatting with my editor, just enjoying her company in person, or working through intense editing sessions with her, trying to establish and nail down between us some very subtlestylistic guidelines for writing Strategic Coacharticles. I don’t mean Strunk and White style, clauses and apostrophes and such, but shadings of tone and voice that make our work compelling and palatable for entrepreneurs.

    This week was easier in theory, just sitting in the company’s workshops. In practice, though, I had to apply a high level of attention to every moment Dan Sullivan (he president and co-creator of the company) was coaching, and to every bit of feedback and insight the clients offered up. When I write for the company, I need to write in Dan’s voice. Our clients and people like them who are our prospects, have a certain set of concerns and ambitions that he taps into in an electric way, creating solutions for all their issues that they consider so valuable that many have returned to our workshops each quarter for over ten years. My writing will be more effective the more I can emulate Dan’s voice and understand our clients’ worries and frustrations, hopes and advantages.

    So it was a lot of heavy listening.

    My head, though, is now full of great raw material to use in my writing for the time ahead. Instead of writing in cold business-speak, saying things like “Maximise your productivity to leverage your potential”, I can reach into the experiences our clients shared to see how they can use their businesses to create lives they love, full of activities that light them up, generating the kind of income that lets them buy incredible experiences and surround themselves with talented individuals who can free them up to spend more time in their most important personal relationships.

    This is good. It’s not only my job, it’s the next plateau of ability that I want to achieve in my writing ability. Description is my favourite aspect of writing, so doing this — writing about real people’s lives instead of business theory — is a lot more fun.

    And I need a break.

    While doing all this editing and input work, I’ve also been visiting with dear friends here in Toronto. One day this week, I had a breakfast meeting, work, a lunch meeting, more work, then a supper engagement. There are so many people I love that I couldn’t neglect to see, and there was barely enough time going full-tilt like this to even meet with the inner circle of friends.

    It should be getting easier: the company has made me the offer that if I fly here once a year they’ll fly me here once, too. That’ll be a big help, keeping me constantly charged with inspiration and material for doing the work. I also got a pay-rise, which is motivating, too! Best of all, though, are the relationships I have with the people at work. From Dan and Babs, the owners, whom I admire as creators, innovators, and friends, through to the team members who talk to each other with the wit and intelligence of “West Wing” characters, having positive, effective meetings in the halls like automatic machine gun fire. They’re also eerily good-looking, too.

    I’m sitting in Starbucks on Church Street, where years ago I wrote chunks of my first and second novels. I just had a delicious supper with my lovely, cute, wonderful ex and my kinda ex-in-laws, and am now waiting until my friends get out of a movie so I can meet up with them for a drink. I’m completely knackered, and still in work-clothes (including trousers I bought here for work which are a bit-too-tight!) but conscious that it’s my last night here. I imagine I’m going to collapse for a day or so at Mom and Dad’s. My visit to them couldn’t have been planned for a better time.

    People at work kept asking me “So when are you coming back?” I’ll probably come back at Christmas, but right now I don’t want to think about it, because I feel like my Edinburgh life — so barely established compared to what I’ve got here — is atrophying with every moment I’m away. And Edinburgh, I know in my heart, is home.

    My camera is full of pictures, though unfortunately I neglected to take snaps of some of the people I visited with. I’ll post those when I get back to Edinburgh. In the meantime, I’m going off to Prince Edward Island, home of low, rolling leafy fields of potatoes bursting from rows of rusty red soil that stretch off to the deep blue ocean, home of white beaches that tumble from grassy dunes to the choppy white waves. It’s memories of those fearful days in the high school halls, the nights spend in my basement bedroom dreaming of the future person I hoped to be (and suppose I am now), and the summer theatre gigs I landed. Most importantly, it’s family. I can’t wait to see them, to happily let go and fall into their arms for a week.

    I probably won’t be able to send this until I get to my parents’ place tomorrow. I’ve not had much luck finding chances or ways to connect to the ‘net here. Normally that would be irksome, like trying to operate without thumbs for two weeks, but I’ve been too busy for it to matter much.

    My eyelids feel like they’re lined with model glue. Soon I’ll rest. Soon…


    Saturday, July 10, 2004 , 3:13 PM

    I’m in Toronto! I’m typing away at my buddy Cosgrove’s iBook, ’cause even though they have a wireless connection, for some reason I can’t do anything e-mail-y on it. I just wanted to write a post to say I’ve arrived safe and sound.

    Last night we went to see a movie, then went to Woody’s, one of our old haunts. We stood in one spot and held court as people we knew came and left throughout the evening. I saw one guy I’d dated briefly. He seems to be doing quite well for himself, which makes me happy. Sounds like there’s still a bit of drama (like a lot of people, he seems to function best with some strife always going on in the background), but he seemed happy. He’s just left a relationship and started a new one. Hearing that made that little voice in my head say “Damn”, ’cause he’s still a stunner. We used to always cross paths exactly when we were both both feeling single and amorous. There’s a terrible tendency when travelling to do what I call “black booking”: looking up all those old flings and flames.

    What’s funny is that a number of people last night commented on my accent. In Scotland, they all think I sound Canadian, and I do — until I’m in Canada, where “Toronto” becomes “Trawna”, “twenty” is “twenny”, “Stewart” is “Stooward”, and the R in “green” isn’t a hard-hit with the tongue, but a wider, more Muppet-y sound. I’d also had a few drinks, which makes my voice slide in that direction. (I suppose it’d be easy to get people to buy into the theory that the Scots accent developed out of drunkenness.)

    It’s a beautiful, hot day here. High of 26 — perfect, really. Any more, and I’d not know what to do with myself. I’m not used to the heat anymore.

    Time to go out and play!

    If you (whoever’s reading) need to reach me while I’m here, you can get me on 416-829-4820. That number will be active until about the 23rd of July.

    Take care!


    Monday, July 05, 2004 , 7:31 PM

    Patrick just left. We just had our weekly have-supper-and-plan-out-our-lives session at mine, then went for a walk around a park near my house that I didn’t know existed (which is home to a tiny lake with ducks, geese, moor hens, and a single shopping trolley).

    Just before we left the house, I picked up my e-mail. Amongst the letters from friends was a response from an editor to a submission I’d sent him for Idea in Stone. This editor had been quite excited about my second book, and seriously considered publishing it. This one, though, he didn’t like at all. But when he told me what he thought it was trying to be (“a pseudo-documentary like A Mighty Wind“), the only thing I could think was “Did you even read past the first chapter?” It’s not what the book is about in any way, shape, or form. It would be fine to misunderstand a story from the first chapter (or three, as included in the partial manuscript I sent), except that a submission package also includes a synopsis, which tells you the rest of the story.

    There’s nothing to be gained by replying to him, much as I want to clear up his utter misunderstanding of the story. He didn’t like what he read, and that’s that. I’m okay with him not liking the book — taste is individual. I’m not okay with him sending a critical response without having fully read what I sent.

    Fair enough. Time to move on. There’s another press that did like the partial manuscript and asked to see the rest. And if it’s not them, it’s someone else who’ll publish it.

    Thing is, I’ve grown enough since the last time I did submissions that I see it all as business now, business that’s directed either by market research or purely individual, subjective taste. This is the reality I have to work with. I also feel strangely like an equal with everyone else who happens to be working in the field.


    Sunday, July 04, 2004 , 7:59 PM

    HAZZAH!

    From The Scotsman: “Ministers to ban smoking in pubs”.

    We trust people not to murder each other, but just in case someone doesn’t quite get the idea, we’ve created laws about it. Same thing here.


    Saturday, July 03, 2004 , 4:25 PM

    I have something akin to strep throat. My uvula is like a fattened earthworm hanging down my throat.

    On Thursday, I had supper with three poets — Wendy, Gail, and Elspeth. Wendy made us a lovely supper (tagliatelle with a salmon-mushroom sauce), and we sat in candlelight, drinking wine, then eating strawberries and eating pineapple that Wendy and I braised in port, adding brown sugar to make a kind of caramelised port jus. With some heavy cream added — mmm! From time to time, one of us would get up and bang out some words on the giant old black typewriter. By the end of the evening, we had created something together on a sheet of paper.

    I had a night with the muses.

    This week, I fly to Canada. Edinburgh is rainy and bleak lately (it isn’t usually, really!), and there’s a siren call issuing from Toronto — all those friends, all those old memories to walk through, all the favourite places where I love to eat. I can’t wait to go. But Edinburgh (and Europe in general) — this place makes my soul sing. There’s no question where home is. I belong here, even if I don’t yet.

