Just before I moved house, I posted my guillotine for sale on Gumtree — for a paltry price, too, just hoping to get some pocket money for the move. A man came and bought it, aiming to use it in producing a sports-related newsletter. I think it’ll work well for his job, but for books it was a half-angel, half-demon device.
Yes, it quickly sliced through a thick novel like the proverbial hot butter-knife. But no matter how carefully I lined up the book or how tightly I cranked down the bar that held the book in place, the blade would inevitably chop through the paper at an angle — usually not-quite-right, sometimes very wrong.
Picture a novel opened to a page, its right-justified text acting as a black, lettery ruler pointing out that the blank right margin gets closer and closer to the text as it goes down the page. I was never happy with that, and several times, in trying to fix it with additional cuts on the guillotine, I would ruin the almost-finished book. It was a very frustrating waste. I know people like the little imperfections that remind them a book is hand-bound, but this funny-angle business was a flaw I was comfortable with.
I sold the guillotine knowing another solution was on its way to me. Of course, I’d just given away my existing solution, so this new one had to work — my ability to make books and run my own press depended on it. So off went the heavy metal guillotine, and, just at the last minute arrived a book-binding lying press, wooden tub, and plough. I didn’t even have a chance to take them out of their boxes before the movers had to take them away.
Now that we’re all moved in, with everything unpacked and in its place, with the boxes all stored up in the attic, I finally had a chance to test out my equipment — which, even though it’s new, looks antique in its design. The parts are all big, heavy blocks of birchwood, and its threading screws are all hand-tooled.
I sewed together a couple of book blocks while watching TV with the fella the other night, then yesterday got to work with the plough. I was nervous, because my whole process depended on this working. And it did.
The plough proved to be worlds better than working with the guillotine, because I can set the book exactly where I want it in the press, then trim the edge with absolute precision. The result is so smooth — it feels wonderful on the fingertips. It takes much longer to go back and forth, back and forth with the plough, but it’s worth it to produce a predictable result and not ruin a whole book. And there’s something rewarding about doing something the way it was done for hundreds of years.
A friend gave me an old wallpaper sample book, so I decided to indulge myself and use some of its wonderful screenprinted pages for cover paper and end-papers. Here’s the result, which I present, for once, without any apology or excuses:
I can’t wait to try it on a novel. I may even decide to reduce the outside margins on my books, which will mean they’re thinner and use less paper. I had to leave a wide margin before to reduce the visible discrepancy between the angle of the type and the angle of the book’s edge.
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