    I went to JK Rowling‘s website today, amongst my other sick-day Saturday activities. It’s a beautiful piece of design work, and I have to admit that I am well and truly jealous. I want to be published. I want to have that kind of creative license and freedom.


    CosBlog
    Thursday, July 01, 2004 , 3:12 PM

    <

    p>My buddy Cosgrove has written the most brilliant wedding speeches for the marriage of two male friends of his that’s taking place today:
    http://www.markcosgrove.com/Blog/.

  • June 2004

    More fear
    Monday, June 28, 2004 , 12:40 PM

    It’s funny that I’m afraid of writing short stories but I’m comfortable writing whole books. I went to The Elephant House again last night, drank wine, and wrote nothing at all. Instead, I planned out my life ahead. I want to live on a cargo ship at some point in my life, just for a couple of months, and do my work from there. Anyone know how I can do that? I also want to self-publish my second book in some dirt-cheap way. So if you know of any print shops in India or someplace, let me know.

    I’m in the library near my house, just getting into my work for the day. I’m having a very late start because I was out kicking up my heels with friends last night. We had a great time, dancing, drinking, and generally being irresponsible. I’ve got responsibility nailed; it’s the other that’s the challenge for me.

    There were so many types of social connections there last night: old friends, new friends, cute friends-of-friends to be a little bit inappropriate with.

    Last night, I also ran into the guy I’d dated for a few days. It was a bit awkward, but you know, I don’t want to talk about that stuff here. Doesn’t seem right.

    Dating, I find, is finally getting easier as I get older. I don’t need anyone. The only one who can save me is me, and I’m on it. I’ve had several important people pass through my life, and I accept now that love is not a perennial flower, but an annual one, beautiful, but just for a season. You can’t fight a rose.

    Right, now into work. I’m committed to really showing up on the page today, so it’s time to turn on and bring my whole self to what I’m working on.

    Cute librarian. Good Lord, will this never end? It must be summer.


    Fear and desire
    Saturday, June 26, 2004 , 10:21 PM

    I’m sitting in The Elephant House, enjoying my second glass of red wine. I had a light supper here, and the wine was two-for-one when I ordered. I couldn’t refuse.

    On Thursday night, I went to a neat event called “Place”. It was a discussion that went live to air on the BBC, discussing how architecture forms our sense of space and our sense of ourselves. It was held in the Old St. Paul’s church, a wonderfully dark and black old kirk underneath the bridge that stretches from the Old Town to the New Town. The presentation was in conjunction with an art exhibit at the Fruitmarket Gallery across the road, which features 286 scale cardboard models of the churches around Edinburgh that are listed in the Yellow Pages. It’s quite amazing, these little brown building-block-like structures all around your feet in the white gallery space. Even the cardboard smell added something to the exhibit’s impact.

    When I heard about this talk, I knew I had to go, even though it was a tenner — a bit steep for a one-hour talk. This is exactly what Idea in Stone was about, our cities as concretised thoughts, reflections of ourselves, co-creators of our experience and sense of ourselves. The panelists were the artist who created the cardboard exhibit, an architect who designed the few modern buildings in Edinburgh that I actually admire, and two commentators on architecture. The talk was really engaging, taking place in that rarified academic sort of air that I’d been longing for earlier in the week when thinking about taking a university course online, full of terms and concepts about architecture that I’d never heard or considered before. All the while, though, the discussion stayed lively, passionate, and relevant, as any conversation about architecture in this incredible city is.

    Before the event started, I stood in the church hall (which I’d surveyed as a possible space for my reading series a while back), thinking about how much time I spend so much time on my own. I’m interested in these sorts of events and ideas, I thought, but I don’t know many other people who are. Because the universe is showing a particularly sharp sense of humour lately, in the next instant I spotted a friend of mine, Wendy, with her shaven head and small, pretty face, in a black outfit that flared out into a skirt and made contact with the ground through big, angular boots.

    Wendy lights me up. Her thoughts are challenging, encouraging, and inspiring. Our talk about the things discussed in the program/dialogue continued to the wine and hors d’oeurves party afterward at the gallery, then back to her house, where she made me a lovely pasta and we talked until it was suddenly late.

    Strangely, though, the panelists didn’t the quite address things I pointed to in my book. While I felt like an ignoramus during the talk for not having any education in architecture or having explored any of the existing thought on the subject, I did feel glad that I hit on something that I think is a very important question for this city, and that I hadn’t made any horrible, obvious mistakes in approaching it.

    Last night, I had another experience of the city that reinforced my love for it. After work, I met up with my friend Karen. (I hadn’t heard anything from any of the rest of the Friday gang.) We bought Czech beer and sat in Greyfriars Cemetery on the grass, talking about everything under the sun — that is, while sitting under the sun.

    I love that drinking in public isn’t illegal here. Being disruptive in public, sure that should be an issue. But I think it’s so civilised that people are trusted to be able to drink responsibly (even though folks here have a bit of a hard time keeping from urinating and vomiting on things when under the influence).

    From the park, we moved to The Meadows, where we had another while watching some students play football. After that, we went to Karen’s amazing flat, where we sat on her roof, a huge expanse of slate with lead seams punctuated with chimney-pots and skylights. We looked out over Edinburgh’s roofs, those skyward points, and at the crags beyond. The clouds overhead were broken and white in front of a sky that faded from blue to yellow to pink. When I say I love this city, I mean it. The feeling I have for the place is nothing short of romantic.

    Today I faffed about, doing next to nothing for the whole day. It was nice to have a “Free Day”, as we say at work. Well, except for one thing: I hate them. I fear them. I finally had to flee the house, and I walked, almost panicked, for an hour. Then I remembered something Wendy said on Thursday night. We were talking about sacred spaces, tranquility, and stillness. She told me that she’s developed a habit when she finds herself in this kind of a panic of stopping and asking herself “What is the fear? What is the desire?” So tonight I came here to The Elephant House to have a bite to eat and to scribble out some thoughts on paper.

    I asked myself what the fear was. It was about having days that don’t amount to anything, that don’t move my life forward. Every day must have a point, right? Of course, I know this is silly, but still I feel this constant urge to do things that have purpose. Creating, that feels purposeful, and always brings rest to my soul. So the desire was clearly to use my time to the hilt, to make it count, to do something that would move things forward. There’s something else under there about belonging, about not being alone, but I figure that’s just the background noise of being human.

    When I finished this navel-gazing and my panino and two glasses of wine arrived, I unfolded a fresh piece of paper from my pocket and spent the next hour outlining a short story. It’s been in my head for a while, but something has been intimidating me, keeping me from getting started on any non-novel-related work. But I soon found myself caught up in creating a unique character and set of circumstances that I could get behind. Now I’ve got this spider-web of ink on the page in front of me, and I think the story is fucking brilliant.

    Time to guzzle my wine and get out of here.


    Wednesday, June 23, 2004 , 4:55 PM

    This is a fun website, though I’ve hardly got the money to go and buy all their recommendations:
    http://www.cdbaby.com

    They use unusual categories to help you find your way through the sea of independent musicians, like:

    “Naked on CD cover”
    “Road trips”
    “Depressed? Stay depressed!”
    “To drink a pint to”
    “Sick of all normal music”
    “Unrequited lovesongs”
    Film soundtracks for imaginary movies”
    …and so on.

    Great categories! I wish I could just download a whole section at a time.

    Instead, since I’m doing some more research into the music industry for my editor, I’m downloading a bunch of free stuff from independent artists on other websites. Here’s one of them:

    Peoplesound.com
    http://www.peoplesound.com/index.htm

    I wish I could have nothing but legal music loaded into my iPAQ, but the sad truth is that most of the free stuff is crap. It can’t ALL be, though, right? I believe in self-publishing, and don’t think it always means “Can’t get published elsewhere”, so surely there are some good musicians who are consciously choosing to avoid an industry that’s overrun with payolas and uncreative, market-driven thinking.

    I’ll let you know if I find them.


    Poetry
    , 10:37 AM

    You remember how I was saying the other day that everyone you get involved with romantically leaves a little piece of themselves in your character? (Or, perhaps, that we adopt bits of everyone we’re touched by that way.) The guy I saw over the weekend (my Lord, how silly that sounds) wrote me a poem to express his feelings about losing the possibility of an “us”.

    Now, when people say “Oh, I write poetry,” I feel a sense of dread, sure that in the next moment they’re going to show it to me. I believe everyone’s life is full of poetry, and that everyone has the right to claim words for themselves to capture their experience. But that doesn’t make it poetry — even if it is presented on broken lines. In other words, a lot of people write bad poetry. Like me: I’m very happy with my prose, but I wouldn’t dare call myself a poet. I just don’t have that gift.

    The wonderful thing about the poem this lad sent me is…it was good! The lines contained little internal rhymes and catches, a cleverness that took me by the hand and showed me things. Of course, I had a moment of wondering if I’d made a mistake. But appreciating someone’s cleverness and originality is not the same as us having compatible lives.

    Last night, I found myself tripping through the web, asking it to send me some more good poetry. I stumbled into MIT’s OpenCourseware project, which lays out — for free — a complete curriculum for subjects spanning from science to art. I contemplated for a moment going back to school on my own, doing all the course readings and writing the essays for a literature or creative writing class. But when I read the assignments, I realised that they were designed for beginning university students, unfamiliar with their voice, to them them how to think on the page. I know that Hemingway said of writing “We are all apprentices in a craft where no one ever becomes a master,” but my learning-about-writing is at a different level than that now. Also, I know I’m worried about the airy silence coming from my creative cave lately. It’s far, far too easy to hide in the echoey halls of academia instead of doing my own work. The challenge right now is that I think it’s not time for me to be writing. I’m supposed to be ingesting stories and living for myself.

    One website I did find, though, which satisfied my hunger for more poetry, is this one at The University of Toronto Libraries.

    It’s an enormous electronic bookshelf full of eminent English poets and their poems. Some of them are dusty, like colourless, brittle old flowers. Some of them, though, are like bulls running down a street with wild animal blood pumping through their veins. They may be old enough to be in the public domain, but they can still knock you down and give you a bloody nose. It’s inspiring to hear that passion as it’s preserved in twists and folds of perfect words, to be shown new ways of thinking by people who aren’t even alive anymore. Writing is truly a miracle.

    So I have some reading to do, and yet another person to thank for their contribution to my life.

    P.S. Ooh! I found something else that I think is great, too: an RSS feed (a kind of electronic news clipping service) of James Joyce’s Ulysses. Each day, they send one page from the book. Yeah, it’ll take forever, but that’s how I got through the Bible years and years ago (creation, all those begats, all the vengeful wars, the traipsing through the desert, the locusts and honey, the end of time, etc).

    I started my subscription yesterday, and I’m enjoying it so far. The only way to approach it, I figure, is as a story. I have to forget all the things people have said to me about it through the years (like “It’s impossible to read!”).


    Monday, June 21, 2004 , 6:45 PM

    I dumped someone today, someone perfectly nice. What a foolish thing to do, yet it made sense. Makes sense. He’s 14 years younger than me, which I suppose isridiculous. (Your distant laughter seconds that motion.) Is that why I broke up with him? That is, if it could even be called “breaking up” after only four days. I don’t know. In these situations, my heart just tells me what’s so. In this case, it told me I had nothing to give, much as I liked his company.

    I bunked off work for a few hours this afternoon (which I have to make up now) to find him in town and have “The Talk” with him. I hated doing it, and felt like crap about it, but all I know with this dating thing is that I have to be honest. It’s the only way to be, for me and for the other guy. He took it very well, though he confessed in a text message later that he felt gutted. And he doubted that we’d be friends. Fair enough: that so seldom happens anyway, despite our insistences at the time.

    I really shouldn’t go out on the scene, and I really shouldn’t engage other people if I don’t know what my intentions are. It’s not fair.

    My mother jokingly called me a slut when we spoke on the weekend. There’s really no describing the gay life to anyone. I went through to Glasgow on the weekend and went out on the town with two friends, and the whole thing felt completely alien to me, too. I hated it, and wanted nothing to do with it. Pride Scotia was on — a bunch of tents in a muddy field — and the crowd spilling out from that into the club we were at just intensified all the worst bits of the scene. Silly music, foolish people — like a fashion show in the shallow end of the pool of life.

    Simplicity. That’s what I want for the next little while. Nothing but simplicity.


    Thursday, June 17, 2004 , 4:32 PM

    I have an inverse-Arthurian microwave: the buttons work for everyone but me.


    Defenestration
    Wednesday, June 16, 2004 , 10:33 PM

    Every person I’ve been romantically involved with has left me a gift. Not a physical gift, but a piece of themselves that I’ve taken on quite unconsciously. I read once that we do this in an attempt to become the whole relationship unto ourselves when we can no longer be with someone.

    David taught me to stick my head and shoulders out the window and enjoy the view. I’ve learned to ‘be’ with my neighbourhood. In fact, because it’s warmer now and my flat isn’t freezing all the time, I’ve taken to leaving the window open and enjoying the cool touch of the air.

    It’s night. The sky is the darkest navy before black. The sun goes down late and comes up early now. A streetlight pokes out from the side of a building across the street, right over the sauna (which I presume is a euphemism for “whorehouse”, but I’ll never know). The long, stone walls of the tenements are covered in windows. A pack of twentysomethings are walking up the middle of the street with carry-bags that probably contain drink, and one of them has a guitar. The asphalt is wet from a rain shower that’s over, and the street looks soft, like chocolate cake with a white divider-line.

    I’m going back to my window for a while…


    , 6:40 PM

    I was looking for reference photos for a series of illustrations I’m doing for work, and I came across this:

    http://www.kynn.com/photos/2003/05/hello-dolly/

    I’ve no idea who this woman is (such is the strange sort of relationship we humans have to each other over the ‘net), but someone has compiled all the photographs from her life — right up to the end! — in one place. What a simple grace there is in the span of of human life. She’s no one; it doesn’t matter at all. But to see her face in each of these photographs, her changing outfits, her hairdos, the family friends, the children, the graduations, the marriages — it’s life, whole and entire, right there, and it means everything.


    , 12:00 PM

    Stuff has been breaking this week. My portable keyboard broke, so I’ve been stuck working at home — EEK! And my glasses broke, again. So I bought a new keyboard, and yesterday after work I went out to shop for glasses. It’s pretty frustrating, ’cause I’ve just finished paying off the others. Sure enough, the new ones are damned expensive, too. I seem to have a big head, ’cause all the cheap ones look really squinty on me. Most designs don’t work with my face, too: they either commandeer my face and look ridiculous, or else they just vanish. Happily, I did find some that work, a return to my old, heavy “author glasses” look (which is a bit scary since I’ve been away from it for a while). I also got a different pair for sunglasses. Yellow sunglasses. When I used to do multimedia work, I always looked forward to the time when I was just a writer, and didn’t have to have glasses that worked for doing colour correction and matching. Now I’m a writer, and I can whatever I want. There’s some stuff I can wear that I call “Famous Hamish” style — the look I’d have if I’d ‘made it’. I figure it’s more fun to live as that guy now.

    I liked the man who gave me my eye test last night. Notliked-liked him; I just enjoyed that he really knew what he was doing and was thorough. It’s always fun to talk to people about things they do well and enjoy doing. He reviewed my prescription, and knew about a filter he could add that would keep me from having that cross-eyed feeling whenever I first put on my specs. Smart people are cool.

    I don’t leave for Canada until next month, yet I feel like I’m there already. I left a big life behind there, and it’s calling to me. There’s already a party planned for the day after I arrive, which is sweet. I walked home last night after doing dinner and a movie with a friend of mine, looking at buildings with round stone walls, turrets, and pointy peaks, then out at the silhouette of Arthur’s Seat, that volcanic cliff that sits beside the city like a huge, trusty dog. All the while, I had a feeling like I was getting to visit Europe, only there was no rush. So there’s no way I’m not coming back here. But I’m looking forward to walking through the streets of my memories and hanging out with my old friends.


    Sunday, June 13, 2004 , 9:26 PM

    Last night I went out to a club and had an awful time.

    It’s bad when you go out and you really want to meet someone — either to win the lusty attraction game and ‘pull’, or to go for the big stuffed panda at the fair: true love — and you fail to do either.

    I wonder if it’s worse, though, to be where I was last night: not wanting anyone and having other people want me. I suppose it sounds terribly arrogant to even address this, but it was pointed out to me by a friend I was out with. “I hate going out with you, because everyone looks at you.” Now, I’m not so sure about this, because when I’m out in places like this, these big gay-life-a-go-go affairs, I feel like a different form of life from everyone else there. Everyone gets excited when Madonna or Brittney comes on, their hands float up into the air, and they start mouthing the words, each taking centre stage in their imaginary feature act. Next to their expensive clothes and two-toned, gravity-defying coiffs, I feel plain and sensible — and kinda like it! How could I be what they want?

    It started early in the evening, with a fellow making a surprised “Wow!” face and pointing at me. This was the one who, out of his head the last time I was at a club, slurred to me “I know who you are. You’re a writer. I’ve read your work!” He used this as an excuse to paw me whilst making the observation. He was out of his head again last night. I wonder if he’d recognise me sober.

    I’d met up with friends to go out for the night, and another friend showed up at the first bar we went to (you know, the one you do your early drinking at). Okay, the ‘friend’ was someone with whom I’d been on a date once that culminated in our sleeping together. I knew from the second I saw him last night and he squinted his eyes at me that he thought it was a foregone conclusion that we’d end up in bed together again.

    He was wrong.

    I won’t criticise him. It wasn’t about that. In fact, the whole evening turned into an avoidance-of-cruelty act. My friends and I went to a shag tag night (where everyone wears a number, and strangers can leave messages for each other on a board). For starters, it was overpriced — five quid for its launch night. The numbers were hand-written peel-off stickers, the board was a bunch of slapped-up sticky notes, and my pint of (blyeech) full-priced Carlsberg came in a plastic glass. (Even the words show how wrong this is: it can’t be a plastic glass.) For the launch of a new club night, it was — well, it was exactly the same as every other night I’d been to at this venue.

    So what was I doing there, being out with a bunch of people under the premise of being a number to be courted by other numbers, when I had no interest in sleeping with or falling in love with anyone?

    Gay people are masochists. We want what we can’t have. Like straight boys. In being uninterested, I guess I sent off “I’m not available” vibes, instantly rendering me abnormally attractive.

    Perhaps it’s a Canadian thing, or maybe it’s just me, but I can’t be willingly mean to people. I spent the night out with friends, two of whom wanted to be with me. From the get-go, I was conscious of not wanting to show interest in anyone else and hurt their feelings. Then there were the numbered strangers (one of whom sent me a lovely note saying “I fancy you rotton” — sic). The one friend already knew where I was standing, so I had to get out the rifle of honesty and let the other one know, too: “I don’t want to have sex with anyone tonight.” (Okay, I substituted rock-salt for buckshot in saying “anyone” instead of saying “you”, but both were true.)

    I suppose there was one guy there I was moderately attracted to, someone older, because I’m dead tired of crazy twentysomethings. Two of my friends sent him a note on my behalf, that old junior high tactic. (“No! You didn’t! What did he say?”) Apparently he was watching me after that. This would have been good, except that the date-shag friend chose that moment to lay a lingering kiss on me to see if I really didn’t want to sleep with him. I couldn’t stiffen my lips or pull away before Mr Maybe saw. So that was that. Just as well, too, because I didn’t really want to play the courting game.

    I did spot Johnny “Rotton” just before leaving. I felt like I should be polite to him and say thanks for the sweet note — since my night was about being polite to everyone — except I didn’t fancy him, and talking to him would be a prelude to… Well, something I didn’t want.

    The music was also utter shite. I’d suffered through that DJ’s work on Tuesday, and I knew just from listening — later confirmed by seeing his name on a poster — that it was the same guy last night. He played The Gay Songbook cover to cover, repeating the choice bits of pop-diva saccharine twice. I hate all that crap. He did play the one song that’s on the radio right now that I like, except he played a sped-up, club version of it in which they kill the natural beat of the song with a bunny-on-speed disco beat.

    We’re supposed to go after love. But why? What’s it do? What’s it for? Is it not the world’s biggest distraction, so we don’t create, so we don’t notice injustice, so we spend everything on clothes and drinks and beauty products and never take a moment to find peace within ourselves? Why would we do that? Who does that benefit?

    “Oh, but love is so…” Whatever. I’ve already had it. It’s nice. But it wears off, then people bitch to me about the people they’re seeing, the ones they swooned over three weeks before. Or the people I like get distracted and take off, or I show too much of myself — God forbid — and that ends it.

    There’s a big space opens up when I take my attention off the pursuit of love. It’s freeing, and feels good. Now what am I going to build in that space?

    P.S. Friday night, on the other hand, was a good night out. I don’t normally like going to comedy clubs, but Liz suggested it, and I was in exactly the right mood for it. Three of the acts were just great, really entertaining. One was frightening; we the audience were put in the position of being concerned for him, which is never good. Liz did an excellent job of summarising the evening in her blog.


    Monday, June 07, 2004 , 10:18 AM

    I had the loveliest Sunday yesterday, playing with friends on one of the hills in Holyrood Park. It was the kind of fun I used to have during the summer break from school, where the day just organises itself and your friends are all the entertainment you need.

    The outing was Liz’s brainchild, and she’s posted pictures of it.


    Saturday, June 05, 2004 , 9:05 PM

    Well, I ended the romance today. It was more of a referee call than a decision: the fella did a vanishing act again this week, so that, as far as I’m concerned, is that. I said it was fun, thanks, he’s a great guy, I wish him the best. I did this by text message — not very personal, but it’s not like I’m going to see the guy. I’d rather be on my own and happy than on my own and wondering where the hell some guy is or what he’s thinking.

    I realise that this might have gone on longer, that there might have been a chance for it if I’d just left it to simmer. But I don’t operate that way. That isn’t how I’d want to do this, visiting it from time to time. Not that I want to be attached at the hip with someone — that would bug me — but anything worth doing is worth doing in a committed way. Call me crazy, but I thought being interested in someone meant that you’re actually interested in them.

    I didn’t plan for it to be like this, for me to spend my life on my own this way. But this is how it’s turned out. I’m okay. I’m happy that I’m still willing to leap when the opportunity presents itself. I just keep finding that I’ve jumped and my parachute is open, but the other guy stayed on the plane. So I land, pack up my chute, and get on with what I’m supposed to be doing.

    ~

    Last weekend I sent out two manuscript submissions — a query letter, synopsis of the book, and the first three chapters. Yesterday I got word back from one of the publishers, the Scottish one, that they wanted to see the rest of the manuscript. It really only means that; there’s no guarantee at this point that they’ll want to publish the book. But it’s still a triumph for me as a writer to even get this far in the process.

    I feel like I shouldn’t talk about this, but, as my buddy Cosgrove said the other day, “To hell with being superstitious. If our words had that much power, I’d be a millionaire with a ten-inch dick.”

    …Though having an editor like my chapters kinda feels like that.

    ~

    I walked around the city and did some shopping this afternoon after doing more research on publishers and markets. I was in a great mood, listening to music, enjoying the warm air. A few musicians were playing along narrow Rose Street.

    Life is good, even if it doesn’t look like the pictures.

    Speaking of which, I had to get more passport photos for my application to have my passport updated with a “Right of Abode” certificate. This is the most recent photograph of me.


    Sneaks
    Wednesday, June 02, 2004 , 2:41 PM

    I bought new sneakers yesterday (trainers, runners, tennis shoes — whatever you call them). For a while now I’ve been feeling like I don’t want to wear sensible shoes. I want shoes that make me bounce, that express the fact that I have a kooky lifestyle and am allowed to wear whatever I want. So I was thrilled when I went out yesterday and found exactly the kind of shoes I wanted, and they were half the price I expected to pay. (I’m cheap when it comes to clothing; I want it plain, no brand names. Clothes are supposed to highlight me, not turn me into a billboard.) I bounced over to supper with my friend Sheila at Palmyra Pizza (who serve great Lebanese food), bounced to a movie (Harry Potter — skip it; you’ve already seen it), then bounced home to bed.

    My shoes gave me nightmares.

    It wasn’t just any nightmare I had this morning, but an Actor’s Nightmare. I was at my grade school, surrounded by friends from my current life and a huge audience of people, and my theatre school class was set to put on a production of a play we had never rehearsed. We were also supposed to supply our own costume, which I didn’t know. It was a drawing-room comedy sort of show, and I was to wear a suit. All I had to wear on my feet, though, were these balloony skateboarder shoes I bought. My first-year acting professor flitted into the room, frolicking despite his size and roundness, making witty remarks to introduce the show that the audience laughed at, not knowing what a tyrant he was. He hadn’t seen my shoes yet. This was the man who admonished us all to wear “grown-up” shoes, since we aspired to playing grown-up parts. He was headed my way…

    ~

    <

    p>This weekend, my mum told me that our family dog died. The dog was old, and was growing deaf, lumpy, and smelly. Still, though, I found it sad and had a cry for him. He’s been like a mascot, a feature in all our family photos for the last thirteen years. I don’t know how my dad is going to fill his time, now that he won’t have to take the dog for regular walks starting at 5AM.

  • May 2004

    Happy Sunday
    Sunday, May 30, 2004 , 1:30 PM

    I woke up this morning with a head full of things to say about myself
    and my book, so I composed two manuscript cover letters — one for a
    press in Scotland, one in Canada — wrote a synopsis of the book, and
    sent it all off.

    As soon as I hit ‘Send’, I heard a knock at my door. It was David…
    with breakfast!

    Life is sweet.

    P.S. What a lovely, lazy day. The fella slept on the couch, and I got some things done, including finally,finally posting my pictures from this year’s trip to Spain, which you’ll find in the Pictures section.

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    Friday, May 28, 2004 , 11:26 PM

    I’m such a freak. After wandering around town all day, figuring that David was finished with me, that I was too intense and came on too strong (Jesus, I even said the L-word!), I went out tonight with my friend Karen, who heard me and understood me and drank many drinks with me and watched, laughed at, yet somehow appreciated the Bohemian entertainment night we went to at an upstairs pub tonight. Then I came home and found… a note from David, saying (in devastatingly simple terms) why he hadn’t called last night. A friend came over, they got drunk. Nothing of the “you’re freaking me out with your writerly overexpressiveness” sort at all.

    Why can’t I just shut up, externally and interally, and be a simple person?


    , 7:31 AM

    I hate dating.

    He was supposed to call me last night, and didn’t. How can I be nonchalant if I care? I’d filled my evening with Plan B, I-have-a-rich-and-full-life activities, but by the end of the message-less night I was crestfallen, thinking “Oh well, I guess that was that.”


    Home again
    Wednesday, May 26, 2004 , 11:23 AM

    I guess I didn’t let enough people know that I was going to be away last week, because I received a few “Where are you? Are you alright?” e-mails. I’m fine, I just went to Spain. It was wonderful. Last year’s trip was more of a spiritual journey, as I tried to digest the experience of losing a friend. This time, it was just a fun vacation with friends. I took lots of pictures, which I’ll post soon, along with some commentary about what we saw, so I won’t get into specifics just yet.

    The last two days of the trip, the others went on without me, as Lisa and Jaime’s flight left from Portugal, and Alvaro headed back home to A Caruna. So I found myself in this strange resort town, kind of like Cancun or Fort Lauderdale — you know, one of those drunken straight people party towns — except full of Germans. As I sat having acietunas y cerveza (olives and beer) by the beachfront, I experienced an uncommon thing for me — the feeling that it wasn’t right for me to be there alone.

    I’m usually very happy in my own company, and a lot of my activity (well, the main one, writing) is based on spending time on my own. But sitting there watching the sun go down, I had the disturbing sense that there was no point being in Spain by myself. This flies directly in the face of how I normally think and feel. It was compounded, too, by the fact that I wanted someone specific to be there with me: Just before I left, I met someone new at a club and we spent every moment together until I headed for the airport. I really, reallywasn’t looking to meet anyone, and had just told someone very nice that I honestly wanted to be single. So, of course, BAM! — the Universe let me have it.

    I got back to Edinburgh and wanted nothing more than to see him, only I had no way to reach him. He contacted me yesterday, though, which made me stupidly giddy. My friend David Playfair and his partner Gordon arrived yesterday, too, and are crashing at my place while they’re here, but the other David, my insta-boyfriend, was good enough to share the living room floor with me last night.

    I can hear my mother now: “Why don’t people date anymore?!” I don’t know, Mom, I really don’t. I also can’t say why I already love this person who’s practically a stranger. It’s silly, but I think I have a lot to learn from being silly for a change.


    Saved by the Beltane post…
    Tuesday, May 11, 2004 , 8:25 AM

    Thank the Queen of May, someone else posted pictures from Beltane (the Celtic festival on Calton Hill marking the end of winter and the arrival of Spring). It was an amazing thing to witness, this wholly uncommercial, traditional, edgy Bacchanalian evening up on a hill overlooking the city — a cross between Christmas andThe Blair Witch Project. You’ll get a taste of it when you see the pictures.

    They’re far superior to my photographs, and linking to them also saves me having to create a $#%@ HTML photo gallery.

    The site is here.

    I did, however, also make a recording of the drummers drumming (lords a’-leaping were absent). It’s an MP3 file (right-click/contextual-click to “Save as…”).

    P.S. My friend Malcolm just pointed me to another sitewith good pictures from Beltane.


    Monday, May 10, 2004 , 1:03 PM

    Cool. Blogger just revamped their services, making them very pretty, and adding some new features. There’s a new kind of information-gathering method out there called RSS, or “Really Simple Syndication”. You can use it to subscribe to your “feeds” of your favourite news sites and even blogs… hint hint. If you’d like to subscribe to my blog using one of the “news aggregator” programs (like the freeware Sharp Reader), you can use this address:

    http://www.hame.land/feeds/feed.xml

    I printed out the manuscript of Idea in Stone on the weekend. It’s as big as a house! How am I going to afford to submit these to publishers? I dunno, but I’m going to find a way!


    Thursday, May 06, 2004 , 8:49 PM

    I baked! And it doesn’t suck! (It just looks like something you’d see dead on the road.)
    It’s a carrot-raisin loaf thingy.


    , 10:05 AM


    YAY! I got it!

    I hung out at Lorne’s last night, editing my manuscript while he worked away on his computer. I’m just busting to read bits of the story to people, which must be quite annoying. I’m just so happy with it. I figure in two or three more editing sessions, I’ll be finished. And then I’ll really deserve… a trip to Spain!

    Yesterday I gave up a grudge I’d been carrying around my neck like an albatross. You know, you think you’re standing up for yourself, protecting yourself from harm, but there’s a point where it’s easier just to give up a beef with someone and get on with life. Prolonging this thing cast me as this angry, vengeful guy, and I don’t want to be him. I’ve got other stuff to do.

    Like finishing books and going to Spain.

    P.S. I just booked my tickets! I’m going to meet my friends in Barcelona, and we’re going to stay here.


    Wednesday, May 05, 2004 , 8:56 AM

    Holy crap! I got an e-mail today from one of those pesky (“Upgrade your account to see this!”) classmates websites I signed up to once, reminding me that it’s the fifteenth anniversary of my graduation from university.

    Yeah, I guess it has been.

    My friend Kirsten e-mailed me yesterday. She and I went to theatre school together. She was asking me if people thought of me as a failed actor — something she gets from people she knows. People can’t relate to the fact that she’d done a thing, done it completely, and decided to move on. I don’t get that response from people, probably because I’ve moved around too much to have anyone around who ever knew me as an actor.

    Studying theatre was probably the best training for the life and art that was to follow, and many of the same principles I learned still apply to the things I do today, although my life looks nothing like what I imagined back then. It’s much more fun being one person all the time. In fact, as Joseph Campbell said, “The privilege of a lifetime is being who you are.”

    [An aside: Kis and I were also talking about movies yesterday, and she wrote this, which I think is brilliant: “I’m tired of this martial arts, people running up the walls and leaping to the roof thing, and doing thirty back flips. Too many superheroes. And the sound effects in movies are getting outrageous……way too loud…..when a punch is deafening or kissing-saliva sounds louder than the ocean in films the film makers should be fined “too loud” fines.” She’s got a book coming out, which should be very funny.]

    I’ve been doing edits of my book the past few days — a really slow and laborious process, though it’s fun to read the story again and to experience it as something alien (“Ha! I wrote that?”). Last night, I edited the part of the story that involves a theatre production, and I got that feeling of camaraderie again, of company. I miss that intensely sometimes, and that’s about the only thing I miss from theatre.

    I had a conversation with my editor yesterday, though, and we spoke about what she sees as the next level for me in my work with the company, and we were both pretty excited about that.

    I’ve committed to a friend that I’m going to send him the manuscript on Monday — a structure I needed to light a fire under me. I want to get this finished, and I want to get it out there in the world where it can make a difference for me, and where other people can enjoy it, too. I will see this one in print. I’m also seriously considering self-publishing my second novel, which seems like it was too genre — or something — for a publisher to take on. I’ve done this before, and I know what I’d do again or do better this time.

    Funny, though, I also find myself feeling like a “story slut”: I have all kinds of ideas for short stories in my head, and after the long commitment of novel-writing, I feel like having a bunch of short, fun flings with these ideas — which is handy, since that’s what I should be doing next for my fiction career, getting work out to publications.


    Tuesday, May 04, 2004 , 11:20 AM

    <

    p>I’ve been in Scotland exactly three years today.

    <

    p>

  • April 2004

    Thursday, April 29, 2004 , 5:45 PM

    I’m living under a lucky star these days! While in the queue to fly to Heidelberg, I noticed that my passport was going to run out the day before I was to come home. It cost forty quid to have my ticket changed so I’d return the day before that. (We’re not at the lucky part yet.) As soon as I got back to Edinburgh, I ran around town, collecting all the documentation I needed to apply for a new passport. God, I hate bureaucracy! My life is not the sort that fits easily into little application form boxes. I got that done and sent it off. But I’m supposed to travel to Barcelona in less than two weeks, and there’s next to no way that I’d get my passport back before then. I figured I was out the price of my plane tickets — about a hundred quid.
    Here’s the lucky part:

    I got a call from Air Scotland yesterday. Oh great, I thought, they’re probably calling to remind me I can’t fly ‘cause my passport’s invalid. I was glad I’d noticed on the way to Heidelberg; otherwise I would have shown up to go to Spain and not been able to travel at all. It turns out, though, that Air Scotland was calling to apologise for over-booking my flight. I couldn’t go to Barcelona that day. They offered me a refund.

    YAY! So now I can fly last-minute if I get my passport, but I’m not out of pocket if it doesn’t come through in time. I would like to go, though, to attend a conference that’s on there, to be with my friends, and to stay at a beach house Alvaro found for us for free!

    The first place I went in my attempts to get a new passport was the Canadian consulate here in Edinburgh. I was told, though, by the woman at the main lobby reception desk that there isn’t a consulate here anymore. She’d retired. She. The woman who was the consulate! Then my mind flipped back to a visit I made with my old boss to the Canadian consulate in Los Angeles. The consulate had airlock doors, massive office space, and a huge staff. They invited us to a lavish lunch at which we heard Lloyd Axworthy, former Minister of Foreign Affairs, speak. Unfortunately, we’d just missed the big blowout party they threw for former Prime Minister (for about five minutes) Kim Campbell, in honour of the launch of the musical she wrote… about the Holocaust.

    No, seriously.

    ~

    Heidelberg was lovely. Tomasz is such great company, and the city is so beautiful. It’s as simple as this: I like old stuff. Heidelberg is a music-box of a city, and now I have even more nice memories of it — the shuttered windows of flats behind tall walls along thin, cobbled lanes; the little street-signs with those narrow German fonts; the cathedral in the city, and the castle above; Tomasz and I walking up the hauptstrasse eating ice creams in the warm air of a spring night, or dancing cool and carefree down a street where Latin music played, past people drinking beer at outdoor tables.

    My visit last year was the tourist trip. This time was more of a social visit, and I got to meet some of the people in Tomasz’s world. One night we went out with a bunch of the young men and women from the American army that he works with. Americans are… Well, I’ll say no more. They’re different. And they don’t generally blend in well, or notice (or care) that they don’t.

    Another night, we went to see a woman sing who works with one of Tomasz’s friends. I was picturing (I don’t know why) a nervous, skinny white girl giving amateur-night kind of performance. Instead, the performer was a large young black woman with a great big voice and a very fun, confident personality. Her singing was pretty good, as she took us through a full programme of Swing-era music. Hearing Thirties music sung in a small German town was a strange experience; my sense of what year it was slipped wildly. Anything her voice lacked she made up for in enormous confidence that carried the whole show and made it a lot of fun.
    Tomasz and I spent Saturday in Mannheim, capping off the afternoon with a trip to the planetarium, reclining in the most comfortable chairs in the world, while a giant metal structure with two lens-dotted spheres rose out of the floor, looking like it was going to irradiate us all in our chairs, or zap us if we happened to float to the huge domed roof, a la Logan’s Run. In the end, there was no zapping, but a show about comets… completely in German. I made out a few words, but spent most of the time thinking little more than “Ooh, pretty.”

    We met with the friends from the concert again that night for a dinner party. This took place in a lavish penthouse suite overlooking the Neckar River and the rest of Heidelberg, owned by a nice man named Jose — a maxilliofacial reconstructive surgeon for the Army. (Yeah, apparently they have those.) One of his creations was there, a young man who’d just finished his stint in the army, who took a shine to me. He asked me for a kiss, which I gave him, and that little indiscretion became something of a hullaballoo. It all blew over by the following morning, when Tomasz and I met everyone for brunch in a small town nearby where Todd, one of the birthday boys from the previous night’s party, lived. His flat was another good illustration of how the other half lives, except his was modern, full of art and audiovisual equipment, where the other featured lots of old wooden furniture pieces that looked like they’d been rescued from a well-off pirate ship. With all the Gianni Versace plates and the sassy talk between the guests, I found myself wondering about the American army: Don’t ask, don’t tell, but scream if you want to, sister!

    Tomasz and I had to leave lunch promptly so he could drive me to the airport. I’m so happy to know him, and that I’ve taken these spontaneous trips to see him. Unfortunately, circumstances make it impossible for us to be more than friends right now, and we kept things nice and simple this trip — which was probably what both of us needed more than anything (“Love without complication,” as he said). But he’s someone really special, and I wonder if one day circumstances might be different…


    10:00 AM

    ACK! My web host had some problems and I was without e-mail for a few days and this website was down. Apologies if you’ve tried to reach me and your message was bounced back to you. I assure you I’m alive and well and back home in Edinburgh. The e-mail kinks may not be completely sorted out yet (the DNS information has yet to propagate itself fully through the web — I think), so please bear with me.


    Wednesday, April 21, 2004 , 11:54 AM

    I’m sitting, typing in the sun. Outside, birds chirp, a baby mewls, and some people talk loudly to each other in a language I don’t understand. There are two cats here in the flat. I’m not a cat-person, but I have to laugh at them. They’re definitely not innocent, not with the running around and getting into things that they do. But they are naive. Yes, if you pull that, that will fall down — yet each time they’re surprised. They jump at bugs, they climb the furniture and chase each other, then stop and give a look that just says “What?”

    When I was a kid, I’d get so upset about things. The next day, though, my mum would ask me about them and I’d say, “Oh, that was yesterday.” I’m still like that, it seems: I don’t stay down for long. Getting away from things was a very good plan. I’m really happy today. I love that I’m old enough to know how to be me, what I need in certain situations. I’ve learned stuff, things will be different, but my commitment is to having life work.

    I’m excited to be here, and happy to realise that, while I think of ‘success’ as a far-off thing, I have the freedom and means to up and go wherever I want to when I feel like it. That counts for something.


    Tuesday, April 20, 2004 , 2:14 PM

    A HORSE IN GORSE

    Ladies and gentlemen, Mr MacDonald has left the country.

    On the train to the airport, I saw a horse through the window. It was rolling on its back, its giant russet frame tipping back and forth, its hooves in the air. I would give anything to be that horse for a week. No thoughts or worries, no feelings it’s trying not to feel. Just legs and back and muscles and lungs. To run through that endless field of grass bursting with yellow gorse beside the dark grey sea.

    But I’m not a horse, I’m a human being, with thoughts and confusion and feelings. So this is the best available option.

    This heart is closed for repairs.


    Sunday, April 18, 2004 , 6:03 PM

    104, 938 words. Idea in Stone is finished.

    I walked up to the top of Calton Hill in the light rain and looked out over the city that was the setting for this novel and for so many of my thoughts over the past year-and-a-half of writing it. As always, I cried that these characters weren’t going to be in my life anymore. But that happens with real people, too.


    Saturday, April 17, 2004 , 12:27 PM

    I’m running my bath, gearing myself up for a day of writing. Today’s task is Chapter 27, the penultimate chapter in my book. I’m usually a bit nervous before setting down a chapter — particularly one so close to the end of the book — because it’s an act of taking infinite possibility and transcribing it in one single, limited way. Then there are all those inappropriate-at-this-stage thoughts, which can be summarised as “What will they think?!” Of course, this is the last thing to consider while I’m in the process of writing. Instead, I have to immerse myself in the story and tell the next part of it the way it wants to be told. The story always has its own integrity.

    Well, the story has its own integrity when the author is true to himself and doesn’t muck about with what he’s received from that place where ideas come from. But there are always those who want to tamper with that purity and integrity. Here, for instance, is an example that the creatures of hell do walk this earth:

    http://www.customizedclassics.com/romeo-juliet.asp Yes, that’s right: Romeo and Juliet, customised with your names, pictures, and with a new, improved, happy ending.


    Thursday, April 15, 2004 , 11:31 AM

    I made an awesome gazpacho yesterday. I’m proud of that. Particularly odd is that it contains cucumbers, which I usually hate, but here they work. Eating it reminded me of being in Madrid last year with Lisa, sitting at a patio restaurant in a tiny side street that was more like an alley.

    I’m on the phone with my GP’s office. Their hold music sounds Eine Kleine Nachtmusik played on one of those 1980s Casio calculators with the piano keys. If bureaucracy had a sound, this would be it.


    Wednesday, April 14, 2004 , 12:32 PM

    I’ve met a great guy named Lorne, who I believe is going to be a good friend for a long time. Last night, we went to a movie, then he twisted my rubber arm and got me out for drinks. A big dance club was having its second anniversary, so drinks were cheap-cheap, and the place was hopping. (Lorne’s speciality is promotions — he’s a different form of life to me — so he likes being out on the scene.)

    It was a school night. I drank way too much. We did have fun, though. I’m trying to stir up that summer feeling of going out and living as much as possible. The only catch is — well, it’s half-one, and I’m just starting work (having just had a breakfast of pizza and a bowl of peanuts).

    Dangerous. But fun.


    Monday, April 12, 2004 , 9:44 PM

    I have no groceries in the flat, so I thawed some rolls tonight and made garlic bread for supper. I’d kinda forgotten to eat today. Unfortunately, the bread tore the hell out of my hard palate. Ouch. I’m drinking tea now, which is nice once it’s inside, but hurts like a @$*%# on the way in.

    Last night, I went to see Shaun of the Dead with some mates. My God, it was funny. I can’t begin to describe it, except to say that it raised my appreciation of British humour to a new level. Hollywood is just not capable of such a movie. I also appreciated how much I’ve been paying attention that I got the humour in such a very British movie.

    ~

    Why can’t I choose my feelings? I mean, they’re mine, right?

    Creative people who can’t help but explore other mental territories are at greater risk, just as someone who climbs a mountain is more at risk than someone who just walks along a village lane.
    R.D. Laing


    Tuesday, April 06, 2004 , 9:32 AM

    I had a great time this past weekend visiting my friend Patrick’s family in Burghwallis, near Doncaster. I was expecting it to be a time full of “Oh, so that’s why you do this or that”, but instead, I met completely different people who all shared a common something — and it’s difficult to articulate what that was. It’s a feeling, an outlook, a way of being. This quality has a lot to do with why I like hanging out with Patrick so much, so I immediately felt an affection for the rest of the family, too.

    It was a great break, to walk through the lovely countryside around their house — a completely different side of England I’d not seen before, much like the spot in Belgium I visited several years ago, or my imaginations of rural France. It’s also nice to stay at a “grown-up” house and be taken care of by parents, even if they’re not my own. I was able to completely disconnect and relax, which had the happy side-effect of rejuvenating my brain. The first two mornings I woke up, I discovered that bits of the end of my novel had bubbled up into my consciousness, fully-formed, and I watched them in my head like a movie. I love when the work gets done like that. It won’t take many more writing sessions to finish the book now, and it really helps to have such a vivid sense of how things must end. Each image or event I pictured made me react with an “Oh, of course that’s what has to happen! That ties together this, and that, and this…” That gives me a lot more confidence than having to sit down and pull it out.

    The postman just stuffed something through my mail-slot, a brown paper-wrapped package the size of a book. Without even opening it, I know what it is: my annual Easter bunny from my mum. I love that she does this, even though it’s silly for her to spend three times the price of the thing sending it to me. I can’t wait to see them and my Toronto friends when I visit this summer. And I just booked my tickets the other day to go to Barcelona with my friend Lisa. So life is very active and mobile these days, between planning larger trips and taking these fun weekend road trips with Patrick. I worry a bit that I’m not attending enough to my life here in Edinburgh (and I do feel homesick every time I go somewhere else), but life does continue apace here. I’m still making new friends, each of whom is like a good book I can’t wait to sit down and read.

  • March 2004

    Tuesday, March 30, 2004 , 2:31 PM

    I was just reading WilWheaton.net, and in one of the blog entries was about something he’s going to be featured in soon, along with other bloggers. One of the others listings was:

    “Illustrator Mark Frauenfelder throws out his cell phone and uproots his family from Los Angeles to the sandy beaches of Rarotonga.”

    WTF? Mark Frauenfelder was an editor who really, really liked my second book The Willies, until he decided at the very end not to pass it on to the next editorial level, suggesting that I perhaps cut it in half (the King Solomon-ness of the suggestion was not lost on me). I was never sure if it was the character stuff he wasn’t interested in, or the action. Given that he was with a sci-fi-ish press, I assumed the former.

    Then he showed up in an Apple “Switcher” ad! (Shortly before I switched to a PC.)

    And now this. If nothing else, I’m wondering what he’s doing to get himself noticed so often in so many weirdly varying ways. I’ve known a few people who have this gift, to draw attention to their decisions, movements, and activities. It’s not my gift, though.


    , 9:48 AM

    I took the liner out of my winter jacket before going out this morning. The end result was much like a strong man who’d wasted away after a long illness.

    I decided this week to work from home. With the money I would have spent on just two days’ lunches out, I managed to buy really nice groceries to last me until the end of the week (all that was necessary, since I’m going away this weekend). I have tomatoes and halloumi cheese and pasta and sparkling grape juice and…


    Monday, March 22, 2004 , 2:18 AM

    Phew! I wrote two whole chapters this weekend for the book, chapters 24 and 25. The story is getting very close to the end, and — without ruining anything for anyone who might be reading it — upsetting things are happening.

    I went to a lovely party this evening at my friend Fiona’s after I finished writing. Some of the people were old favourites, and some were new. Three of them were musicians, which reminded me of that funny principle with good musicians: when they start playing at a partyyou never get all the way through a damned tune. They keep stopping to tune up, to compare notes about something, or to do something even more complex that you can’t sing along with. Musicus interruptus.

    I left fairly early, having to get up for work in the morning, and knowing I’d want to edit today’s chapter and mail it out before bed. This afternoon, I’d run from the house to the Royal Museum of Scotland, because I had to do some location scouting of sorts, just to make sure things were laid out as I thought they were. I doubled back on the way home tonight, too, to check the way some streets intersected. I’m glad I did, because I had some details sketched incorrectly into my memory. Then I made the rest of the walk home in a less-cold night under a clear sky of the darkest navy blue, sniffling to myself about events in the book and about the fact that all these people who live inside me will be moving on soon. Especially strange was walking through the part of the city I’d just been writing about. The book is a lie of Edinburgh, a fairy tale of sorts. I wonder how real life here will be when I’m not writing the lie anymore.

    P.S. Word count: 99,294 words. Longest thing I’ve ever written.


    Thursday, March 18, 2004 , 8:19 PM

    Thank God! Patrick made an album of our Newcastle pictures, sparing me from having to do it. They’re on his website.


    Wednesday, March 17, 2004 , 10:31 AM

    I deleted all the news URLs from my browser’s ‘Favorites’. The news is just never good, and there’s damned little I can do about most of it. Here’s a quote from Henry David Thoreau:

    If I am to be a thoroughfare, I prefer that it be of the mountain brooks, the Parnassian streams, and not the town sewers. There is inspiration, that gossip which comes to the ear of the attentive mind from the courts of heaven. There is the profane and stale revelation of the barroom and the police court. The same ear is fitted to receive both communications… We should treat our minds, that is, ourselves, as innocent and genuous children, whose guardians we are, and be careful about what objects and what subjects we thrust on their attention. Read not the Times. Read the Eternities.

    #

    I had a great time in Newcastle last week with Patrick, visiting P’s friend Abby. Between conversations that were like movie car chases, we had some great meals, visited Newcastle at night (which was a neat mix of industrial and futuristic), and walked the seashore at Tynemouth and then again by the striking castle at Bamburgh.

    I have a bunch of pictures in which I’ve captured some beautiful landscapes and some in which I’ve managed, once again, to make perfectly fine-looking people into grotesques. I’ll post these soon.

    #

    My friend Glynis once shared with me a piece of advice about dating she’d been given: Whenever you feel like asking for reassurance… don’t. In theory, it’s awful. In practice, though, it’s something I need to remember. I think too much, and I say too much. More than once this has led me to wreck a potentially good thing, and it nearly happened again, except that I seem to be dealing with someone exceptionally understanding. I know I should be true to my nature, but sometimes my nature is just bugshit crazy.


    Monday, March 08, 2004 , 3:59 PM

    I’m drinking a mix of fresh lemon juice, maple syrup, cayenne pepper, and water. When I last did this, it was a fast, but I’m not feeling that disciplined at the moment. I just like the taste of it.

    This weekend was full. Friday night I went out with the usual gang (which tends to vary by one or two members, sometimes more). We went for supper, to the Improverts, then on to Whistle Binkeys, an interlinked series of brick caves with a big stage in one room. I guess I was tired from a stressful week or something, but I was just not on. I had nothing to say to anyone, and everywhere seemed too noisy and smoky.

    I stayed out in Carstairs Junction at Patrick and Anita’s place Friday night. Saturday, after a very late breakfast, Patrick and I worked on his CV, I read some of A Moveable Feast, then we watched Betty Blue, which he’d caught on his TiVo. It’s a film about a handyman-writer who falls in love with a challenging and beautiful young woman. They have unrestrained French movie sex, complete with genitals and hairy bits, which was quite a shock to us back in my theatre school days, when my classmates and I first discovered the film. For us, it perfectly exemplified the raw, passionate, impossible love that… none of us were having.

    In the evening, Patrick and I went through to Glasgow. His uni friend Iain was having a party, and we were going. I felt tired, but I decided that I was going to be “on”, goddammit, so we bought a bottle of tequila and a few bottles of tonic water so we could make “Tequila Rapido”, as they drank in the movie. I stepped into the flat and thought, “Uh oh,” because it was jammed full of people who I judged were quite a bit younger than me, all sitting around in a circle. Patrick and I went to the kitchen, where we talked with Iain and had a drink. Others poppped in and out of the kitchen, so we’d soon warmed up to the crowd, like goldfish in a bag, and we were ready to join the others. Patrick and Iain fell into their own conversation, but I somehow got pulled into a drinking game that involved a deck of cards. The Tequila Rapidos were going down rapidly (though I confess I was mixing them weaker and weaker, as the game involved a lot of drinking).

    I liked the others, and was finding it easy to laugh and talk with them. My initiation wasn’t complete, though, until I drew the last king from the deck. That meant I had to suffer the penalty that had been devised by the holders of the other kings. Specifically, I had to drink a mix of everyone else’s drink from a woman’s belly button.

    Yeah, it was a first.

    Patrick and I crashed in the living room when the party broke up, and I decided to take the bus home on Sunday. I bumped into some of the guys the next day at the bus station. They seemed pretty happy to see me again, and said the Amy’s-navel thing was the highlight of the evening. Amy was very pretty, but I didn’t make a point of the fact that Amy’s navel was really only marginally more sensual for me than the glass I’d been drinking from earlier.

    I grocery shopped, talked to my new friend-with-potential Gus for a while, then finally got down to working on the book at seven. Before I knew it, it was ten o’clock, and I’d finished yet another chapter of the book. I sent it off, made popcorn, and watched Y Tu Mama Tambien whilst chatting with Gus online (which involved much flipping of windows, but the movie’s frenetic energy made that okay). I’ll leave the commentary on the film to Ebert, who perfectly summarises my reaction to it.

    And now it’s Monday, and I’ve got a lot of work to do. This is good.


    Friday, March 05, 2004 , 2:01 PM

    Last night, I went to the symphony with my friend Sergio. In the past, I’d gone to concerts and found my eyes burning, blinking, wanting to close. I didn’t know where to look, what to focus on. Last night, though, I was in rapture throughout. The violinists were jumping in their seats as they elbowed notes out of their wooden boxes. The brass players pulled out tiny loops of plumbing and opened valves to drain the condensation out of their instruments, then delivered rousing blasts on cue. The conductor swam and fought and danced the music out of his orchestra. He was not a young man, but his body bounced agelessly, and his hands flew away then returned like they were attached to rubber bands.

    Dvorak’s music made up the first act. My father is always playing classical music on the stereo, but I didn’t know this. I liked it, and found myself carried along with every change of tempo and mood.

    The second half of the first act featured a singer performing an operatic version of the Psalms by Dvorak. Her voice stayed in an unusually low range, never running off the precipice of a high note like you hear in the dramatic operas. Sometimes the orchestra and she blended in volume so one was indistinguishable from the other.

    She wore the standard black concert dress, but it was adorned with a green swath of fabric like a superhero’s cape put on backwards. I swear I saw a tiny moth come from her mouth as she sang and flutter in broken arcs above the orchestra. In that moment, I was conscious of the creative racing of my mind. The past week, with my worry about having enough billable work, had cut off my creative supply, but my editor’s return yesterday (with an attendant wagon full of new assignments) and the orchestra’s spirited delivery of Dvorak, then Beethoven’s 7th in the second act, I felt like someone had opened up an aqueduct. The dust was swept away by cool water from the mountains where the gods live.

    Afterward, Sergio and I went next door to a pub. He shared his great news with me: he’s going to be published. I bought us drinks and we toasted the occasion. Then we had a very heady conversation about the process of writing a book, of following characters and events that are so familiar yet so strangely independent and complete unto themselves. We also tried to divine why Sergio was being published now, what, in the story of his life, was different such that this was finally happening. We came up with a theory — he was utterly committed that this would be — but only the universe really knows.

    Now I’m in the library, about to write an article for The Coach. Today it’ll be easy. Then tonight is my night out with the Friday gang — my great reward for a hard week’s work (or lack of it).

    So all’s right with the world, and again I was wrong to fret. When will I learn to trust that things always work out?


    Thursday, March 04, 2004 , 11:36 AM

    I know, I know. I haven’t written for, like, ever.

    I was sitting here in my flat, enjoying the sunshine that’s coming in because I’ve finally parted the lead curtains in my living room and opened the window. For some reason my mind flitted to a breakfast I had in New York one time, somewhere in SoHo where they served the best pan-fried potatoes I’ve ever had (lots of paprika). I just can’t remember who was sitting across from me: was it Bert or Jordan?

    Bert is a great friend from my Toronto years, a constant intellectual thorn in my side, making sure that I always questioned, always thought. I haven’t spoken to him in a long time, and I regret that. Funny, searching for him just now, I discovered that a letter to the editor I wrote in response to one of his pieces in Toronto’s eye Magazine was printed. I didn’t know. Here’s his article. Here’s my letter.

    Jordan, on the other hand, is my ex, though “ex” is such a harsh word, when he’s someone I still cherish, with whom I shared the wild ride of my first romantic relationship. He’s doing very well for himself now as an art director for television commercials. He’s just re-launched his website.

    Okay, so why haven’t I been blogging? Well, it’s mainly because I’ve been talking to someone on the ‘net, someone with whom there’s a potential something. But, you know, these Internet things — they’re not real. They’re silly. They’re impossible. But of course, what’s life about if not courting the impossible?

    Still, I feel a pressure not to talk about it, or to mention it — partly because I have a few unresolved conversations out there with some other fellas, though I think we all know where everything stands. I just don’t like to assume, because nothing really goes without saying. The other pressure is that horrible notion of jinxing something: if you say too much, if you get too excited, you’ll wreck it. My mum’s terrible for this, but I guess I figure, hell, if you’re excited then disappointed, at least you got to be excited. What’s particularly special is that after the events of last year, I didn’t imagine I’d feel this way again.

    Work has been pants lately, because there hasn’t been enough for me to do while my editor’s been away on holidays. She absolutely deserves every moment of free time, because she works like a dog for that company, contributing every bit of her time and creative energy. But as someone who bills hourly, I find not working very scary. And the Canadian dollar is at its lowest since I moved here. Every dollar I’m paid is worth about 44 cents here. Yeah, less than half. Ouch. I’ve been thinking about buying my own flat, but I looked at the math again, and it just doesn’t add up.

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    p>I want to read A Moveable Feast again. It’s the book that inspired me to move to Europe. I could use a dose of Hemingway sitting in Parisian cafes, writing for the Toronto Star, barely able to afford bread and a glass of wine. At least as a writer there’s always the romance of it to fall back on.

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